1:30

son huasteco, guitar-driven, acoustic, mid-tempo, huapango
4:00

melodic, bluegrass, acoustic, mid-tempo, guitar-driven
1:22

acoustic, mid-tempo, guitar-driven, g major, chicago blues, motown/blues-inspired, male vocals, motown
3:19

doo-wop, acoustic, g major, pop, rockabilly, doo-wop pop, guitar-driven, male vocals, mid-tempo, acoustic rockabilly
1:18

doo-wop, acoustic, g major, pop, rockabilly, doo-wop pop, guitar-driven, male vocals, mid-tempo, acoustic rockabilly
2:12

V6 Miguel
v3.5
Acoustic Rock Chillsynth, guitar-driven, melodic, acoustic, mid-tempo
4:00

Bachata, guitar-driven, Acoustic guitar, folk guitar, melodic, acoustic, mid-tempo
3:09

Glam rock, rock and roll, music hall, guitar-driven, Acoustic guitar, folk guitar, melodic, acoustic, mid-tempo
1:35

K-pop, Hip-hop, EDM, guitar-driven, melodic, acoustic, mid-tempo
3:09

Electropop, Pop rock, arena rock, alternative rock, indie pop, guitar-driven, melodic, acoustic, mid-tempo
3:21

mid-tempo, guitar-driven, acoustic, melodic, children's song
2:01

melodic, bass guitar, acoustic, guitar-driven, güiro
1:07

Topacio Mambo MI
v3.5
mid-tempo, melodic, piano, string section, guitarra, guitar-driven, horn section, double bass, conga, mambo, acoustic, timbales
4:00

traditional, acoustic, vihuela, guitar-driven, mariachi, guitars, melodic, trumpets, mid-tempo
1:18

Mercado del Val
v3.5
guitar-driven, accordion, double bass, huapango, saxophone, melodic, drums, bajo sexto
1:43

two acoustic guitars, guitar-driven, male vocals, 50s rock and roll, acoustic, rock, melodic
1:33

2:03

1:55

acoustic, male vocals, teen pop, pop rock, bubblegum pop, pop, guitar-driven, upbeat energy
3:33

1:29

2:17

celtic, celtic hornpipe folk, acoustic, two acoustic guitars weaving intricate melodies, guitar-driven, folk, traditional irish music
2:02

acoustic, folk, celtic, barndance folk, guitar-driven, traditional irish music, two acoustic guitars weaving intricate melodies
1:55

Neon Reverie
v3.5
two acoustic guitars weaving intricate melodies, melodic distorted guitars, delicate yet emotive atmosphere, 80s-inspired alt-pop, pop, acoustic
1:26

Run Wild MI
v3.5
acoustic, driving percussion with a mix of acoustic guitar and stomping rhythm, evoking the feeling of freedom and motion, energetic, upbeat
0:45

upbeat, western swing, lively with twangy guitars and a walking bass line, featuring fiddle flourishes and steel guitar fills
2:57

neotraditional, rich pedal steel, male vocals, steady rhythm, acoustic guitar-driven, country
1:19

raw, rock, rockabilly, upright bass slaps against twangy electric guitar riffs, energetic and stripped-down vibe, fast-paced drum shuffle
4:00

Ballad en MI
v3.5
ballad, ballad with sentimental piano and harp arpeggios, gentle melody wraps around heartfelt vocals, soft, evoking deep nostalgia and quiet beauty, soft and tender paraguayan guarania, harp
3:09

country ballad, ballad, emotional, steel guitar, melancholic, slow tempo, dynamic, soulful, dynamic male vocals, acoustic guitar, cinematic storytelling, acoustic, slow, country, americana
3:28

Sombras del Malecón MI
v4.5-all
trova, nostalgic, acoustic with a touch of cuban son; rich guitar tones, warm, gentle percussion, and heartfelt male vocals, bolero
3:17

Sombras del Malecón MI v2
v4.5-all
trova, nostalgic, acoustic with a touch of cuban son; rich guitar tones, warm, gentle percussion, and heartfelt male vocals, bolero
5:29

Echoes in the Breeze MI
v4.5-all
atmospheric, trova, warm, gentle bandoneon, gentle, vocal, bossa nova, triplet feel, stereo width, choir, warm male lead vocal, soft upright piano, heartfelt, soft, analog warmth, warm nylon-string guitar
2:57

Aire Claro en MI
v4.5-all
folk, Upbeat Spanish folk jota in 3/4 with bright nylon guitar lead, palmas locking the groove, and stomping dance energy, Verses stay intimate with single vocal and light hand percussion; each refrain bursts open with a small chorus singing in tight harmonies, claps riding on top, Brief instrumental guitar falsetas and clap patterns set up every chorus, all in a lively village-square room ambience, breaks, bright, natural
2:30

Pasodoble en MI
v4.5-all
folk, Upbeat Spanish folk jota in 3/4 with bright nylon guitar lead, palmas locking the groove, and stomping dance energy, Verses stay intimate with single vocal and light hand percussion; each refrain bursts open with a small chorus singing in tight harmonies, claps riding on top, Brief instrumental guitar falsetas and clap patterns set up every chorus, all in a lively village-square room ambience, breaks, bright, natural
3:47

Postcards In My Pocket - MI
v4.5-all
folk, Warm acoustic-pop band with male/female duet vocals, Fingerpicked acoustic guitar and soft congas/shakers set a gentle, lightly groovy verse, Pre-chorus lifts with rising piano chords and tighter drum groove, Chorus blooms with stacked harmonies, tambourine, and an open, swaying beat, Sunny electric guitars carry a nostalgic riff between sections, glued by a round, melodic bass, pop, groovy, nostalgic, happy, gentle, bright, piercing, acoustic, electric, soft, warm
2:48

Che Rojai (I Remember You) MI
v4.5-all
Warm Guarania in 6/8 with nylon-string guitar arpeggios, gentle harp countermelodies, and soft percussion brushes; male vocals up close and intimate, verses tender and hushed, chorus blooms with rich harmonies and a subtle melodic bass guiding the dance-like sway, warm
4:14

Tu Sombra Lenta MI
v4.5-all
Traditional Argentine zamba lenta with intimate male vocals, bombo legüero in a soft swaying pulse, nylon guitar carrying warm chordal strums, and delicate charango arpeggios weaving countermelodies, Airy backing harmonies bloom on each estribillo, rising subtly in dynamic and width, then receding to a tender, close-mic whisper on the final verse for a gentle fade, tone, dynamic, soft
2:29

blues rock, two acoustic guitars, guitar-driven, blues, roots rock, rock, pub rock, acoustic
3:53

Paper Cup Morning - Soft rock MI
v4.5-all
Soft rock with a laid-back midtempo swing, brushed drums, clean electric arpeggios, warm bass, and a gentle lift into each chorus; verse stays intimate and lightly syncopated, pre-chorus opens with stacked harmony and a tom roll, chorus blooms with wide backing vocals and sustained chords, Close-mic lead with soft doubles, airy ad-libs, and a few delay throws on the hook, Tape glow, pedal-steel swells, and a subtle room clap before the final chorus, Smooth, warm, polished mix, soft rock
4:32

Backroom Sunday - MI
v4.5-all
Roots rock with blues-rock swagger and pub-rock stomp, mid-tempo with swung drums, gritty baritone guitar, walking bass, and handclap accents; verse rides dry rhythm guitar and bass, pre-chorus strips to kick and picked licks, chorus hits with gang vocals and a singback hook, Vocal is close-mic, slightly raspy, with doubled chorus lines and short delay throws, Ear candy: bottle-rack shimmers before the lift, reversed cymbal into the chorus, and a harmonica tag after the second hook, Mix is warm, punchy, and analog-bright with dusty mids, rock, pub rock, blues, roots rock, pop rock
3:09

Paper Kites MI
v4.5-all
Indie folk-pop with a gentle 6/8 sway, fingerpicked acoustic guitar driving the verse, brushed kick and tambourine entering the chorus, and a warm upright bass walking underneath, Verse stays intimate and sparse; pre-chorus opens with harmonies and a lifted mandolin figure; chorus blooms with glockenspiel accents and wide stacked guitars, Close, airy mix with soft room reverb and a sunlit, handmade feel, indie folk, folk-pop
4:15

Dust On My Boots - MI
v4.5-all
Argentine zamba with a gentle 6/8 sway, delicate guitar arpeggios and bombo legüero accents; verse stays intimate with solo voice and nylon-string guitar, pre-chorus opens with second-guitar harmonies and hand-clap pulses, chorus blooms with male-female call-and-response and soft strings, breathy close-mic vocals, warm room reverb, subtle whistle flourishes between phrases, bright earthy mix with a rustic, intimate sheen, gentle, warm, bright, breathy, soft
3:58

Dust On My Boots - 2 - MI
v4.5-all
Argentine zamba with a gentle 6/8 sway, delicate guitar arpeggios and bombo legüero accents; verse stays intimate with solo voice and nylon-string guitar, pre-chorus opens with second-guitar harmonies and hand-clap pulses, chorus blooms with male-female call-and-response and soft strings, breathy close-mic vocals, warm room reverb, subtle whistle flourishes between phrases, bright earthy mix with a rustic, intimate sheen, warm, soft, bright, breathy, gentle

