The Pyre We Built

Norwegian black metal, Strong gutural roachy voices, blast beat, Fast guitars and bass that complement each others, Aggressive riffs are broke by a more melodic interlude during the bridge that build up tension before the last chorus that ends-up even more brutal with an epic guitar solo, 140 bpm, 1990s raw black metal, black metal cover of classic doom heavy metal, fast tremolo guitars, relentless blast beats, piercing shrieks + grim screams, icy lo-fi production, dark atmospheric, evil occult vibe, aggressive yet retains heavy sabbathian doom riffing

norwegian black metal strong gutural roachy voices blast beat fast guitars and bass that complement each others aggressive riffs are broke by a more melodic interlude during the bridge that build up tension before the last chorus that endsup even more brutal with an epic guitar solo early 70s doom metal Heavy metal, Hard rock, Doom metal style slow crushing tritone riffs heavy bluesy pentatonic bends vintage tube amp distortion low ominous growls in bridge plodding funeral march drums rainy thunder atmosphere dark apocalyptic vibe 8090 bpm

1970s dark doom ballad, slow crushing Sabbath-style riffs with clean acoustic intro, haunting Ozzy-esque high vocals full of sorrow, heavy bluesy bends, plodding funeral drums, rainy atmospheric reverb, builds to intense melodic shredding guitar solo with soaring cathartic release at the end, 65-75 BPM, deep melancholy and fatalistic despair

early 70s ultraheavy doom metal Heavy metal, Hard rock, Doom metal influence pushed to crushing extremes slower 6070 bpm ultralow tuned guitars slow crushing tritone riffs thick distorted tubeamp tone plodding funeralmarch drums turning into massive pounding breakdown haunting ozzystyle high wails mixed with low growled vocals in bridge apocalyptic atmosphere distant thunder and furnace roars heavier and more aggressive

early 70s melodic heavy doom metal, old school doom metal influence with deeper introspection, slow crushing tritone riffs that hit hard, strong melodic vocal lines and harmonies, bluesy pentatonic bends, long emotional guitar solos (melodic shred with soaring cathartic feel), haunting Ozzy-style high vocals full of regret, thick vintage tube-amp distortion, plodding funeral drums, rainy atmospheric reverb, 70-80 BPM, darker and more personal than previous tracks

early 70s funeral doom metal, Black Sabbath-inspired final statement, extremely slow crushing riffs (55-65 BPM), heavy tritone darkness, thick vintage distortion, sparse clean guitar moments, deep resigned vocals with occasional haunting high wails, plodding funeral drums, distant wind and rain atmosphere, no catharsis, no soaring solo — juste une descente inexorable vers le silence, très mélancolique et fataliste