NOT good

Swirling phased electric guitars and lush analog synths introduce the indie rock track, locking into a hypnotic 90bpm groove with reggaeton-inspired syncopated kicks and crisp snares, Fluid bass pulses beneath airy vocals, while layered guitars and stereo FX expand the psychedelic mood; subtle slides and twangy accents add a touch of country through tasteful pedal steel and fingerpicked motifs

A hard-hitting industrial trap beat melds pounding metallic drums and distorted 808s with glitchy hi-hats, Twangy, reverb-laden slide guitar and banjo, heavily filtered and processed, add a dystopian Western edge, Catchy melodies, cybernetic fx, and eerie pads intensify the tension, ‑high pitch

Opening with layered African percussion—talking drums, congas—paired with a warm, syncopated bassline, Palm-muted guitars interlock with a steady kick-snare groove, Bright horns punctuate transitions while airy synths layer ambient depth, Deep, raspy Nigerian-accented vocals alternate between soulful melodies and chant-like ad-libs, weaving swagger and emotional vibrance into an Afrobeat fusion of dancehall, highlife, reggae, hyperpop, cloud, math, industrial, and experimental, enriched with creative sampling, ‑high pitch

piano, metal, ballad, emotional, punchy drums

Melodic, rap, ethereal, otherworldly, dreamy, rhythmic, deep male voice, urban, danceable, catchy