3:37

3:31

Soulful blues-rock driven by gritty electric guitar riffs, vintage organ, and expressive piano, Verses are minimal, centering smokey, extreme vibrato-heavygoing over the place female vocals, Choruses burst with powerful drums and bold vocal harmonies, the dynamic rhythm section propelling energy throughout
3:15

Soulful blues-rock driven by gritty electric guitar riffs, vintage organ, and expressive piano, Verses are minimal, centering smokey, extreme vibrato-heavygoing over the place female vocals, Choruses burst with powerful drums and bold vocal harmonies, the dynamic rhythm section propelling energy throughout
7:59

Experimental art-rock ballad with haunting guitar arpeggios, sparse piano, slow tempo, Female or male vocal with fractured, whispery delivery, Deeply emotional and surreal, Lyrics dissolve into fragmented phrases toward the end, mimicking the feeling of memory loss, Ending features tape glitch, static, and dissonant decay
2:59

Dutch accoustic Rap, accoustic piano, microtonal
3:34

Burn in my Name
v4.5
A shape-shifting soul ballad dressed in bluesy electronica — simmering with tension and release, Sparse, syncopated percussion lays a restless foundation beneath liquid basslines and hazy, ambient synths, The vocals wander through moods: whispered one moment, soaring the next, with emotive adlibs and dramatic swells that rise like storm clouds, The arrangement modulates unexpectedly, ascending two full octaves across the track — each lift intensifying the layered harmonies and emotional stakes, The climax hits like catharsis: lush, unpredictable, and strangely intimate
3:05

A shape-shifting soul ballad dressed in bluesy electronica — simmering with tension and release, Sparse, syncopated percussion lays a restless foundation beneath liquid basslines and hazy, ambient synths, The vocals wander through moods: whispered one moment, soaring the next, with emotive adlibs and dramatic swells that rise like storm clouds, The arrangement modulates unexpectedly, ascending two full octaves across the track — each lift intensifying the layered harmonies and emotional stakes, The climax hits like catharsis: lush, unpredictable, and strangely intimate
4:39

Soulful blues-rock driven by gritty electric guitar riffs, vintage organ, and expressive piano, Verses are minimal, centering smokey, extreme vibrato-heavygoing over the place female vocals, Choruses burst with powerful drums and bold vocal harmonies, the dynamic rhythm section propelling energy throughout
3:18

Whimsical, dreamy synthpop with twinkling chiptune elements and nostalgic 2000s electro-pop energy, Male vocalist with a soft, airy tone delivering poetic, surreal lyrics about insomnia, childlike wonder, and escaping into a glowing nighttime world, Gentle glockenspiel-like synths sparkle over bouncy, mid-tempo electronic beats, A sense of innocence, imagination, and emotional vulnerability, Perfect for a magical midnight adventure through a world lit by tiny lights, new orleans jazz
4:14

These Months
v4.5
Built around a powerhouse extreme vibrato en unique female vocal, each phrase utilizes dramatic, intense vibrato as the central feature, Sparse, moody piano and subtle strings provide a haunting bed in the verses, The chorus bursts with bold brass stabs and syncopated percussion for heightened drama
3:09

Start with Classic Country (acoustic guitar, pedal steel, male vocals with southern twang), then transition to Blues Rock for the bridge (electric slide guitar, gritty vocals), shift into a Gospel-inspired R&B chorus (claps, organ, female harmonies), and finally end with a Lo-fi Soul Sample (vinyl crackle, chopped vocals, mellow Rhodes keys), Emotional tone: nostalgic, gritty, reflective, Tempo: slow to mid-tempo transition, Keywords: heartbreak, growing apart, holding on, ‑Piano
3:35

Hello to me
v4.5
Built around a powerhouse extreme vibrato en unique female vocal, each phrase utilizes dramatic, intense vibrato as the central feature, motown
4:33

Accoustic, extreme vibrato strange unique voice female, ‑guitar, ‑piano
2:59

Accoustic, extreme vibrato strange unique powerhouse voice male, ‑guitar, ‑piano
2:55

A crystalline soprano laced with Nordic frost and childlike wonder — AURORA’s voice floats effortlessly between breathy intimacy and radiant clarity, Each phrase carries a delicate tension: fragile yet fearless, like glass under pressure, Her vocal tone is bright and bell-like, with ethereal overtones that shimmer against minimal electronic textures, She often uses staccato phrasing and layered harmonies to evoke innocence or mysticism, while sudden shifts to guttural chest tones ground her performances in raw emotion, Adlibs feel instinctive, like echoes from a forest spirit, and her phrasing is often rhythmic, dance-like, as if singing and movement are inseparable, It’s a voice that sounds both ancient and newborn — a vessel for nature, myth, and resistance
3:18

A crystalline soprano multi layered vibrato extreme laced with Nordic frost and childlike wonder — AURORA’s voice floats effortlessly between breathy intimacy and radiant clarity, Each phrase carries a delicate tension: fragile yet fearless, like glass under pressure, Her vocal tone is bright and bell-like, with ethereal overtones that shimmer against minimal electronic textures, She often uses staccato phrasing and layered harmonies to evoke innocence or mysticism, while sudden shifts to guttural chest tones ground her performances in raw emotion, Adlibs feel instinctive, like echoes from a forest spirit, and her phrasing is often rhythmic, dance-like, as if singing and movement are inseparable, It’s a voice that sounds both ancient and newborn — a vessel for nature, myth, and resistance
3:46

A 95 BPM LA soul gospel pop-rock track launches with gritty electric guitar riffs and dynamic drums, Verses layer warm organ, punchy bass, and emotive female vocals, The chorus bursts with empowering gospel choir harmonies, vibrant piano, and bold guitar, culminating in a triumphant, anthemic sound
2:59

A 95 BPM LA soul gospel pop-rock track launches with gritty electric guitar riffs and dynamic drums, Verses layer warm organ, punchy bass, and emotive female vocals, The chorus bursts with empowering gospel choir harmonies, vibrant piano, and bold guitar, culminating in a triumphant, anthemic sound
4:59

Create haunting folk blues ballad, acoustic fingerpicked guitar with harmonica, weathered storytelling vocals with rural American accent, 70-80 BPM, multigenerational African American family saga from slavery to freedom, narrator is blues musician descendant, melancholic yet hopeful, intimate campfire atmosphere, instrumental harmonica breaks, sparse brushed drums and subtle upright bass, gravelly experienced voice with natural pauses, authentic folk tradition, delicate but determined emotional core, ancient story passed down through generations, fingerpicked acoustic guitar foundation, harmonica weaving through verses, weathered vocals telling family history, pain and dignity in delivery, rural storytelling style, gentle percussion keeping time, upright bass adding warmth, voice carries weight of generations
3:56

Golden Light !
v4.5
A moody, cinematic blend of electronic soul and ambient pop, wrapped in spacious synthscapes and pulsing undercurrents, The track drifts between organic warmth and synthetic sheen—intimate yet expansive, Sparse piano lines and textured pads form the emotional core, while slow-building rhythms, filtered percussion, and reverberant snaps evoke the feel of a dream remembered mid-motion, Vocals glide in and out, layered like mist—sometimes whispered, sometimes distant, always aching, Instead of following a traditional arc, the song moves in waves: swelling, retracting, and leaving room for silence to speak, Imperfection is embraced—every breath, crackle, or delay tail feels intentional, It’s not a track that resolves, but one that lingers: a suspended moment stretched across time, evoking vulnerability, awe, and the quiet gravity of longing
3:56

This Love Game.
v4.5
Built around a powerhouse female vocal, each phrase utilizes dramatic, intense vibrato as the central feature, Sparse, moody piano and subtle strings provide a haunting bed in the verses, The chorus bursts with bold brass stabs and syncopated percussion for heightened drama
5:45

Bijzondere Stem
v4.5
A shape-shifting soul ballad dressed in bluesy electronica — simmering with tension and release, Sparse, syncopated percussion lays a restless foundation beneath liquid basslines and hazy, ambient synths, The vocals wander through moods: whispered one moment, soaring the next, with emotive adlibs and dramatic swells that rise like storm clouds, The arrangement modulates unexpectedly, ascending two full octaves across the track — each lift intensifying the layered harmonies and emotional stakes, The climax hits like catharsis: lush, unpredictable, and strangely intimate
3:27

A genre-blurring fusion of trip-hop, alt-pop, and lo-fi electronica, driven by offbeat rhythms and fragmented song structures, Tracks often begin with minimalistic grooves — dusty drum loops, vinyl crackle, or detuned keys — setting a cinematic, dystopian tone, Melodies unfold lazily over syncopated basslines and vintage synths, while layered vocal samples, radio static, and field recordings drift in and out like phantom thoughts, The arrangement avoids linear build-ups, instead opting for left-turn transitions: rap verses melt into melancholic choruses, ska horns segue into glitchy breakbeats, and lo-fi guitar riffs weave through dub-influenced subs, The mix is intentionally raw, often mono-textured, embracing imperfection to create an atmosphere that feels lived-in, ironic, and strangely human, tracks don’t climax — they meander, collide, and deconstruct, inviting listeners into a strange, saturated sound world that’s more collage than composition
3:22

Buffer me Out
v4.5
is a hyper-fractured collision of lo-fi drum’n’bass, industrial glitch, and vocal deconstruction, Built around a chaotic 178 BPM pulse, the track opens with lo-fi humming and degraded textures, setting a cold, mechanical tone, The beat drops abruptly into harsh, distorted reese bass and squelchy stabs that cut through like jagged metal, Vocal phrases—“What you say, ” “fam, ” and “do you know”—are looped, chopped, stretched, and warped into rhythmic fragments, functioning more as percussive texture than narrative, The structure refuses traditional arcs, instead lurching sideways with glitch-breakdowns, reversed pads, and twitchy transitions, Each drop reshapes the sound field: one moment claustrophobic and compressed, the next wide and dissolving, The track embraces sonic imperfection—mono crunch, saturation, asymmetric rhythms—and leans into the discomfort of digital decay, “What You Say” doesn’t build or resolve; it flickers, sputters, and glitches out like a corrupted me
4:28

A genre-blurring fusion of trip-hop, alt-pop, and lo-fi electronica, driven by offbeat rhythms and fragmented song structures, Tracks often begin with minimalistic grooves — dusty drum loops, vinyl crackle, or detuned keys — setting a cinematic, dystopian tone, Melodies unfold lazily over syncopated basslines and vintage synths, while layered vocal samples, radio static, and field recordings drift in and out like phantom thoughts, The arrangement avoids linear build-ups, instead opting for left-turn transitions: rap verses melt into melancholic choruses, ska horns segue into glitchy breakbeats, and lo-fi guitar riffs weave through dub-influenced subs, The mix is intentionally raw, often mono-textured, embracing imperfection to create an atmosphere that feels lived-in, ironic, and strangely human, tracks don’t climax — they meander, collide, and deconstruct, inviting listeners into a strange, saturated sound world that’s more collage than composition
3:48

Built around a powerhouse female vocal, each phrase utilizes dramatic, intense vibrato as the central feature, Sparse, moody piano and subtle strings provide a haunting bed in the verses, The chorus bursts with bold brass stabs and syncopated percussion for heightened drama
3:14

Built around a powerhouse female vocal, each phrase utilizes dramatic, intense vibrato as the central feature, Sparse, moody piano and subtle strings provide a haunting bed in the verses, The chorus bursts with bold brass stabs and syncopated percussion for heightened drama
4:07

Blues, Soft Rock, Adult Contemporary, Male Singer, good adlibs, rough unique male voice, Hypnotic Bassline
4:54

3:29

6:10

3:17

Dutch accoustic Rap, accoustic piano, microtonal
3:18

3:12

Explosive up tempo blues rock kicks off with driving electric guitar riffs and a gritty rhythm section, The unique female vocal commands attention, centering each phrase around a fierce, extreme vibrato, accented by punchy drums and blistering organ lines between verses
3:04

Explosive up tempo blues rock kicks off with driving electric guitar riffs and a gritty rhythm section, The unique male vocal commands attention, centering each phrase around a fierce, extreme vibrato, accented by punchy drums and blistering organ lines between verses
3:52

Explosive up tempo blues rock kicks off with driving electric guitar riffs and a gritty rhythm section, The unique male vocal commands attention, centering each phrase around a fierce, extreme vibrato, accented by punchy drums and blistering organ lines between verses
3:27

Explosive up tempo blues rock kicks off with driving electric guitar riffs and a gritty rhythm section, The unique male vocal commands attention, centering each phrase around a fierce, extreme vibrato, accented by punchy drums and blistering organ lines between verses
3:04

Explosive up tempo blues rock kicks off with driving electric guitar riffs and a gritty rhythm section, The unique female vocal commands attention, centering each phrase around a fierce, extreme vibrato, accented by punchy drums and blistering organ lines between verses
3:21

Built around a powerhouse extreme vibrato en unique female vocal, each phrase utilizes dramatic, intense vibrato as the central feature, motown, 2 part singing
3:16

You said
v4.5
A raw-boned burst of soul-steeped urgency — “The Letter” barrels forward like a midnight train running on instinct and heartbreak, The vocal is tight, clipped, and hoarse, more bark than aria — but it’s exactly that unpolished fire that makes it immortal, Every word is propelled by need: no verse wasted, no note held for beauty’s sake, The arrangement hits like a suitcase slammed shut — sharp guitar stabs, driving bass, a no-frills backbeat that mirrors the narrator’s desperation, Clocking in under two minutes, the song doesn’t unfold; it detonates, No time for poetry, just motion, When he says “Gimme a ticket, ” it’s not a request — it’s survival in a lyric, And when he sings “My baby just wrote me a letter, ” it becomes more than news — it’s permission to live again, It’s garage soul as telegram: short, loud, aching, A classic built not on polish, but propulsion
3:52

A raw-boned burst of soul-steeped urgency — “The Letter” barrels forward like a midnight train running on instinct and heartbreak, The vocal is tight, clipped, and hoarse, more bark than aria — but it’s exactly that unpolished fire that makes it immortal, Every word is propelled by need: no verse wasted, no note held for beauty’s sake, The arrangement hits like a suitcase slammed shut — sharp guitar stabs, driving bass, a no-frills backbeat that mirrors the narrator’s desperation, Clocking in under two minutes, the song doesn’t unfold; it detonates, No time for poetry, just motion, When he says “Gimme a ticket, ” it’s not a request — it’s survival in a lyric, And when he sings “My baby just wrote me a letter, ” it becomes more than news — it’s permission to live again, It’s garage soul as telegram: short, loud, aching, A classic built not on polish, but propulsion
3:09

A raw-boned burst of soul-steeped urgency — “The Letter” barrels forward like a midnight train running on instinct and heartbreak, The vocal is tight, clipped, and hoarse, more bark than aria — but it’s exactly that unpolished fire that makes it immortal, Every word is propelled by need: no verse wasted, no note held for beauty’s sake, The arrangement hits like a suitcase slammed shut — sharp guitar stabs, driving bass, a no-frills backbeat that mirrors the narrator’s desperation, Clocking in under two minutes, the song doesn’t unfold; it detonates, No time for poetry, just motion, When he says “Gimme a ticket, ” it’s not a request — it’s survival in a lyric, And when he sings “My baby just wrote me a letter, ” it becomes more than news — it’s permission to live again, It’s garage soul as telegram: short, loud, aching, A classic built not on polish, but propulsion
3:53

Opening with nylon-string guitar rhythms reminiscent of bossa nova, warm upright bass, and delicate percussion, the chanson-inspired verses highlight the contralto’s expressive timbre, Rounded synth pads and airy retro keys subtly enter, with bright acoustic textures and gentle folk-inspired harmonies enriching a catchy 80’s pop-infused chorus, Accordion interludes and occasional jazzy chords uplift the cool, intimate atmosphere throughout
4:03

[Genre: Technical Death Metal, Progressive Metal] [Mood: dark, apocalyptic, virtuosic] [Instruments: 8-string guitars, double-kick drums, ambient synth, fretless bass, lead guitar solo] [Vocal Style: ultra-fast gutturals, layered growls] [Tempo: 260 BPM] [Beat: 4/4 with blast beats, syncopated transitions] [Key: D minor] [Mix: #tight_mix, #high_clarity, #minimal_reverb, #guitar_solo_featured]
4:58

americana soul, country pop, gospel blues fusion, [Intro: ambient guitar reverb, soft fingerpicked acoustic, faint background choir hums] [Verse 1: rhythmic acoustic strums, layered claps, bluesy countertenor male vocal (soft grit, mid-range), introspective tone] [Chorus: swelling harmonies, echoing electric slide guitar, stomps + claps, call-and-response vocals (falsetto + growl)] [Hook: repeated refrain with minimalist beat drop, vocal layering, gospel undertones] [Bridge: stripped acoustic + raw vocal solo (strained soul tone), live room feel, slight reverb] [Outro: fading acoustic riff, distant choir, one final vocal echo] genre tags: acoustic soul, country pop, gospel-blues fusion, Americana crossover instrumentation: acoustic guitar, stomp box, layered handclaps, electric slide guitar, subtle synth pads, live gospel choir vocal style: male duet (smooth pop tenor + gritty country baritone), call-and-response, emotional falsetto, soulful harmonies, natural room tone]
5:30

Live, Accoustic, emotional, melodramatic, raw voice
4:14

3:19

Genre: British blues rock, raw and urgent, with folk undercurrents, Sound: Distorted, riff-driven guitar (fuzz tones, sharp bends), walking basslines, shuffle-inspired drums, The acoustic section (Part 2) shows their folk/classical side — spacious, almost cinematic, Vocals: Peter Green’s delivery is rough, conversational, almost muttered at times, giving it a streetwise and weary character, Mood: Frustrated, ironic, but also vulnerable — a mix of swagger and regret, Lyrics: Direct and confessional, almost self-deprecating, It feels like overhearing someone’s private muttering, set to a driving blues riff
3:45

Sugarlips
v4.5+
[Style Description]
This track channels late-90s French house energy with a warm, analog grit, It opens with dusty vinyl crackle and a muted four-on-the-floor kick, teasing the groove through slowly brightening filter sweeps, The bassline is fat and rubbery, sliding between notes in sync with tightly chopped funk guitar riffs, Hi-hats tick crisply across the stereo field, while handclaps bounce with subtle delay for extra swing, Vocals are smooth, loop-friendly, and hypnotically repetitive, doubling in select spots for emphasis, Midway, a breakdown strips the mix to a heartbeat kick and airy sub-bass, letting chopped vocal stabs add texture before the full spectrum floods back in, The final chorus hits with open hats, layered percussion, and bright synth stabs that shimmer across the mix, giving a euphoric yet grounded dance floor release before fading back to intimate minimalism
3:02

# Lyrics (Remix)
v4.5+
[Style Description]
This track channels late-90s French house energy with a warm, analog grit, It opens with dusty vinyl crackle and a muted four-on-the-floor kick, teasing the groove through slowly brightening filter sweeps, The bassline is fat and rubbery, sliding between notes in sync with tightly chopped funk guitar riffs, Hi-hats tick crisply across the stereo field, while handclaps bounce with subtle delay for extra swing, Vocals are smooth, loop-friendly, and hypnotically repetitive, doubling in select spots for emphasis, Midway, a breakdown strips the mix to a heartbeat kick and airy sub-bass, letting chopped vocal stabs add texture before the full spectrum floods back in, The final chorus hits with open hats, layered percussion, and bright synth stabs that shimmer across the mix, giving a euphoric yet grounded dance floor release before fading back to intimate minimalism






