Rain

chopped/re-sequenced 65bpm acid-house Iladelphia-rap × Brooklyn-drill breakbeat hybrid, re-sequenced lo-fi gangster grit, NY/Chiraq, Squelching rolling 303 acidbass + gliding LFO-808 subs over Boss DR-110 drums and D-50 snare snaps; distorted 808 march, glitch/scratch fills, bit-crunch grit, syncopated hats, ghost snares, high-pass filters, Midwest-emo baritone lead in call, guttural accent tails, Portastudio→SP-303 resample response, bubble-memphis female tape-speed pitches stacked to tenor/mezzo sharps, diner gloss accents, v303 vocoder delayed verb tails, Omnisphere 2 pads: long-velocity/short-release, psy-punk acid-house, southern purple, lean, sinister vibe, ; vintage pop / ’50s diner gloss accents, shamisen-303-acidbass behind-beat counterlines; guttural-throat-singing texture; chopped/re-sequenced raw Memphis-choir crowd vocals + low stacked choir behind lead; subtle patting-juba body-perc woven under hats for human push, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

65bpm pitched down chopped/re-sequenced acid-house Iladelphia-rap × Brooklyn-drill slow breakbeat hybrid, re-sequenced lo-fi grit, NY/Chiraq, Squelching rolling 303 acidbass + gliding LFO-808 subs over Boss DR-110 drums and D-50 snare snaps; distorted 808 march, glitch/scratch fills, bit-crunch grit, syncopated hats, ghost snares, high-pass filters, Midwest-emo-chopped/screwed-lead-in-call, nasal fracture scratch accent tails, Portastudio→SP-303 resample response, bubble-memphis female tape-speed pitches stacked to tenor/mezzo sharps, diner gloss accents, print-through v303 vocoder delayed verb tails, Omnisphere 2 pads: long-velocity/short-release, psy-punk acid-house, southern lean, screwed mixtape vibe; vintage pop / ’50s diner gloss accents, metal-shamisen-bass behind-beat counterlines; chopped/re-sequenced raw Memphis-choir crowd vocals + crosstalk low stacked choir behind lead; subtle patting-juba body-perc woven under hats for human push, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

65bpm sustained tape speed slowdown chopped/re-sequenced acid-house swamp-rap × Brooklyn-drill breakbeat hybrid, re-sequenced 808-sub nasal grit, Squelching rolling 303 acidbass + gliding LFO-808 subs over Boss DR-110 drums and D-50 snare snaps; distorted 808 march, glitch/scratch fills, bit-crunch grit, syncopated slo-mo reverb fingersnaps, sparse ghost snares, high-pass filters, Drum blue whistles on LFO, Delta-blue-male-bass-lead with LFO, sustained pitched down, nasal fracture scratch accent tails, Portastudio→SP-303 resample response, memphis-kawaii female tape-speed pitches stacked to tenor/mezzo sharps, gloss accents, print-through v303 vocoder delayed reverb tails, Omnisphere 2 pads: long-velocity/short-release, sustained nasal; panoramic fx, psy-punk acid-house, memphis-rap mixtape vibe; bass-brass behind-beat counterlines; chopped/re-sequenced raw punkrap-choir crowd vocals; subtle patting-juba body-perc woven under hats for human push, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

110bpm chopped/re-sequenced acid-house Iladelphia-rap × Brooklyn-drill breakbeat hybrid, re-sequenced lo-fi gangster grit, NY/Chiraq, chopped & screwed, Squelching rolling 303 acidbass + gliding LFO-808 subs over Boss DR-110 drums and D-50 snare snaps; distorted 808 march, glitch/scratch fills, bit-crunch grit, syncopated hats, ghost snares, high-pass filters, Midwest-emo baritone lead in call, guttural-throat scratch accent tails, Portastudio→SP-303 resample response, bubble-memphis female tape-speed pitches stacked to tenor/mezzo sharps, diner gloss accents, v303 vocoder delayed verb tails, Omnisphere 2 pads: long-velocity/short-release, psy-punk acid-house, southern purple, lean, sinister vibe; vintage pop / ’50s diner gloss accents, metal-shamisen-bass behind-beat counterlines; chopped/re-sequenced raw Memphis-choir crowd vocals + low stacked choir behind lead; subtle patting-juba body-perc woven under hats for human push, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

65bpm pitched down minor 2nd chopped/re-sequenced swamp-rap × Brooklyn-r&b breakbeat slow-jam hybrid, sub nasal grit, sparse minimal beats, Slow-jam motion, Squelchy-303-acidbass, gliding LFO-808 subs, DR-110 drums, D-50 snare room-reverb snaps, glitch/scratch fills, bit-crunch grit, sparse ghost snares, high-pass sweeps, syncipated hi hats, High-reverb fingersnaps, blues-whistles with LFO, Delta-blue male bass lead, LFO, pitched down; nasal fracture, scratch-accent tails, Portastudio→SP-303 resample chain; stacked alto-flat female response, stacking to mezzo flat tails, Gloss accents, print-through v303 vocoder reverb trails, glitchy strobe fade, Bit-crunch grit Omnisphere 2 pads: long-velocity / short-release, sustained nasal beds, panoramic FX; Rain texture, Bass-brass behind-beat counterlines; chopped "punk-rap" choir crowds; subtle juba body-perc under hats; playful, imperfect harmony, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

65bpm pitched down minor 2nd chopped/re-sequenced swamp-rap × Brooklyn-r&b breakbeat slow-jam hybrid, sub nasal grit, sparse minimal beats, Slow-jam motion, Squelchy-303-acidbass, gliding LFO-808 subs, DR-110 drums, D-50 snare room-reverb snaps, glitch/scratch fills, bit-crunch grit, sparse ghost snares, high-pass sweeps, syncipated hi hats, High-reverb fingersnaps, blues-whistles with LFO, Delta-blue male bass lead, LFO, pitched down; nasal fracture, scratch-accent tails, Portastudio→SP-303 resample chain; midwest-emo alto-flat female to mezzo flats, Gloss accents, print-through v303 vocoder reverb trails, glitchy strobe fade, Bit-crunch grit Omnisphere 2 pads: long-velocity / short-release, sustained nasal beds, panoramic FX; Rain texture, Bass-brass behind-beat counterlines; chopped "punk-rap" choir crowds; subtle juba body-perc under hats; motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

65bpm-75bpm pitched down minor 2nd chopped/re-sequenced swamp-rap × Brooklyn-r&b breakbeat slow-jam hybrid, sub nasal grit, sparse minimal beats, Slow-jam motion, Squelchy-303-acidbass, gliding LFO-808 subs, DR-110 drums, D-50 snare room-reverb snaps, glitch/scratch fills, bit-crunch grit, sparse ghost snares, high-pass sweeps, syncipated hi hats, fingersnaps with delayed reverb errors, blues-whistles with LFO, Delta-blue male bass lead, LFO, pitched down; nasal fracture, scratch-accent tails, Portastudio→SP-303 resample chain; stacked tenor-flat female response, stacking to alto flat tails, Gloss accents, print-through v303 vocoder reverb trails, glitchy strobe fade, Bit-crunch grit Omnisphere 2 pads: long-velocity / short-release, sustained nasal beds, panoramic FX; Rain texture, Bass-brass behind-beat counterlines; chopped "punk-rap" choir crowds; subtle juba body-perc under hats; playful, imperfect harmony, motor-soul resonance, ‑goa, ‑circus, ‑arabic, ‑country, ‑dubstep, ‑muslim, ‑gabber, ‑texas, ‑funk, ‑opera, ‑violin

95bpm minor 2nd post-hardcore × sludge mathcore × grunge-r&b breakbeat hybrid; raw tracked impact over polished edit-lock, 303 acidbass under overdriven metal guitars voiced for abrasion, open-string dissonance, collapsing unisons, and blunt minor 2nd descents, Arrangement favors violent loud/near-silent contrast, section slams, jagged restarts, dragged-out impact tails, syncopated hip-hop breakdowns, DR-110 / D-50 kit with roomy snare bloom, crash-led pivots, tom-led surges, sparse ghost snares, clipped scratch fills, Pitched-down male bass lead delivers bark-to-yell-to-scream escalation; mezzo flat memphis-rap female and gang-vocal answers, Portastudio→SP-303 resample dirt, bit-crunch grain, print-through haze, strobe-vocoder residue, Tribal underperc, bass-brass undertow, imperfect harmonies, ensemble chaos, physical over digital, ‑Nursery, ‑kids

65bpm-75bpm pitched down minor 2nd chopped/re-sequenced swamp-rap × Brooklyn-r&b breakbeat slow-jam hybrid, sub nasal grit, sparse minimal beats, Slow-jam motion, Squelchy-303-acidbass, gliding LFO-808 subs, DR-110 drums, D-50 snare room-reverb snaps, glitch/scratch fills, bit-crunch grit, sparse ghost snares, high-pass sweeps, syncipated hi hats, fingersnaps with delayed reverb errors, blues-whistles with LFO, Delta-blue male bass lead, LFO, pitched down; nasal fracture, scratch-accent tails, Portastudio→SP-303 resample chain; stacked tenor-flat female response, stacking to alto flat tails, Gloss accents, print-through v303 vocoder reverb trails, glitchy strobe fade, Bit-crunch grit Omnisphere 2 pads: long-velocity / short-release, sustained nasal beds, panoramic FX; Rain texture, Bass-brass behind-beat counterlines; chopped "punk-rap" choir crowds; subtle juba body-perc under hats; playful, imperfect harmony, motor-soul resonance