5:47

From Now On - Playlist Intro
v4.5-all
funky, funk, uptown, detuned, detuned, mallsoft, distorted, distinct, strange percussion, strange, detuned, detuned, distorted, abandoned place with leaks, basement, leaking, echo, liminal, leak, Basement, broken metronome, old footage, old camera, old sound, gritty quality, keytar, chopped vocals ad-libs, Broken Radio, old radio station
4:48

Dust We'll Be
v4.5-all
funky, funk, uptown, detuned, detuned, mallsoft, distorted, distinct, strange percussion, strange, detuned, detuned, distorted, abandoned place with leaks, basement, leaking, echo, liminal, leak, Basement, broken metronome, old footage, old camera, old sound, gritty quality, keytar, chopped vocals ad-libs, Broken Radio, old radio station
5:00

Attempts
v4.5-all
New wave funk with uptown groove, off-kilter disco guitar, detuned synth bass, and a lopsided four-on-the-floor pulse; verse rides muffled close-mic vocals over tape hiss and clipped handclaps, pre-chorus opens with filtered keys and a rising static swell, chorus hits with stacked gang vocals and rubbery bass stabs, Use warped radio snippets, reverse swells, and channel-switch zaps between lines, Bright, gritty, and glossy in a haunted late-night mix, new wave, funky, funk, male vocals, r&b, black r&b
4:59

Stereo-types
v4.5-all
New wave liminal synth-pop with a slow swung pulse, brittle drum machine ticks, detuned bass, and haunted chord stabs; verse stays low and murky, pre-chorus opens with filtered harmonies and tape-stop lifts, chorus widens with a melancholy hook and doubled muffled lead, Old-radio crackle, reversed static swells, and short delay throws bridge the transitions, Close-mic vocal, half-buried and dreamy, bright yet fogged mix, new wave, male vocals
4:20

Smile Tax
v4.5-all
New wave funk with uptown groove, off-kilter disco guitar, detuned synth bass, and a lopsided four-on-the-floor pulse; verse rides muffled close-mic vocals over tape hiss and clipped handclaps, pre-chorus opens with filtered keys and a rising static swell, chorus hits with stacked gang vocals and rubbery bass stabs, Use warped radio snippets, reverse swells, and channel-switch zaps between lines, Bright, gritty, and glossy in a haunted late-night mix, new wave, funky, funk, male vocals, r&b, black r&b, keytar frenzy
5:44

Mid-day Slasher
v4.5-all
New wave thriller with a tense midtempo pulse, syncopated kick-snare, rubbery bass, and angular guitar shards; verse rides sparse stabs and a restless synth arpeggio, pre-chorus strips to bass and handclaps, chorus opens with stacked chords and a sharp gang-hook, Lead vocal stays close-mic and anxious in verses, doubled and slightly pitched in the hook, with whispered ad-libs and delay throws, Reverse swells, tape hiss, and cold chime hits bridge the sections, Bright, glossy mix with an eerie hollow room around the voice, new wave
3:50

Deadly
v4.5-all
New wave thriller with a tense midtempo pulse, syncopated kick-snare, rubbery bass, and angular guitar shards; verse rides sparse stabs and a restless synth arpeggio, pre-chorus strips to bass and handclaps, chorus opens with stacked chords and a sharp gang-hook, Lead vocal stays close-mic and anxious in verses, doubled and slightly pitched in the hook, with whispered ad-libs and delay throws, Reverse swells, tape hiss, and cold chime hits bridge the sections, Bright, glossy mix with an eerie hollow room around the voice, new wave
4:27

Thrilled
v4.5-all
New wave thriller with a tense midtempo pulse, syncopated kick-snare, rubbery bass, and angular guitar shards; verse rides sparse stabs and a restless synth arpeggio, pre-chorus strips to bass and handclaps, chorus opens with stacked chords and a sharp gang-hook, Lead vocal stays close-mic and anxious in verses, doubled and slightly pitched in the hook, with whispered ad-libs and delay throws, Reverse swells, tape hiss, and cold chime hits bridge the sections, Bright, glossy mix with an eerie hollow room around the voice, new wave
7:56

One Of Us
v4.5-all
New wave thriller with a tense midtempo pulse, syncopated kick-snare, rubbery bass, and angular guitar shards; verse rides sparse stabs and a restless synth arpeggio, pre-chorus strips to bass and handclaps, chorus opens with stacked chords and a sharp gang-hook, Lead vocal stays close-mic and anxious in verses, doubled and slightly pitched in the hook, with whispered ad-libs and delay throws, Reverse swells, tape hiss, and cold chime hits bridge the sections, Bright, glossy mix with an eerie hollow room around the voice, new wave
5:00

Camping
v4.5-all
thriller with a tense midtempo pulse, syncopated kick-snare, rubbery bass, and angular guitar shards; verse rides sparse stabs and a restless synth arpeggio, pre-chorus strips to bass and handclaps, chorus opens with stacked chords and a sharp gang-hook, Lead vocal stays close-mic and anxious in verses, doubled and slightly pitched in the hook, with whispered ad-libs and delay throws, Reverse swells, tape hiss, and cold chime hits bridge the sections, Bright, glossy mix with an eerie hollow room around the voice, new wave, male vocals, funky, keytar

