3:33
The Last Ride
v4.5-all
haunting, percussive, minimalist with eerie tambourine and hollow drum beats
2:05
Screen Door
v4.5-all
rock, Fast, scrappy indie rock with overdriven rhythm guitars, live kit played lean and frantic, and a bouncy bass line glued to the kick, Male vocals, slightly raspy, riding the front of the mix, Verses tight and talky; chorus explodes with gang shouts and a simple octave lead guitar, Brief fuzzed-out guitar break before the last chorus, everything slamming back in for a final shout-along, indie rock
4:38
Hold My Place
v4.5-all
rock, Wide, roomy post‑grunge band: overdriven guitars with chorus-soaked leads, thick bass, live roomy drums, Start restrained with palm-muted verses and intimate male vocals, then slam into an open, anthemic chorus with layered doubles and call‑and‑response “whoa”s, Bridge drops to half-time, vocals almost spoken, then a final soaring chorus with crash-heavy drums and guitar feedback tail, post-grunge, beautiful
2:25
Poster Walls
v4.5-all
Hard-hitting K-pop girl group banger; distorted bass and stomping kicks under crisp claps, Verses tight and attitude-heavy with processed group chants and percussive rap; pre-chorus lifts with airy pads and octave vocals; chorus explodes into shout-sung hook with stacked harmonies and crowd-style ad-libs, Bright synth leads trade with edgy guitar stabs; bridge drops to half-time with filtered drums then slams back for the final hook, Female vocals, girl group
4:09
Password High
v4.5-all
Big neon 80’s arena rock, male vocals, Gated drums and bright synth bass drive a mid‑tempo strut; crunchy rhythm guitars punch the backbeat, Verses keep it tight with dry vocals and subtle arpeggiated keys, then the chorus explodes with stacked gang shouts, tom fills, and soaring power chords, Brief shreddy guitar solo after second chorus, big sustained choir notes on the outro
3:06
Squad in Stereo
v4.5-all
rock, Big-room hard rock with crunchy guitars, wide gang vocals on the hook, and a driving, upbeat groove, Verses ride a tight, palm-muted riff; pre-chorus lifts with open chords and tom build; chorus explodes with layered shout-alongs and bright lead lines, Short middle-8 with a playful guitar solo, then one last high-energy chorus, Male vocals, rowdy and grinning, hard rock, happy
3:00
Package On The Way
v4.5-all
Dark, dramatic trap with heavy 808 bass, spacious hats, and cinematic pads, Verses stay tense and minimal, kick and bass pulsing like a countdown; chorus slams with stacked male vocals, risers, and distant choir stabs, Short ad‑libs and drops keep it hypnotic, ending on a sub-heavy fade-out, dramatic
4:30
Tile Grout
v4.5-all
Airy ambient guitars with long shimmer tails and gentle reverse swells, slow build from sparse plucks to lush chordal washes, Vocals sit soft and close, almost spoken, with distant harmonies and a subtle, pulsing bass pad under the choruses, Reverb-heavy textures paint a hazy, intimate mood while light percussion blooms only in key emotional moments, ambient