Classical

150 BPM, Convert to classical guitar lead with chamber orchestra, smooth out the tempo, transpose to higher key for second half, Improvise freely, Extend to 2:15 or so

instrumental string quartet arrangement of Japanese Buddhist chant, Keep the formal reverent style but slow tempo to 68BPM and lower the register to emphasize the cello

Classical guitar, solo at first, then add subtle cello and violin, no other instruments, Smooth out the playing to sound continuous and even tempo, Remove small recording errors, Concert hall ambience

Slow the tempo slightly, Male with posh British accent sings lead with three women singing chorus parts in parentheses, Keep the light opera orchestral instruments and the Gilbert & Sullivan style, Do not keep the crowd noise between verses, Use only the male lead and the chorus women, Use only the four verses shown in the lyrics

Solo classical guitar performance in a Spanish tradition, Fix the background hiss from a bad microphone, Extend length

Classical guitar solo with nylon strings, Clean up recording to sound professional but stay very close to upload, Solo no other instruments, ‑drums, ‑strings, ‑horns, ‑other instruments

Violin solo, wind orchestra accompaniment, Romanian folk music, traditional melodies, slow tempo, jazz, bitbox drops, deep bass, folk fusion, orchestral winds, modern electronic elements, no vocals

Solo Flamenco acoustic guitar, No other instruments, Clean up recording static and give it a studio ambience

classical guitar fingerstyle, nylon-string arpeggios, rasgueado accents, tremolo picking, concerto strings, oboe countermelody, pizzicato cello, warm woodwinds, chamber brass, 92 BPM, rubato intro, swung waltz feel, dry room mix, tape saturation, no polish, wistful longing, dawn-lit, acoustic chamber folk