Grundrechte

The piece opens at 40–60 BPM with an organ drone and overtone-rich throat singing, setting a clean, contemplative tone, Arco bass swells build under tight organ clusters as baritone sax uses airy multiphonics, Muted trumpet interjects with hushed phrases, Sparse, modal (Dorian, Phrygian, pentatonic) textures unfold in quartal harmony, anchored by call and response between a male spoken word and a female’s minimalist melodic refrains, Subtle polyrhythms develop, heightening under a modal tutti climax, The arrangement gently dissolves into layered drones and close-mic’d spatial silence, all bathed in roomy reverb

Minimalist Contemporary Jazz meets Spoken Word; tempo 45–55 BPM; begins with [Subtone Sax] drone, sparse dissonant [Organ] voicings and [Arco Bass] harmonics; atmosphere is brittle, tense, intimate; modal phrasing in Dorian & Phrygian colors; rhythmic call and response between [Spoken Word] & muted brass; polyrhythmic solo interludes unfold between dense silences; climax with tutti modal swell, resolving into textural layering and close-mic'd ambient decay

Minimalist avant-garde jazz with a chamber feel; slow evolution at 42–55 BPM; intro features [Airy Clarinet] drones, [Prepared Piano] metallic echoes, and [Arco Bass] dissonant slides; rhythmic phrasing builds through [Call and Response] between [Spoken Words] and muted woodwinds; modal texture in Dorian and pentatonic colors; emphasis on quartal harmony and open phrasing; improvisational sections alternate with ambient [solo]s; dynamic interplay leads to a modal climax before dissolving into [Drone layering]; all recorded with close-mic intimacy and natural reverb

Contemporary groove-based jazz with spoken word & soul vocals; slow tempo at 60–70 BPM; warm [Rhodes] voicings, [Upright Bass] with walking pulse, soft [Brush Drums]; layered textures with [Alto Saxophone] and [Muted Trumpet]; spoken verses float over syncopated rhythms; chorus with soulful female vocals; modal and blues-influenced harmony; structured improvisation between sections; tight live ensemble sound, subtle reverb

Contemporary poetic jazz with chamber textures; tempo 50–60 BPM; intro blends [Soft Organ] swells, [Muted Piano] clustered chords, and trembling [Arco Bass]; [Spoken Words] float above modal beds and free meter; female sung chorus emerges with lyrical phrasing and subtle vibrato; solos by [Trumpet] and piano reflect intimate dynamics; harmony moves between suspended clusters and modal centers; the ensemble breathes spaciously with natural reverb and warmth

Soul-infused jazz waltz with introspective spoken word and warm female vocals; 3/4 time signature at 66–72 BPM; [Rhodes Piano] arpeggios blend with gently pulsing [Upright Bass] and brushed [Drums]; [Muted Trumpet] offers lyrical countermelodies; [Spoken Words] float with rhythmic phrasing, [Female Sung] chorus evokes gospel-inflected soul; harmonic language mixes minor modal colors with rich 9th and 11th chords; improvisations sway with emotional depth; recorded in intimate studio ambience with organic reverb and dynamic nuance

Groove-driven abstract jazz with spoken word and angular soul phrasing; tempo 82–90 BPM, fragmented [Electric Piano] pulses, textured [Electric Bass] (melodic focus), sharp [Drums] with broken beat elements; [Spoken Words] float in off-meter rhythms, [Female Sung] chorus with asymmetrical phrasing and rich harmony; unexpected metric shifts and harmonic modulations (Dorian, Lydian, chromatic detours); improvisation as dialogue, not embellishment; close, dry mix with raw edge and emotional restraint

Rhythmic abstract jazz with fragmented pulse architecture and minimal soul resonance, Tempo 86 BPM, Angular [Electric Piano] stabs interlock with [Textured Electric Bass] motifs; [Drums] in broken beat microstructures, emphasizing displacement and syncopation, [Spoken Words] are breathy yet sharp, delivered with internal propulsion and off-grid timing, [Female Vocals] emerge in asymmetrical harmonic shapes, dissonant yet warm, Modal fragments (Dorian, Lydian, chromatic tension), Improvisation operates as structural argument – reactive, layered, incomplete, Room is close-mic’d, dry, raw; mix foregrounds contour and friction over beauty

Abstract modal blues meets jazz poetry; tempo 60–66 BPM; dissonant [Electric Piano] motifs over expressive [Upright Bass] slides and shuffled [Brush Drums]; [Spoken Words] layered in uneven cadence, [Female Sung] chorus in gospel-tinged minor phrasing; harmony bends classic blues structure with modal ambiguity (mixolydian, dorian, altered dominant tones); solos emerge from harmonic tension; mix is intimate and lo-fi, enriched by analog textures and subdued room depth

Contemporary jazz with ambient soul textures and spoken word; slow tempo at 58–65 BPM; [Electric Piano] with clustered voicings, [Arco Bass] gliding melodic lines, and loosely phrased [Brush Drums]; verses delivered as reflective [Spoken Words]; [Female Sung] chorus with modal soul inflection and lyrical arcs; harmony blends minor modal progressions and suspended resolutions; atmosphere warm, organic, with analog hiss and natural silence

Groove-based modern jazz with spoken word and soul vocals; tempo 72–80 BPM; syncopated [Electric Piano] comping, melodic [Double Bass] lines, ride-heavy [Drums], and expressive [Muted Trumpet] phrases; verses delivered in flowing [Spoken Words]; [Female Sung] chorus with modal soul harmonies; harmonic palette in minor and Dorian; ensemble sound is tight yet open, encouraging freedom and phrasing interplay

Minimalist modal jazz with ambient chamber feel; tempo 54–60 BPM; [Muted Piano] chords with soft attack, [Subtone Saxophone] breath textures, [Arco Bass] grounding pulses; spoken verses delivered slowly with intimacy, sung chorus in modal minor; harmonic focus on suspension, resonance and gentle tension; solos emerge in layered silence; sonic space shaped by room tone, mic proximity and natural dynamics

Soul-infused jazz groove with spoken word and gospel harmony; tempo 68–74 BPM; [Rhodes] voicings with gospel coloration, melodic [Electric Bass], and laid-back [Drums]; [Organ] adds harmonic depth and emotional weight; [Spoken Words] flow with warmth and clarity; [Female Sung] chorus blends minor soul phrasings with collective resonance; harmony centers on dorian and lydian touches; live ensemble intimacy with warm analog texture

extremely minimalistic, organic groove-based contemporary jazz with meditative warmth; slow tempo (62–65 BPM); begins with layered [Rhodes cluster voicings], soft [arco bass swells], and distant [flügelhorn overtones]; [Electric Bass] adds a gentle pulse, slightly syncopated, no slap; sparse [Brush Drums] with airy ride cymbals; harmony is modal (mixolydian/dorian) with chromatic tension; [Male Spoken Word] intimate and steady; [Female Sung Chorus] with restrained soul expression; extended [instrumental] passages include subtle solos on [Rhodes], [Sax], and [Muted Guitar]; ambient noise and tape texture present; overall tone: reflective, respectful, quietly progressive

extremely reduced, cinematic contemporary jazz with electroacoustic layering; tempo 58–62 BPM; opens with [subtone sax drone], [tape hiss], and filtered [organ pulses]; [arco bass] with overpressure and harmonics; abstract [field recordings] (distant voice fragments, footsteps, paper); [Male Spoken Word] slow, fragmented; [Female Sung Chorus] in suspended fourth modal phrasing, almost chant-like; harmony free modal (phrygian, locrian, chromatic); frequent [instrumental] passages blend [sax multiphonics], [reversed keys], and broken loops; feeling: rootless, alert, yet protective; all sounds captured in raw, intimate mic detail

extremely minimalistic contemporary jazz with ambient and electroacoustic elements; tempo 56–60 BPM; opens with layered [bowed glass], [tape hiss], and [sub-bass drone]; sparse [Rhodes chords] played with reverse echo; [Spoken Words – Male] near silence, fragmented and slow; [Female Sung Chorus] in modal lullaby phrasing, restrained, unresolved; harmony modal (aeolian / dorian) with chromatic slips; solo elements include [filtered horn], [prepared piano tones], and [whispered field recordings]; extended [instrumental] spaces leave room for breath and absence; atmosphere: seeking, fragile, dignified

extremely minimalistic soul-infused contemporary jazz; tempo 62–66 BPM; starts with [muted electric piano] and distant [vinyl crackle]; [arco bass] with soft pedal tones; brushed [Snare + Rim] suggest a letter’s pulse; [Spoken Words – Male] steady and clear; [Female Sung Chorus] in intimate, melismatic phrasing, influenced by neo-soul but slimmed down; harmonic texture modal (dorian, mixolydian); occasional [instrumental] sections include [muted trumpet], [rhodes solo], and [paper rustle samples]; atmosphere intimate, thoughtful, humble – the sound of a voice

Minimalistic, dark, contemporary jazz with abstract experimental edge, Tempo 58–60 BPM, Begins with filtered saxophone over air tones, slow distorted bass pulses, and granular noise, Male spoken word in fragmented phrasing, Female sung parts are distant, reverb-heavy, almost ghostlike, Modal (Phrygian / Locrian), dissonant chord clusters on prepared piano and bowed metal, Instrumentals include broken loops, percussive echoes, and ambient tape textures, Mood: cold, alert, structurally unstable

Extremely minimalistic jazz-ballad structure with ambient chamber textures, Tempo 64 BPM, Opens with soft sustained Rhodes chords and arco bass harmonics, Sparse trumpet phrases and ambient room tones in the background, Spoken male vocals are calm and balanced, female sung chorus precise and crystalline, Modal with suspended quartal harmonies and subtle chromatic movement, Instrumental parts include soft-pulse percussion, breath textures, and warm tape hiss, Feeling: legal clarity as musical poetry – restrained, respectful, grounding