NDC Summer Bingo [own contributions]

A riff-driven Acid Trance foundation fuses punchy 303 basslines with pounding hardstyle kicks, then interlaces vintage bluesy rock licks on overdriven guitar, Acoustic rhythm guitars lend quirky dance grooves, Experimental vocals weave sarcasm with off-kilter harmonies, Extended solos—both guitar and synth—bridge sections, sometimes breaking into funk-inspired disco hi-hats, before plunging back into dark, genre-melding textures

Film music, vintage psychedelic rock, funky folk

Outlaw Country fused with riff based hard rock and vintage blues, Electric guitar focus, Spice it up with subtle edm and gospel vibes, Minor key, upbeat, Highly experimental, Avant-garde male vocals with improvisational flair

Orchestral focus, Symphonic, fused with psychedelia and intense vintage hard rock riffs, symphonic strings as base and profound solos, Unique vocal performance with improvisational flair, Organ, jazzy drums, ethereal guitar with whammy flair, symphonic Orchestra

Wild Glam rock-psychedelic fusion, clean studio sound

High-energy complextro fused with gritty electroclash attitude, intricate IDM glitches, and fragmented chamber pop samples, Fast, punchy, and unpredictable, with distorted synth stabs, cut-up string quartet loops, grainy harpsichord phrases, and choppy vocal chops sprinkled throughout, The beat is sharp and syncopated, mixing mechanical precision with chaotic breaks and percussive surprises, Dry, detached spoken verses alternate with shouted ironic choruses, dripping with humor and sarcasm, The arrangement weaves sudden silences, glitchy fills, and dramatic orchestral stabs into the driving groove, Atmosphere is playful yet heavy, evoking neon lights, torn tuxedos, and a cabaret gone haywire — equal parts polished and absurd, Think: a mischievous magician remixing a baroque ball in Tokyo, conjuring a band "big in Japan" with sparkles, bats, and blissful ignorance

Founded in Hard stoner rock infuse it with banjo shoegaze And psychedelic folk, Mix in a little post-rock with profound build-ups and instrumentation, Soul pr gospel hamonies characterise the chorus and hooks, Solos are based in electrified banjo, Experimental, Drums inspired by doom jazz and the bass is kept acoustic, Vocal performance reminiscent of blues rock but with modern stoner rock attributes, unique

Big Orchestra, Symphonic, mix in heartfelt soul and 80s stadium rock, Keep the sound clear and mix the symphonic elements with rock drums and electric instruments such as electric guitar, Duet between male and female, Powerful and acheing

Dark, atmospheric trap infused with dusty blues and psychedelia, Gritty 808s hit deep with a slow, staggered groove, Loosened hi-hats, distorted kick, and detuned snares add weight, Fuzzed electric guitar licks loop behind the beat, soaked in tape delay, Organ or harmonica textures warped with modulation, Vocal is raw, low-pitched, half-sung, half-spoken with irregular flow—avoid clean rhymes, lean into unexpected phrasing, Sarcastic tone, eerie presence, Hooks are hypnotic but change shape each time, Use vocal chops, reversed breaths, and ambient noise for transitions, Structure drifts—moments drop out, then swell back with pressure, FX-heavy mix with wide panning and filter sweeps for tension, Feels like a slow ride through fog, hunted but laughing, Let silence and distortion play off each other, Ends in ghostlike decay

Psychedelic space rock, modern take, Low baritone, choir, intense solos

Accordion based funky folk with a clear twist of riff based vintage rock as heard in the 1970s, It should be modern to the touch with clear sounds, Large emphasis on accordion all the way with unique solos, It all melts together into an avant-garde glictchy take and leaves the listener perplexed, Vocal performance overpowered, self-confident but untrained, Male vocals, very deep on the edge of scale of actual sound, Spice It with slight whammy groove

complextro fused with intense dance and weird vintage hard rock vibes, Experimental, vocal improvise