3:38

Not Yet
v5
Aggressive dark trap track kicks off with booming 808s and crisp hi-hats layered over sparse, ominous bass lines, Menacing synths drive the verses, underpinned by punchy snare rolls, Occasional brass stabs heighten intensity, Female solo vocals remain clean, raw, and emotionally upfront
3:56

Not Yet
v5
The production leans into classic bossa nova, with a nylon-string guitar setting a soft, flowing rhythm, supported by subtle piano and acoustic bass, Light percussion, brushed and understated, shapes the groove without drawing attention, The verses unfold gently with airy melodies, while the chorus opens up naturally, preserving a sun-drenched, intimate, and sophisticated atmosphere
3:38

Not Yet
v5
Aggressive dark trap track kicks off with booming 808s and crisp hi-hats layered over sparse, ominous bass lines, Menacing synths drive the verses, underpinned by punchy snare rolls, Occasional brass stabs heighten intensity, Female solo vocals remain clean, raw, and emotionally upfront
4:18

[Aggressive Dark Sexy Trap, Metro Bomin x Soutside Inspired, Female Raw Breathless Emotional Vocals No Autotune, Booming Distorted 808s Heavy Rattling Sub-Bass Slides, Fast Crisp Triplet Hi-Hats, Punchy Snare Rolls Tension Builds, Menacing Minor Key Synth Leads Dripping Wet Reverb, Ominous Swelling Atmospheric Pads, Sharp Epic Brass Stabs Orchestral Hits In Drops, Sparse Intimate Breakdowns Wet Heavy Breathing Heartbeat Pulses, Overdriven Distortion Intense Peaks, Dark Delay-Washed Moans Screams, Raw Vulnerable Screams Pitch-Down Layers On Begging, Slowed Reverb Tails Desperate Pleas, Heavy Sidechain Pumping Kick, Glitchy Chopped Vocals On "Stop Stop Stop" Panic, Deep Growling Bass Growls, Cinematic Risers Explosive Drops, Dark Ambiance Distant Thunder Rain Dripping Water, Pain-Pleasure Sexual Overstimulation Tension, Erotic Torture Vibe, 140-150 BPM Hard Energy, Cinematic Gothic Melodies, High-Quality Modern Loud Mix]
5:14

1950s classic jazz swing, [Genre: Epic Cinematic Waltz Swing], incredibly rich and dense instrumentation, featuring powerful, majestic Brass and sweeping, high-density Orchestral Strings, a dramatic Tenor Saxophone solo, and a colossal cinematic climax with a huge Key Change and Symphonic Percussion, A powerful Crossover Jazz Waltz Ballad where the thrill of forbidden desire erupts into orchestral grandeur, a perfect fusion of 1950s Jazz sensitivity and cinematic scale, lush strings, intimate jazz harmonies, sweeping romantic rhythm with undertones of sensual tension and dominance, duet with deep baritone male vocals as the dominant lead voice throughout verses, pre-chorus, chorus and bridge, breathy female vocals only for sighs, whispers and echoes, male voice commanding and seductive, female voice submissive and trembling
2:53

An aggressive trap-influenced anthem with booming 808s, crisp hi-hats, and menacing synths, The verses ride over a tight beat with sparse, dark bass lines, while the hook explodes with layered vocal stacks and punchy snare rolls, Occasional brass stabs punctuate key transitions
3:18

[dark r&b / slow trap / sensual electronic] ultra explicit NSFW, breathy desperate female + dominant male layered vocals, heavy sub bass, wet skin slaps, moaning ad-libs, intense build-drop-release cycles, cinematic reverb, 85-95 BPM, v5 ultra realistic vocals & production, ‑no anime, ‑no cartoon, ‑no chibi, ‑no kawaii, ‑no pixel art, ‑no 8bit, ‑no lo-fi, ‑no vaporwave, ‑no synthwave retro, ‑no country, ‑no folk, ‑no metal, ‑no rock, ‑no screamo, ‑no opera, ‑no choir, ‑no gospel, ‑no children voices, ‑no baby voices, ‑no high-pitched squeaky, ‑no autotune overuse, ‑no robotic, ‑no distorted chipmunk, ‑no happy upbeat, ‑no cheerful, ‑no pop idol, ‑no bubblegum, ‑no reggae, ‑no ska, ‑no jazz, ‑no classical, ‑no orchestral, ‑no piano ballad, ‑no acoustic, ‑no clean radio edit, ‑no censored, ‑no fade out soft, ‑no dreamy chill, ‑no ambient only, ‑no spoken word only
