
We Turned Out Fine
One week in the suburban grind ala Office Space. B-52s, Devo, Blondie, Talking Heads, Cyndi Lauper, The Cars, Madness, Soft Cell-inspired concept album ala.
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22 songs
3:09

The Alarm
v5.5
campy new wave pop, 126 BPM, reverb synth alarm stab hook, call-and-response male-female vocals, Farfisa organ stabs, punchy 4/4 drums, bright and chaotic energy, shout chorus ensemble, tambourine, choir backing vocals, 1980s new wave production, forte, ‑acoustic guitar, ‑strings, ‑piano ballad, ‑sad, ‑slow, ‑minor key, ‑smooth, ‑mellow, ‑vibrato, ‑EDM drop, ‑trap, ‑heavy metal, ‑jazz, ‑orchestral
3:50

Inbox (247)
v5.5
angular synth-rock new wave, 118 BPM, choppy staccato guitar, rigid mechanical 4/4 groove, processed sardonic male vocal, stop-start arrangement, quirky angular pop hooks, choir backing vocals, 1980s new wave production, mezzo-forte, ‑warm, ‑acoustic, ‑ballad, ‑strings, ‑friendly, ‑smooth, ‑jazz, ‑piano, ‑slow, ‑vibrato, ‑EDM drop, ‑orchestral, ‑mellow, ‑happy resolution
3:14

nervous funk new wave, 114 BPM, polyrhythmic percussion, deadpan female spoken-sung vocal, angular guitar stabs, paranoid stop-start arrangement, dry sardonic energy, choir backing vocals, 1980s new wave production, mezzo-forte, ‑warm, ‑acoustic, ‑ballad, ‑strings, ‑happy, ‑smooth, ‑slow, ‑piano, ‑vibrato, ‑major key sweetness, ‑EDM drop, ‑orchestral, ‑mellow, ‑friendly delivery
4:18

Password Reset
v5.5
eccentric synth-pop new wave, 120 BPM, layered synth arpeggio cascade, choppy staccato rhythm, processed exasperated male vocal, angular and precise arrangement, escalating absurdity energy, choir backing vocals, 1980s new wave production, mezzo-forte, ‑warm, ‑acoustic, ‑ballad, ‑strings, ‑happy resolution, ‑slow, ‑piano, ‑vibrato, ‑smooth, ‑jazz, ‑orchestral, ‑mellow, ‑EDM drop, ‑friendly delivery
4:18

Lunch at My Desk
v5.5
polished new wave pop, 108 BPM, warm Moog synth pads, clean electric guitar arpeggio, punchy restrained drums, deadpan male vocal, melodic bittersweet-adjacent hooks, storytelling energy, choir backing vocals, 1980s new wave production, mezzo-piano, ‑loud, ‑aggressive, ‑rock guitar solo, ‑orchestral strings, ‑euphoric, ‑fast, ‑drum fill, ‑EDM drop, ‑vibrato, ‑cold synth, ‑shout vocals, ‑campy energy
3:25

Out of Office
v5.5
sleek new wave pop, 110 BPM, punchy drums, clean electric guitar stabs, cool deadpan female vocal, dry sardonic delivery, tight bright rhythm section, choir backing vocals, 1980s new wave production, mezzo-forte, ‑sad, ‑ballad, ‑slow, ‑strings, ‑acoustic, ‑warm pads, ‑piano, ‑vibrato, ‑minor key, ‑orchestral, ‑EDM drop, ‑cold synth, ‑heavy drums, ‑shout chaos
5:04

Four Fifty Eight
v5.5
minimal synth-pop new wave, 110 BPM, sparse bass-driven pulse, deadpan dry male-female vocals, punchy stop-start groove, tight rhythm section, building tension and release, choir backing vocals, 1980s new wave production, mezzo-piano building to forte, ‑acoustic, ‑warm ballad, ‑strings, ‑vibrato, ‑orchestral, ‑EDM drop, ‑fast, ‑euphoric, ‑guitar solo, ‑jazz, ‑heavy drums, ‑shout chaos
4:52

Traffic
v5.5
driving new wave synth-rock, 120 BPM, choppy staccato guitar, punchy stop-start groove, processed frustrated male-female vocals, angular rhythm, building and releasing tension, shout ensemble chorus, choir backing vocals, 1980s new wave production, forte, ‑acoustic, ‑warm ballad, ‑strings, ‑vibrato, ‑orchestral, ‑EDM drop, ‑slow, ‑mellow, ‑smooth delivery, ‑jazz, ‑piano, ‑sad
3:43

angular new wave pop, 116 BPM, sharp electric guitar hooks, sardonic rapid-fire male vocal, eccentric synth stabs, stop-start arrangement, dry wit energy, robotic female backing vocal in bridge, choir backing vocals, 1980s new wave production, mezzo-forte, ‑warm ballad, ‑acoustic, ‑strings, ‑smooth, ‑jazz, ‑slow, ‑vibrato, ‑orchestral, ‑EDM drop, ‑sad, ‑mellow, ‑friendly delivery, ‑heavy drums
3:38

Instacart
v5.5
minimal synth-pop new wave, 116 BPM, sparse bass-driven groove, deadpan male spoken-word verse, cold synth stabs, dry sardonic energy, robotic-warm chorus hook, choir backing vocals, 1980s synth-pop production, mezzo-forte, ‑acoustic guitar, ‑warm ballad, ‑guitar solo, ‑strings, ‑sad, ‑orchestral, ‑fast, ‑euphoric, ‑vibrato, ‑drum fill, ‑piano, ‑jazz, ‑heavy metal, ‑EDM drop
4:43

Kids Today
v5.5
angular synth-rock new wave, 118 BPM, rigid mechanical 4/4 groove, choppy staccato guitar, processed robotic male-female vocals, clipped precise delivery, stop-start angular arrangement, devolved comic energy, choir backing vocals, 1980s new wave production, forte, ‑warm ballad, ‑acoustic, ‑strings, ‑smooth, ‑jazz, ‑piano, ‑vibrato, ‑slow, ‑orchestral, ‑EDM drop, ‑mellow, ‑friendly delivery, ‑major key sweetness
5:37

new wave synthesis, 100 BPM, warm Moog pad, reverb guitar, Farfisa organ stabs, layered production combining all album DNA, storytelling warm male vocal, bittersweet and warm simultaneously, building arrangement, choir backing vocals, 1980s new wave production, mezzo-forte building to forte, ‑sad ending, ‑cold synth dominance, ‑aggressive, ‑fast, ‑drum solo, ‑EDM drop, ‑orchestral swell, ‑vibrato, ‑angular mechanical energy, ‑shout chaos
5:04

sweeping synth-pop new wave, 118 BPM, dramatic layered synth arpeggios, warm Moog lead, clean guitar, melodic reflective male vocal, building cinematic atmosphere, choir backing vocals, 1980s new wave production, mezzo-forte building to forte, ‑cold synth, ‑aggressive, ‑punk, ‑angular, ‑fast, ‑drum fill, ‑EDM drop, ‑sad minor key, ‑orchestral strings, ‑mechanical, ‑staccato, ‑shout vocals, ‑vibrato
4:34

The Bike
v5.5
polished new wave, 98 BPM, warm Moog synth pad, jangly clean electric guitar, brushed restrained drums, reflective tender male vocal, bittersweet and intimate, sparse arrangement, choir backing vocals, 1980s new wave production, mezzo-piano, ‑loud, ‑aggressive, ‑fast, ‑drum fill, ‑rock guitar solo, ‑cold synth, ‑EDM drop, ‑euphoric, ‑orchestral strings, ‑vibrato, ‑shout vocals, ‑campy, ‑angular, ‑mechanical
4:22

exuberant new wave pop, 124 BPM, bright synth hook, playful female lead vocal, punchy drums, reverb guitar, Farfisa organ stabs, call-and-response ensemble vocals, euphoric nostalgic energy, choir backing vocals, 1980s new wave production, fortissimo, ‑sad, ‑slow, ‑minor key, ‑acoustic guitar, ‑ballad, ‑strings, ‑cold synth, ‑serious tone, ‑vibrato, ‑EDM drop, ‑mechanical, ‑angular, ‑heavy drums
4:39

jangly new wave pop, 112 BPM, clean electric guitar arpeggios, warm Moog synth pad, smoky reflective male vocal, melodic hooks, bittersweet-comic tone, choir backing vocals, 1980s new wave production, mezzo-piano, ‑aggressive, ‑loud, ‑rock guitar solo, ‑drum fill, ‑cold synth, ‑fast, ‑euphoric, ‑orchestral, ‑EDM drop, ‑vibrato, ‑angular, ‑mechanical, ‑shout vocals
3:54

Happy Hour
v5.5
sleek new wave pop, 120 BPM, cool female lead vocal, punchy drums, clean electric guitar stabs, bright airy synth shimmer, tight rhythm section, self-aware sardonic energy, choir backing vocals, 1980s new wave production, mezzo-forte, ‑sad, ‑ballad, ‑slow, ‑strings, ‑acoustic, ‑warm pads, ‑piano, ‑vibrato, ‑minor key, ‑orchestral, ‑EDM drop, ‑cold synth, ‑heavy drums, ‑angular mechanical energy
3:19

The Group Chat
v5.5
ska-new wave, 122 BPM, horn stabs, choppy offbeat guitar rhythm, cheeky overlapping ensemble vocals, multiple voices trade-off, bright and chaotic energy, call-and-response, choir backing vocals, 1980s ska-pop new wave production, forte, ‑sad, ‑strings, ‑ballad, ‑slow, ‑acoustic, ‑minor key, ‑serious tone, ‑smooth delivery, ‑vibrato, ‑cold synth, ‑piano, ‑EDM drop, ‑orchestral, ‑mellow
4:43

Saturday Morning
v5.5
melodic new wave pop, 106 BPM, clean electric guitar hook, warm Moog synth pad, punchy restrained drums, storytelling male vocal, bittersweet-comic tone, choir backing vocals, 1980s new wave production, mezzo-piano building to mezzo-forte, ‑loud, ‑aggressive, ‑rock guitar solo, ‑drum fill, ‑EDM drop, ‑cold synth, ‑fast tempo, ‑orchestral strings, ‑vibrato, ‑shout vocals, ‑angular, ‑mechanical
4:34

Backyard BBQ
v5.5
campy ska-new wave party, 128 BPM, horn stabs, reverb guitar, Farfisa organ stabs, multiple layered ensemble vocals, call-and-response, unstoppable locked groove, maximum euphoria, choir backing vocals, 1980s new wave production, fortissimo
4:29

Sunday Dread
v5.5
cold-warm new wave hybrid, 92 BPM, cold synth bass pulse, warm Moog pad entering gradually, reflective deadpan male vocal, minor to major movement, atmospheric and bittersweet, sparse arrangement, choir backing vocals, 1980s cold wave production, mezzo-piano, ‑loud, ‑aggressive, ‑fast, ‑drum fill, ‑rock guitar solo, ‑euphoric, ‑EDM drop, ‑orchestral strings, ‑vibrato, ‑shout vocals, ‑angular, ‑mechanical, ‑campy energy
4:00

campy new wave pop, 126 BPM, reverb synth alarm stab hook, call-and-response male-female vocals, Farfisa organ stabs, punchy 4/4 drums, bright energy, shout chorus ensemble, tambourine, choir backing vocals, 1980s new wave production, forte, ‑acoustic guitar, ‑strings, ‑piano ballad, ‑sad, ‑minor key, ‑smooth, ‑mellow, ‑vibrato, ‑EDM drop, ‑cold synth, ‑angular mechanical energy, ‑heavy metal
