Heart

808 beats, acid bass bedroom punk rap, guttural college aged vocals, syrupy smooth black male guttural barotone, glitch crunk, festival drops, 75bpm, syncopated hi hats, silk psytrance punk rap, drum blues breakbeat, ‑Goa, ‑country, ‑arabic, ‑muslim, ‑dubstep, ‑gabber

acid-house memphis-rap harlem-boys-choir brooklyn-drill breakbeat hybrid, Squelching-rolling-808-acidbass-emotional-baritone-leads-in-call, voice-sampled-through-tascam-portastudio with boss-sp-303 responds, female-pitched-to-stacked-soprano-sharps-via-tape-speed, 808 beats, 808 subs, boss dr-110 bass drums, 303 acid bass, v303 vocoder, D-50 snares, 33bpm acid-house Brooklyn-drill breakbeat hybrid, distorted 808 rhythm march with glitch and scratch fills, atmospheric pad resolutions with long velocity and short release, wet delays with high pass filters, Aggressive-Bit-crunch grit, syncopated hi-hats, ghost snares, Psy-punk bedroom-pop-hop-scape with motor-soul resonance and raw "memphis" crowd vocals — glitchy-open thoart chant, imperfect harmony, stacked low voice choir behind the lead, Subtle patting juba sneaky — march time, hand-slap body percussion woven between snares and closed hats, playful and human under the mechanical drive, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk

acid-house memphis-rap harlem-boys-choir brooklyn-drill-breakbeat hybrid, Squelching-rolling-303-acidbass, emotional-male-bass-leads-with-resolving-bit-distortions, voice-sampled-through-tascam-portastudio with boss-sp-303 responds, pitched-to-stacked-mezzo-flats-via-tape-speed, 808 beats, 808 subs, boss dr-110 bass drums, 303 acid bass, v303 vocoder, D-50 snares, 33bpm acid-house Brooklyn-drill breakbeat hybrid, distorted 808 rhythm march with glitch and scratch fills, atmospheric pad resolutions with long velocity and short release, sweeping high pass filters, Panoramic, Bit-crunch grit, syncopated hi-hats, ghost snares, Psy-crunk bedroom-pop-hop-scape with motor-soul resonance and raw "memphis" crowd vocals — strobe-glitchy-open thoart chant, imperfect harmony, stacked low voice choir behind the lead, Subtle patting juba sneaky — march time, hand-slap body percussion woven between snares and closed hats, playful and human under the mechanical drive, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk

acid-house iladephia-rap emotional-choir brooklyn-drill-breakbeat hybrid, Chopped-Resequenced-male-squelchy-303-bass-leads-in-call-with-resolving-bit-distortions, voice sampled through tascam portastudio with boss-sp-303 responds pitched to stacked alto sharps and mezzo sharps via tape speed, 808 beats, 808 subs, boss dr-110 bass drums, 303 acid bass, v303 vocoder, D-50 snares, 33bpm acid-house Brooklyn-drill breakbeat hybrid, distorted 808 rhythm march with glitch and scratch fills, atmospheric pad resolutions with long velocity and short release, sweeping high pass filters, panoramic, Bit-crunch grit, syncopated hi-hats, ghost snares, Psy-punk swamp-hop-scape with motor-soul resonance and re-sequenced raw "college aged" crowd vocals — strobe-glitchy-open guttural chant, imperfect harmony, stacked low voice choir behind the lead, Subtle patting juba sneaky — hand-slap body percussion woven between snares and closed hats, therapeutic and human under the mechanical drive, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk

acid-house midwest-emo Brooklyn-drill-breakbeat hybrid, Squelching-rolling-808-acidbass-emotional-baritone-leads-in-call, voice-sampled-through-tascam-portastudio with boss-sp-303 responds, female-pitched-to-stacked-tenor-sharps 808 beats, 808 subs, boss dr-110 bass drums, 303 acid bass, v303 vocoder, D-50 snares, 33pm acid-house Brooklyn-drill breakbeat hybrid, distorted 808 rhythm march with glitch and scratch fills, atmospheric pad resolutions with long velocity and short release, sweeping high pass filters, panoramic, Bit-crunch grit, syncopated hi-hats, ghost snares, Psy-punk therapy-hop-scape with motor-soul resonance and raw "alien" crowd vocals — strobe-glitchy-open throat chant, imperfect harmony, low-voices-stacked choir far behind lead, Subtle patting juba sneaky — hand-slap body percussion woven between snares and closed hats, playful and human under the mechanical drive, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

110bpm acid-house Iladelphia-rap × Brooklyn-drill breakbeat hybrid with re-sequenced Memphis-choir ad-libs and lo-fi gangster grit, NY/Chiraq;, Squelching rolling 303 acidbass + gliding 808 subs over Boss DR-110 drums and D-50 snare snaps; distorted 808 march, glitch/scratch fills, bit-crunch grit, syncopated hats, ghost snares, panoramic sweeps + high-pass motion, Midwest-emo baritone lead in call, Portastudio→SP-303 resample response, female tape-speed pitches stacked to tenor/mezzo sharps; v303 vocoder tails, Omnisphere 2 pads: long-velocity/short-release, psy-punk acid-house, mystical dubstep weight, dark/spooky horror tone with mardi-gras carnival color; vintage pop / ’50s diner gloss accents, Japanese string orchestra + koto/shamisen behind-beat counterlines; guttural-throat-singing texture; chopped/resequenced raw Memphis crowd vocals + low stacked choir behind lead; subtle patting-juba body-perc woven under hats for human push, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

70 bpm pitched down chopped/re-sequenced acid-house Iladelphia-rap × Brooklyn-drill slow breakbeat hybrid, re-sequenced lo-fi grit, NY/Chiraq, Squelching rolling 303 acidbass + gliding LFO-808 subs over Boss DR-110 drums and D-50 snare snaps; distorted 808 march, glitch/scratch fills, bit-crunch grit, syncopated hats, ghost snares, high-pass filters, Midwest-emo-chopped/screwed-lead-in-call, nasal fracture scratch accent tails, Portastudio→SP-303 resample response, bubble-memphis female tape-speed pitches stacked to tenor/mezzo sharps, diner gloss accents, print-through v303 vocoder delayed verb tails, Omnisphere 2 pads: long-velocity/short-release, psy-punk acid-house, southern lean, screwed mixtape vibe; vintage pop / ’50s diner gloss accents, metal-shamisen-bass behind-beat counterlines; chopped/re-sequenced raw Memphis-choir crowd vocals + crosstalk low stacked choir behind lead; subtle patting-juba body-perc woven under hats for human push, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin