5:33

Your Kindness Never Fades
v4.5-all
Psychedelic rock with theatrical, hypnotic, brooding energy and a fragile, on-the-edge arrangement, Vox Continental organ drones through tremolo and spring reverb, jagged fuzz guitars drift in and out, and the drums push a lurching groove with tom fills and loose tape saturation, Indie vocal highs crack into stacked harmonies, with swirling phaser, delay throws, and sudden dynamic drops that feel ready to collapse
4:38

Not My Will
v4.5-all
Darkwave with industrial noise-pop and glitch electronic textures: pulsing minor-key synth bass, detuned saw pads, and clipped drum-machine kicks under sidechained distortion, Metallic percussion, granular stutters, bitcrushed vocal chops, tape hiss, cold reverb, and abrasive noise layers create a tense, spacious, machine-lit atmosphere
3:47

Your Plans
v4.5-all
Indian folk-world-rock with a driving rock backbeat, distorted electric guitars, and layered hand percussion, Jaltarang sparkles over nadaswaram leads, veena and sitar weave modal drones and rapid bends, while tabla plays intricate tala patterns with crisp attack, Vocals with rhythmic word-chop hooks, call-and-response chants, and a section where the words themselves hit like percussion
5:10

This Hope Will Not Disappoint
v4.5-all
Symphonic rock in a temple atmosphere with a large choir, pipe organ drones, and tolling bells over tom-heavy martial drums, Distorted electric guitars enter in broad power chords, supported by orchestral brass, tremolo strings, and deep timpani, Grand, ritualistic dynamics with cathedral reverb and a dark, hymnlike build
4:59

Even Unto Death
v4.5-all
108 BPM alternative psych-rock with fragile whispered vocals over fuzz-drenched guitars, plate reverb, analog pads, arpeggiated mono bass, and swirling tape hiss with distant field recordings, Punchy drums build into tribal tom fills; chorus hits with overloaded fuzz, minor-second harmonies, doubled raspy vocals, then a stripped atmospheric bridge with filtered synths
4:02

Forgiven and Free
v4.5-all
Country rock R&B house blending twangy Telecaster riffs, clean slide-guitar hooks, and soulful stacked vocals over a four-on-the-floor house kick at 124 BPM, Live bass, tight snare claps, Hammond organ pads, fingerpicked acoustic guitar, and syncopated gospel chords ride sidechained synth bass, polished but spacious
3:59

You Are Good, So Good
v4.5-all
Deep Uk House, 124 Bpm, A♯ Minor, Low-Register Piano Stabs, Rubbery Donk Bassline, Sidechained Kick, Clipped Clap Pattern, Shuffle Hi-Hats, Distorted Diva Vocals, Light Autotune, Plate Reverb, Tape Saturation, Vocal Hook Repeats, Peak-Time Bounce, Bittersweet Longing, Early 2000S Club Mix
4:40

Make Me Whole
v4.5-all
Cinematic Indian Procession Groove Symphony, Swarathma Caravan Style, Preserve Original Been And Banjo Identity, 122 BPM, Hypnotic Been Serpent Motif, Rhythmic Banjo March Patterns, Halgi Groove Engine, Dhol And Tasha Percussion, Traditional Brass Band Energy, Duduk Lyrical Responses, Nyckelharpa Harmonic Textures, Cimbalom Rhythmic Shimmers, Warm Bass Clarinet, Cinematic French Horn Swells, Deep Bass Guitar, Analog Synth Pads, Hybrid String Orchestra, Organic Modern Production, Dynamic Procession Builds, Recurring Serpent Motif With Brass Anthem Themes, No Vocals, No EDM Festival Drop, No Trap Beats, No Excessive Orchestral Clutter
3:30

Make Me Selfless
v4.5-all
High-energy Indian folk-Bollywood fusion with modal sitar riffs, punchy dhol hits, tabla fills, and harmonium chords driving a 100–110 BPM groove, Bright string sections, handclaps, and cinematic-style percussion layering support call-and-response Hindi vocals with a strong accent, tight reverb, and festive dance-floor bounce
3:42

Enough for Me
v4.5-all
Jazzy Electropop, 90 Bpm, Vocoder Lead Vocals, Breathy Harmony Stacks, Rhodes Chord Stabs, Arpeggiated Polysynth Hooks, Filtered Synth Bass, Syncopated Live Drums, Snapped Electronic Claps, Wide Stereo Chorus, Plate Delay Throws, Deep Echo, Glossy 2000S Pop, Cinematic Drops, Half-Time Bridge, Bittersweet Detachment, Mirrored Self-Reflection
5:24

I Believe It Fits
v4.5-all
Ctry pop, folk, rock, Americana, and cinema-tinged production on a midtempo 4/4 groove, Fingerpicked acoustic guitar, clean Telecaster licks, piano, upright bass, brushed snare, and warm tom fills, with pedal steel, harmony vocals, and roomy plate reverb, Earthy, nostalgic, widescreen texture
2:59

You Are With Me
v4.5-all
Accusation-fueled pop classic hip-hop with punchy boom-bap drums, crisp vinyl-sampled snares, warm upright bass, and bright chopped soul loops, Layer glossy synth hooks, turntable scratches, and crowd-ready call-and-response ad-libs, then finish with polished vocal stacks, tape saturation, and a clean radio-tight mix
4:00

I Don't Walk Alone
v4.5-all
High-energy J-Pop/K-Pop dance EDM with future bass drops: bright supersaw chords, punchy four-on-the-floor kick, sidechained 808 sub, snappy claps, glittering arpeggiated synths, vocoder hooks, rapid hat fills, and pitch-bent synth leads, Glossy multi-layered vocals, big chorus lift, hard drop, neon club polish
5:15

You Know Where I Am
v4.5-all
Live pop-rock anthem at 128 BPM in a stadium concert setting, with audience mics, wide arena reverb, roaring crowd, and raw bootleg recording texture, Slightly loose live drums, crunchy guitar amps bleeding into the mics, room tone, and a rough male lead vocal pushed hard in every verse for an argumentative, high-energy performance
4:28

Use Me, Lord
v4.5-all
Upbeat Pop, R&B, Hip-Hop, Trap, Progressive House, Melodic Dance, Smooth, Groovy, Catchy, Emotional, Atmospheric, Futuristic, Fast-Paced, 90s-Inspired, Dark, Uplifting
3:25

Worthy of All My Praise
v4.5-all
Dance pop fused with EDM house and trance electro at 128 BPM, built on a rhythm that stumbles into locked-in steadiness, Off-kilter kick pickup, then punchy four-on-the-floor, sidechained 808 sub-bass, bright supersaw leads, filtered arpeggios, crisp claps, wide vocal chops, and glossy synth hooks with rising delay throws and euphoric drop energy
2:37

Father God, I Call You Father
v4.5-all
East Coast rap with dusty boom-bap drums, crisp snare crack, vinyl-sampled chops, and a swinging MPC-style groove at 88 BPM, Jazz piano stabs, double bass or thick electric bass, subtle horn hits, and chopped soul loops sit under tight verse-focused arrangement, Dry lead vocal upfront, minimal hook, warm tape saturation, and a gritty subway-station texture
3:27

I Will Cling to You
v4.5-all
Afro hip-hop fused with Afro pop and Afrobeat long drum: syncopated layered percussion, talking drum leads, congas, shakers, and deep kick/808 blend at 100–108 BPM, Punchy rap verses over bright guitar riffs, log drum motifs, airy synth pads, warm bass groove, and call-and-response hooks with tight room reverb and crisp stereo bounce
4:00

Teach My Heart
v4.5-all
Funky club groove with tight slap bass, syncopated guitar scratches, clavinet stabs, and punchy live drums pushed just ahead of the beat, Sidechained synth bass, wah-pedal fills, and chopped brass hits add tension, while looser percussion, tape wobble, and abrupt dropouts make it feel like it could collapse at any moment
4:11

Abide in Me
v4.5-all
Emo-Tinged Epic Rock Ballad With Drop-Tuned Djent Guitars, Tight Palm-Muted Syncopated Riffs, Thunderous Low-End Bass, Punchy Modern Drums, Powerful Kick And Snare, Tom-Driven Fills, Emotional Clean-To-Breathy Male Vocals, Tense And Confrontational Verses, Massive Explosive Choruses, Layered Harmony Guitars, Soaring Lead Guitar Melodies, Crushing Wall Of Distorted Guitars, Cinematic Soundscapes, Dramatic Dynamic Builds, Polished Modern Rock Production, Anthemic Energy, And A Powerful Emotional Finale

