
苺豆腐四条烏丸店(同人ファンアレンジカバーアルバム全5曲)
奇才、柏木るざりん×俺たちの青春、榎津まおがタッグを組んだニューウェーブ・ポップユニット15-102(イチゴトーフ)のアルバム15-102^3(イチゴトーフ参上)をP×M×GENTERTAINMENT所属のアーティストが精力を上げて、同人カバー。ファンアレンジアルバム『苺豆腐四条烏丸店』
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5 songs
4:37

An industrial rock track led by a playful avant-garde jazz piano, Its phrasing is bright, erratic, and off-grid—dancing freely without regard for tempo or harmony, The piano bursts in with cheerful chaos, spinning unpredictable melodies that feel joyful and wild, Beneath it, a distorted doom-metal guitar delivers down-tuned riffs that double as melody, adding heavy contrast, The groove is tense but fast, pushed forward by machine-like drums—sharp snares, metallic hi-hats, and pounding kicks, Guitars add industrial textures that crash against the piano’s unhinged energy, Vocals are glitched, half-shouted, half-whispered—emotionally unreadable, floating in cold digital space, The arrangement balances structure and collapse, melody and noise, joy and aggression, The track races ahead like a runaway engine—unstable but ecstatic, Listener orientation is denied in favor of momentum and surprise, kawaii girl vocal
4:45

Shoegaze x breakcore with continuous mutation, Core: one unbroken hypnotic loop as huge shoegaze guitars (stacked walls, deep reverb, long sustain, swirl), always present as the axis, Constant glitching: chop/stutter, reverse, granular smear, pitch-shift, time-stretch; fragments reassemble instantly, but the loop never drops out, Drums: distorted breakcore with random dropouts and hard mutes, yet awkwardly "boombap-floating": keep a heavy, slow, swung kick/snare feel while hyper breaks jitter and misalign on top, intentionally out of place, Track never pauses, only mutates like a dream glitching from inside, Vocals: kawaii girl vocal, airy and cute, blended, Lyrics only short repeats: "you bring light", "stay with me", "keep it coming", Melody narrow-range, smooth, minimal leaps, loopable; evolve subtly via tiny ornaments, phrasing, and harmony doubles, Mix: guitars huge and wide; drums noticeably detached on purpose; digital artifacts, bitcrush accents, controlled chaos
4:29

Liquid funk DnB EDM, 174 BPM, winter-night cinematic, overall bittersweet, Rolling breakbeats: crisp hats, snappy snare, tight ghost notes, silky swing; clean punch, Warm sub bass locked to kick, smooth and melodic, Christmas texture is subtle: sleigh-bell accents, soft chimes, faint celesta, rare string swell, low choir pad—more memory than celebration, Bright electric piano stays central with jazzy comping (9ths/11ths/13ths), syncopation, quick fills, Lead melody = Jazz × Italo-house hybrid: emotive minor hook, octave jumps, blue-note turns, chromatic approaches, glossy anthem contour, aching resolve—powerful yet sentimental, always leading, Sidechained wide pads and airy ambience; cold urban layers (rain, distant traffic, neon), Arrangement: builds → clean breakdowns → rolling drops; keep liquid flow, avoid clutter, Vocal: female vocal, intimate but strong, clear hook phrasing, emotional sustain, Mix/master: vocal-forward, wide, clear transients, controlled subs, lush reverb/delay
3:47

Girl shouts, gasps, and sighs—non-lyrical, percussive breaths used as rhythmic hits, texture cues & Relentless avant-garde jazz piano rules, Frantic high-register clusters, jagged dissonant stabs, and aggressive hammering cut through every section, interrupting and destabilizing the pulse, Below, an industrial garage-grit groove-metal engine drives ethnic-scale distorted riffs, Drums: fast-tempo doom momentum with relentless kick, snare, tom bursts, Guitars: towering shoegaze roar—feedback veils, bending drones, side-guitars panned ultrawide, long sustain, shimmer smear, Glitch-cut transitions, tape hiss, No verse/chorus; form follows the piano's insurgent logic—tense, fractured, merciless, Mix: Piano upfront with fast-attack/medium-release comp, transient bite, light tape sat, Guitars as wide shoegaze sheets via M/S; mono below 120 Hz, Drums: parallel crush, clipped kick, plate snare, room, Glitch via hard mutes, Master: tight subs, gentle air, multiband glue, TP-1dB, -11LUFS, dither
4:32

Authentic Japanese PC-98 hard Mixture game-music, programmed with PMD on the YM2608 (OPNA) chip of the PC-9801-86 board, FM chip synthesis dominates: metallic, aliasing-rich FM leads, electric piano chords, and deep FM bass, dry, flat, Three SSG channels provide crisp 16th-note arpeggios with variable duty cycles, PCM rhythm channels deliver short, sharp kick, snare, hi-hat, and cymbal hits, tight and percussive, Whisper girl Vocal use a single ADPCM channel, With a very low sampling rate, they are heavily clipped, distorted, and digitally cracked, They pierce through the mix as a rough intrusion, Mixing and mastering were done using line-out quality from PC-9801-86 hardware, without reverb, spatial effects, or MIDI, Inspired by Ryu Umemoto: melancholic minor-key harmonies, jazzy dissonance, suspended chords, unresolved cadences, and chromatic lines, Minimalistic repetition builds intensity, with crisp percussion, bittersweet FM leads evoking a late-night, haunting PC-98 atmosphere
