new

Cape verdean acoustic rock, acoustic slushwave, cloud slushwave, epic intro, floating vocal textures, epic orchestral, guitar riffs, bass, grim and serious, catchy vocals, bass guitar solo, despair, layers, ‑Harmonic female echoes in background, ‑oooo and awwwww in and out throughout song, ‑rain and thunder slightly in background bass strings tripletst

Minimal techno, freezy, snowy, cold, calm and meditative afterhour mood, 118–120 BPM feel, Soft, rounded 4/4 kick, warm and steady low-end, no punchy transients, Sparse organic percussion, subtle offbeat clicks, micro-variations only, atmospheric pads, airy textures, slow filter movement, No melody focus, spacious and restrained mix, hypnotic, deep, relaxed, late-night vibe

Style: Stay extremely close to the original track, Preserve the original genre, tempo, groove, chord progression, melody, song structure, instrumentation, sound design, and overall mood, Do not modernize, reinterpret, or rearrange the music, Only add a vocal performance that fits naturally into the existing track, Vocals: Deep male voice, dark and haunting, Low-register, intimate, controlled delivery, Vocals should match the original vibe and phrasing and blend seamlessly into the instrumental, as if they were part of the original production, No new musical elements, no stylistic changes, no tempo or key changes

Long lasting Minimal Techno With East Asian Acoustic Elements, Nature-Inspired And Meditative, Calm And Hypnotic Groove, Minimal And Deep, Soft But Steady 4/4 Kick, Low-Energy Club Feel, Sparse Koto Plucks And Sustained Guzheng Glissandi As Textural Layers (Non-Melodic), Organic Percussion Textures, Subtle Offbeat Clicks, Warm Atmospheric Pads Blending With Acoustic Strings, Airy, Breath-Like Soundscape, Restrained And Spacious Mix, No Lead Melody – Koto/Guzheng Used For Micro-Gestures And Resonance Only, Slow Filter And Timbre Movement, Micro-Variations, Meditative, Grounded, And Relaxed Mood, Functional But Chill, Ritualistic Club Atmosphere, 118–122 Bpm Feel