3:42

experimental, dark tone, syncopated drums, minor tune, acostic, airy high tone JP whisper female vox, digital chorus, dynamic key-change, 160 bpm, vocaloid, odd, mysterious
2:16

experimental math rock, 170bpm, modern jazz, pentatonic scale, glockenspiel, key-change, polyrhythm, reverb, airy kawaii high tone JP female vox layer
3:02

泉 (Fontaine)
v4.5
avant-garde, experimenta, glitch-noise, cut-up radio static, dissonant prepared-piano, irregular, breakcore fragmentairy, kawaii high tone JP female vox chopped, chorus
3:04

odd, 7/8, 5/8, syncopation, dissonance, progressive, digital piano, blue note, avant-garde, airy high tone JP female layered vox, melancholic, digital chorus, reverb
3:29

dark prog rock, irregular, digital violin, airy JP female vox, digital chorus
3:07

bright, math pop, koto, shamisen, taiko & shakuhachi over glitchy synth-pop groove, digital chorus, 140 bpm, airy kawaii high tone JP female vox chopped, vocaloid
4:23

Dark Carnivalesque Chamber-Rock, minor, string quartet, 3/4 waltz, falsetto airy kawaii JP female vox, 100 BPM
3:10

接吻 (Der Kuss)
v4.5
art nouveau, avent-garde, odd, minor, tubular bells, glockenspiel, falsetto airy kawaii JP female vox whisper, digital chorus, ‑marinba, ‑hand crap
4:40

avent-garde, ballad, echo, chorus, oboe, english horn, distant flute, muted trombone layers, dreamy airy kawaii high tone JP female vox faint French whispers / lush reverb, tempo: slow
3:41

細密画 (miniature)
v4.5
experimental, bizarre, chamber, irregular rhythm, syncpation, extreme high speed, 180 bpm, vocaloid, too much chorus
3:54

“Night Hawks”
— late-night jazz noir ballad, 65 BPM, D-minor
vocal: airy kawaii high tone JP female vox vocaloid
— lonely muted trumpet leads, warm upright bass, smoky piano voicings (m7, m9, 13)
— faint city ambience (distant traffic, neon buzz) woven quietly underneath
— atmosphere: Edward Hopper’s “Nighthawks”, urban solitude, midnight diner glow
— cinematic reverb, tape-style saturation, noir mood
— structure: Intro-Trumpet / Verse-Vocal / Trumpet Solo / Verse / Bridge (half-time) / Final Chorus with ad-lib trumpet / Fade-out on rain-slick street noise
2:58

Sacred ambient | 80 BPM | D Dorian
Airy kawaii high tone JP female vox chopped
Cathedral reverb / grand pipe organ pedals + upper manuals
Mixed choir singing soft Latin‐Japanese lyrics in unison → rich four-part harmony at chorus
Gregorian-style melismatic lines, subtle string pad, low male drones, distant church bells, light taiko for solemn heartbeat
Dynamics: pp intro → mf chorus → p outro with long 10 s tails
Mood-tags: holy, luminous, awe, Gothic arches, stained-glass shimmer, royal tombs, legend, eternity
3:26

Style: avant-garde, experimental dark progressive Rock
Vocail: airy kawaii high tone JP female vox chopped
Key: D minor → modulates to F Lydian in chorus
Tempo: 118 BPM (shifts to 7/8 in instrumental break)
Core Instruments:
• Mellotron choir & strings (lush, haunting)
• Electric guitar with sustained, lyrical leads (Gilmour-esque)
• Warm Rickenbacker bass with melodic counter-lines
• Analog synth arpeggios for texture (Prophet-5 style)
• Dynamic drums with tom fills and odd-meter grooves
• Subtle cathedral organ pads beneath the Mellotron for depth
Mood keywords: sacred, anticipatory, bittersweet, luminous, cinematic
Structure hints:
Verse 1 → Verse 2 → Pre-Chorus (5/4) → Chorus (grand, 4/4) →
Instrumental Break (7/8, Mellotron + guitar call-and-response) →
Bridge (spoken chant over minimal organ) →
Double Chorus → Outro (fade on repeating Mellotron