2:47

Ø Frequency
v5.5
post-punk, 96 BPM, Irish-accent male vocal, wiry baritone delivery, chorus pedal guitar, muted bass pick attack, dry snare crack, tom-heavy breakdown, radio static samples, VHS flicker synths, tape wobble, spring reverb, plate delay, mono intro, wide chorus lift, call-and-response hook, late-night dread, dancefloor fallout, 1980s coldwave, broadcast decay
4:04

2:56

Watching Me
v5.5
Indie rock with post-punk and power pop influences, The arrangement features two interlocking electric guitars: one playing clean, palm-muted eighth-note patterns and the other providing overdriven power chords and melodic lead lines, A prominent, driving electric bass plays consistent eighth notes, locking with a standard drum kit that emphasizes a steady snare backbeat and eighth-note hi-hats, The vocals are a clear, mid-range male tenor with occasional double-tracking and harmony during the chorus, The tempo is 145 BPM in the key of G major, The bridge features a dense, layered texture with sustained organ-like synth pads and more aggressive, distorted guitar strumming before returning to the final chorus
3:14

3:14

1:44

2:14

First wave UK punk rock, raw three-chord distortion, aggressive downstroke guitars, minimal bass, bashed drums, fast tempo 160 BPM, male vocalist with sneering sarcastic delivery, clipped phrasing, working-class accent, trebly guitar tone, lo-fi production, defiant energy, claustrophobic urgency, mockingly bitter mood
3:29

Raw, aggressive 1970s UK punk rock, Starts with a gritty, distorted electric guitar riff—short, punchy power chords, fast downstrokes, high energy, anarchic and jagged, Driving bass and crashing drums kick in, Furious tempo, rebellious sneering male vocals, unpolished and chaotic, live energy, short and punchy song structure
3:49

Observe
v5
Post-punk terror core, shoegaze proto-punk fusion, distorted bass drones, angular guitars with reverb wash, tribal drum patterns, monotone detached vocals, industrial textures, cinematic tension, dark minimalist arrangements, claustrophobic atmosphere, visceral sonic aggression, mechanical pulse, 128 BPM, key of E minor
2:15

Raw, aggressive 1970s UK punk rock, Starts with a gritty, distorted electric guitar riff—short, punchy power chords, fast downstrokes, high energy, anarchic and jagged, Driving bass and crashing drums kick in, Furious tempo, rebellious sneering male vocals but with a contrasting lounge singer delivery, unpolished and chaotic, live energy, short and punchy song structure
3:46

Warnings
v5
post punk / dark americana song that features an acoustic guitar, bass guitar, and drums, The acoustic guitar plays in an intimate yet determined arpeggiated chord progression throughout the song, The bass guitar provides a simple root-note reggae inspired accompaniment, The drums enter during the chorus with a basic latin rock beat, Ethereal female vocals, emotionally charged and expressive, with unique phrasing and avant-garde delivery, layered over experimental electronic textures, organic strings, and atmospheric production, haunting yet delicate, art-pop and alternative influence, The song structure is verse-chorus with an instrumental bridge, The production is clean with a natural reverb on the vocals and instruments yet has the intimate garage band, lo-fi feel
2:50

Raw, aggressive 1970s UK punk rock, Starts with a gritty, distorted electric guitar riff—short, punchy power chords, fast downstrokes, high energy, anarchic and jagged, Driving bass and crashing drums kick in, Furious tempo, rebellious sneering male vocals, unpolished and chaotic, live energy, short and punchy song structure
4:14

Raw guitar riffs crash in with unpolished, overdriven amp tones, joined by a relentless, jagged bass line and pounding, untamed drums, A gruff, angry older British male voice shouts over the mix, recorded with a lo-fi, vintage quality to evoke old vinyl, dripping in garage band urgency
4:58

Sole Kitchen
v4.5+
Opening with droning proto-punk guitars layered over sparse, hypnotic percussion, the track introduces murmuring bass and acute noise pop textures, Verses alternate between deadpan, conversational vocals and angular punk folk strums, punctuated by bursts of experimental effects—reverb-laden swells, distorted organ, treated snare, The chorus grows dense with swirling indie rock atmospheres and dark, looping riffs, keeping an undercurrent of tension, An instrumental bridge blurs art rock dissonance and minimalism, cycling back into a taut, introspective outro
3:19

You know me..
v4.5+
Kicking off with raw, crunchy guitars and syncopated ska-inspired upstroke rhythms, the tempo is driven by punchy drums and a bouncing bassline, Brass sections accent transitions, while verses feature rapid, rhythmic vocal phrasing with a hip-hop cadence, Energetic breakdowns and dynamic shifts amplify the garage band, ska-punk vibe throughout
4:52

Restless Hours
v4.5+
A haunting pop-rock track led by a female vocalist with a heavy and quirky Icelandic accent, Verses feature clean electric guitar arpeggios over Em-C-G-D, walking bass, and standard rock drums, Choruses gain energy: driving drums, lightly distorted power chords, Clear, emotive vocals with subtle reverb, The bridge strips to voice and a sustained synth pad, building tension before a full-band final chorus, The outro fades as the main guitar riff repeats, maintaining clarity and balance throughout, song has experimental elements like Peruvian cumbia percussion influence
5:05

Pulse
v4.5+
A hypnotic blend of art rock and proto-punk opens with looping, atonal guitar riffs, subtle synth layers, and minimalist percussion, Deadpan vocals float over a pulsing indie rock groove, while noise pop textures ebb beneath folk-punk tinged acoustic strums, Experimental, atmospheric breaks and feedback-laden interludes deepen the introspective mood, creating a dense yet conversational soundscape
4:45

A raw 70's British Punk burst, opening with fuzzed-out guitars, aggressive cymbal-heavy drums, and pounding bass, Vocals are a biting, sneering older male voice with a heavy British accent, booming over lo-fi, garage-style production, complete with gritty, old vinyl crackle
3:23

Every Day
v4.5+
Dark, slow grungegaze-inspired hip-hop beats mix with gritty, fuzzed-out guitars and haunting organ, Thick, reverb-soaked bass underpins the verses, Melancholy female vocals, tinged with a subtle Mexican accent, add melodic depth, Song flows through psychedelic breakdowns and hypnotic outro
3:38

This track fuses electric sparse, looping beats with gritty delta blues slide guitar and a driving bassline, Drum machine hi-hats cut through the raw mix, while haunting organ chords underpin the verses, The deep-voiced singer commands attention, echoing his tortured voice over swampy breaks
3:11

A high-energy rock anthem with a driving rhythm section, featuring distorted electric guitars, a prominent bassline, and powerful male vocals, The song is in a major key, with a fast tempo, The drums provide a solid backbeat with frequent cymbal crashes and snare fills, The electric guitars play both rhythmic power chords and melodic lead lines, often harmonized, The bass guitar provides a strong foundational groove, The male lead vocalist sings with a raw, energetic delivery, occasionally incorporating shouts and ad-libs, The song structure includes distinct verse and chorus sections, with a bridge and an instrumental break, Production elements include a clear, punchy mix with a wide stereo image, and a noticeable amount of reverb on the vocals and guitars
2:59

The Mountain
v5.5
Raw aggressive proto-punk like 1969-1973 Stooges and early New York Dolls, Fast driving energy around 150 BPM, Thick distorted guitars with heavy crunch and feedback, Pounding drums, raw bass, Snarling shouted vocals full of attitude, gang shouts on choruses, Very raw analog lo-fi production, minimal and unpolished, Dark, defiant, urgent, bitter mood, Short punchy track under 2:30, Use Dm-Bb-F-C progression played hard and fast with simple repetitive riffs, Collapsing feedback ending with sudden dead stop








