
... But Home Is Nowhere - We Left the Lights Low
Debut Album from ... But Home Is Nowhere. Raven, Lune, Marlowe, and Cass bring the feelings and pride
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12 songs
4:29

early 2000s emo/post-hardcore with analog warmth, live-room ambiance, and ambient delayed guitars layered over raw, dynamic drumming and melodic, overdriven bass, Emotional female vocal—confessional, mid-range, indie-style, breathy and strained in chorus, intimate, cracked edges—cuts through the uncompressed, unpolished mix, highlighting raw energy and dynamic swings, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
4:09

Slow tempo, analog-toned clean electric guitars with chorus effect weave intricate arpeggios, layered over deep, organic bass and understated drums using brushes and soft snare, The arrangement is spacious, balancing melancholy and warmth, Dynamic female vocals rise over bittersweet, emo-driven post-hardcore textures, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
2:59

Explosive female-fronted hardcore with jagged, overdriven riffs and roaring bass, Aggressive double-time snare and toms tear through fast verses, while raw melodic breakdowns punctuate angst-fueled choruses, Dynamic shifts, noisy gang vocals, and distorted textures drive relentless intensity, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
3:49

Five Exit Wounds
v4.5
Starting with minimal, analog-acoustic textures and an intimate room sound, the song gradually layers electric guitars and warm bass, Push-and-pull dynamics drive a tension-filled build into soaring, emotional post-hardcore choruses, balancing sadcore restraint and confessional urgency, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
4:09

A slow-building, early 2000s emo/sadcore track with ambient electric guitar textures washed in chorus and delay, Starts with sparse, clean guitar and close-mic’d, breathy female vocals, Gradual layering adds light post-hardcore undertones, Final chorus blooms with layered harmonies, emotional but restrained vocal cracks, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production, ‑acoustic, ‑scream vocals, ‑high energy
3:18

Aggressive, distortion-heavy guitars launch the track, backed by tight drums with sudden tempo shifts, Vocals punch through with raw power, alternating between defiant shouts and melodic hooks, Bass lines drive with melodic hardcore finesse, Breakdown features gang vocals for anthemic intensity, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production, ‑acoustic
3:15

Energetic early 2000s emo-pop-punk featuring chorus-drenched guitars over a fast drum and bass groove, Verses lean on syncopated strums with tight hi-hats, while dynamic, hook-filled choruses explode with stacked vocal harmonies, Upbeat tempo contrasts with edgy, anxious undertones, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
3:34

Fast tempo with a danceable punk groove, clean guitars featuring light distortion, and an energetic, melodic bassline drive the live-band sound, Tight drums anchor the upbeat, cathartic vibe, while emotional female vocals soar above catchy, emo-influenced chord progressions and dynamic, post-hardcore textures, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
4:11

Slow-building post-hardcore with ambient emo textures, starting with delayed electric guitar and minimal, atmospheric layering, Female vocals are intimate and breathy in verses, expanding to layered harmonies in the chorus, Minimal percussion, soft dynamics, subtle tension, and controlled emotional delivery, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production"
3:36

We Are Weapons
v4.5
Fast-tempo pop-punk/hardcore/emo track with distorted, punk-driven guitars and energetic drums, breaking into melodic interludes for contrast, Tension builds in verses with snarling female vocals—shouted and sung interchangeably—leading to a powerhouse chorus of layered, gritty voices, The bridge features raw, urgent phrasing before surging back to a climactic, defiant chorus, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production, ‑acoustic folk, ‑soft indie rock, ‑electronic pop, ‑piano
3:55

Slow tempo anchors the track with warm, analog drums and deep, rounded bass, Ambient, reverb-laden electric guitars weave subtle, haunting melodies, punctuated by restrained post-hardcore dynamic shifts, Gentle keys and minimal synth layers add texture, Bittersweet indie rock tones throughout, ‑pop, ‑EDM, ‑trap, ‑metalcore, ‑hyperpop, ‑synth-heavy, ‑autotuned, ‑overproduced, ‑electronic percussion, ‑male vocals, ‑spoken word hyperpop, ‑club, ‑bright pop punk, ‑overcompressed production", ‑acoustic, ‑metalcore, ‑EDM, ‑trap, ‑scream vocals, ‑overly soft indie"
3:20

A low dynamic post-hardcore ballad with minimal, delicately layered guitars, soft percussion, and intimate ambient delays, The female vocal is breathy, restrained, and emotionally raw, moving toward spoken-sung phrasing in the outro, The pacing is slow, conveying exhaustion and vulnerability, ‑acoustic folk, ‑scream vocals, ‑pop rock, ‑upbeat tempos, ‑heavily processed sound, ‑electronic
