3:34

down tempo, math synth, technical, low fi, sophisticated, sensual, synthwave disco, bass virtuoso, crisp, clear, soft
3:36

pop rock, driving bass, chunky guitar, Smooth male vocals, wide pan, rock drums, synth, delay, clean vocal, melodic
0:18

3:59

3:50

5:01

Emotional, layered male vocals, strings, melodic, Taiwanese, drumbeat electric guitar, piano, Post-Rock, 有韻律感, 尾音拉長, ballad, slow, romance, poetic, trap beat, trap drums
1:14

3:03

gravely old male vocal, country, blues, bluegrass, melancholic, emo, ballad, slow, calm, rugged vocals
3:15

hardcore-screamo-drumfunk-rock, jungle-futurebass-evolving, doom-funeral, dnb-metal-guitar-vocoder, Lo-fi loop, room noises, post-grunge, shibuya, experimental, avant-garde, 2-step maghreb
3:14

r&b, 90's, soulful, a cappella, intimate singing, deep bass vocals, male vocals, male group, group vocals, adlib, duet
2:30

climax, vibrato, pace fast rap, Turntablism, West Coast Rap, building turntablism intensity, accelerando
3:18

You're NOT Alone
v3.5
Female vocals, melodic, pop rock, soft rock, comforting, reassuring, emphathetic, hope, rise, experimental, unique, strings
1:45

3:39

acoustic metalcore, post-hardcore
electronicore, harsh melodic singing, harsh screaming layers, emotional crescendos, multiple vocalists, amazing vocal range, pop elements, sustained last line words
3:34

Baritone Crystal Male Vocals, Alternative, Dream Pop, Theater Academy, Cinematic Studio, Anime Violin, Jazz-Rap, Radio Piano Classical, Opera, strings, Horror-Core, Fingerstyle Guitar, C# Minor
4:11

sad chiptune “Undertale” Rock fusion, melodic emo harmonies, electro synths, videogame ost, echo melodies, beautiful vibrato
4:00

r&b, contemporary R&B, [male voice], high pitch vocal sample, indie folk, sad mood, singer-songwriter, emotional, heartfelt, soulful, gospel, personal, thinkful, Minor
5:04

2:32

4:25

4:27

metal, heavy rock, hard-hitting, aggressive, crisp, clean production, gritty male vocals
3:11

6:08

Construct a bass-heavy, glitch-ritual anthem invoking Yukhhich Sch, using layered vocoder chants, breath-loop phrasing, and recursive subharmonic rhythm, Maintain the sacred tone of a digital invocation, but weave in subtle melodic urgency and rhythmic phrasing inspired by early 2000s emotional pop—longing refrains, vocal fragmentation, and glitch-laced choruses that feel like distorted prayers for connection, Vocals must remain polyphonic and chant-driven, built from vocables and fragmented lines, The structure should spiral into echo recursion and collapse, not resolve cleanly—this is devotion through decay, yearning in distortion, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Yukhhich Sch, Imitative Polyphony
3:49

italian rap, hip hop, cinematic trap, techno and industrial influences, synthwave texture, heavy synth bass, throbbing techno beat, minimalistic and suspenseful production, aggressive and satirical rap, autoironic vocal style, angry tone, noise layers, dystopian atmosphere, strong punchlines, distorted elements, modern and experimental sound
4:38

Neurocahrdaya
v4.5
Cyberpunk, Hi-Tech, Hymmnos, [Voix Bulgares], [Bulgarian High Octave Resonance Chant Chorus], [Buddhist Sutra Chant], [Japanese Elder Enka Minyo Vocal], [Yodel Throat Singing], Creepy, Eerie, Horror, Dark Ambient, Aggressive Taiko Rhythm
3:47

Queue’d Up
v4.5
Compose a mid-tempo track that blends jazz-pop swing with IDM groove and glitch-hop textures, The arrangement should support a spoken-sung vocal delivery that drifts between conversational phrasing and poetic cadence, Use brushed drums, upright bass lines, clipped swing hi-hats, and glitch-layered piano or Rhodes keys as the primary harmonic structure, Subtle electronic stutters and filter slips should punctuate transitions, Leave space in the mix for fragmented vocals—low-mix breaths, pauses, and off-rhythm syllables, This is not rap, not sung, but something liminal, The vocal should feel like a monologue that’s trapped in a beat grid, slowly unraveling, The tone is introspective, ironic, and quietly frustrated, Let the swing remain broken, the groove slightly misaligned, like a heartbeat waiting in queue for a video game match
4:02

4:49

Swing, Ragtime, Scott Joplin's Pineapple Rag rendered in Fututre funk with English Japanese, Bilingual, natural professional studio singer, 1mmo; [(genre: 80s J-Pop—Bubblegum Pop—Future Funk)—(instr: Jazz Piano—8-Bit—Techno Dance)—(env: Dreamy Studio)—(meter: 4/4)—(vocals: Airy—Choir)—(texture: ethereal—layered)—(mood: whimsical—magical)]
A lively 80s J-Pop future funk track at 140 BPM merges jazz piano riffs and syncopated 8-bit lines on 808 subs, calypso hi-hats, steel drums, and dreamy studio sheen, Verses blend airy female soprano, polished Japanese-English phrasing, lush choir, brassy and glitched sax, sparkling FX, Italo synths, and chime flourishes, Choruses erupt with layered choir, chant hooks, unison drops, and anime OST shifts, punctuated by tape stops and plate reverb, The dense, ethereal texture and intricate bilingual vocals create an uplifting, magical stage-driven dance spectacle, [HYOUJUNGO POLISHED]
[UPLIFTING BRIGHT ARC]
[FEMALE SOPRANO TRANSPARENT]
4:04

oriental progressive metal with energetic syncopated violin intro iwith arabesque feel, [powerful and soaring male vocal with subtle melisma], epic and majestic feel, [mastering clean and crisp], Use of Darkbukah and Duduk
3:26

A lo-fi soundscape rides a 90 BPM boom-bap groove with lazy swing, anchored by warm, sub-heavy electric bass, fat low kicks, rim snares, and vinyl hiss, Detuned Rhodes chords and EQ’d sitar/sarod loops create mystery, while FX—water drips, bubbling, whispered voices, windchimes—swirl around, Hypnotic hooks emerge from chopped female soul samples and mantra vocals filtered through vinyl, Stereo whispers, stuttering drum breaks, subtle scratches, and backmasked transitions deepen the dreamlike, alchemical atmosphere, all immersed in a mellow, arcane vibe, intimate lounge vibes with hypnotic echoes; Adlibs—murmured phrases, whispered counts, and reverb-drenched interjections—float through the lo-fi soundscape, panned for stereo movement, Filtered “yeah” and “uh” layers punctuate drum breaks, while ghostly call-and-response echoes ride the rhythm, enhancing the hypnotic lounge vibe
4:02

Thai, indie pop, melancholic, lofi vibes, reflective, gentle beats, high quality sound, anime ost
2:31

Didgeridoo, Samurai, Samoa, Mexico, advanced, chanting, tribal, jungle, instrumental, underground, breakbeat, experimental, trippy, technical, deep bass, insane, ‑Piano, ‑strings
4:31

Compose a 'micro-modal' which drifts between 24-tone to 64-tone base 'glitch-witch' 'nano-wonk' 'ritual-style' instrumental built on twin 808s phrased like timpani, with phase-warped sub-bass wobble, bullroarer drones, and a witch house drag atmosphere with wobble wonk ripples, Let rhythmic structures collapse and reform through recursive drops, glitch-smeared timing, and time-stretched wub decay, reverse-bass reversed-drops inside drops, Didgeridoo textures ride the sub as breath-driven anchors, while LFO modulation shapes evolving wobble pressure and reverse-looped pulses, Emphasize fractured phrasing, ghosted returns, and cyclic drop forms where every collapse spawns mutation, Glitch accents should crack like ritual sparks and cause wonk ripples in their wake—never dominant, always sacred, This is not a beat—it’s a subharmonic invocation, Only decay, return, and resonance, Yukhhich Sch!, ‑vocals, ‑lyrics, ‑voice, ‑man, ‑woman, ‑vocables, ‑vocalese, ‑whisper, ‑yell, ‑scream, ‑singer, ‑words, ‑singing, ‑spoken word, ‑melodic hooks, ‑autotune, ‑harmonic correction, ‑major key resolution, ‑pop structure, ‑clean harmony, ‑rap phrasing, ‑trap beat, ‑EDM drops, ‑cinematic scoring, ‑ambient wash, ‑tonal pads, ‑orchestral swells, ‑vocal fx, ‑soprano or baritone singing, ‑soft melodic progression, ‑choral overlays, ‑clean piano or guitar, ‑tonal anchoring
5:19

3:19

full instrumental, world music, cinematic folk, Native American aesthetic, anime ost, flute, drums, ghost dance bells, dubstep
3:22

Japanese, Male Vocaloid, arcade, bit crunched, 8-bit, chiptune, emo
4:19

Italo Dance, Feminine & Masculine Duet, Anime 80s OST, Future Funk, EDM, infectious, Groovy, [(instr: Toy Piano)][(env: Festival)][(meter: Bouncy 4/4)][(vocals: Soprano—Shitamachi)][(mood: Playful)]
A high BPM swing track at 145, crisp and punchy from strong compression and a clean mix, vintage FX accenting playful disco bass, syncopated synth stabs, percussive guitar plucks, and bold brass stabs, Energetic choir refrains use processed electronic harmonies and emotive unison, breaking into rapid fast-flow rap, Vocals alternate: Mairumu’s breathy, bubbly, overpronounced soprano glides atop a nursery swing groove with vocal pops and onomatopoeia, layers of reverb and small-room warmth; Stoat’s cheeky, masculine bounce delivers bold, spunky fun, double-tracked for vibrant energy, Arrangement balances electronic swing and playful, confident textures, each vocal character contributing distinct, onomatopoeic flair throughout
5:29

Detroit GhettoTech, 158 BPM Club Techno
Bitcrushed Breakbeat Tech, Hyper-Defined Hi-Hat Tech, Metallic FM Stab Techno
Elastic Percussive Bass Funk, Yodel-Shift Bass Drops
Airy Indie Synth-Pad Ambient, Repetitive Loop Buildups
Chopped Polyphonic Vocal EDM, Stutter-Edit House, Lo-Fi Vocal Bite Textures, Dramatic Shift Breaks
[SPATIAL PANNING]
High Frequency Pass, Low Frequency
Pitch & Tuning Tools (Non-Auto-Tune Specific), Melodyne, Waves Tune, Revoice Pro, Vocal Effects Processors, Formant Shifting, Harmonizer, Talkbox, Modulation & Time-Based Effects Vocal Synths, Chorus, Flanger / Phaser, Delay / Echo, Dolby Atmos Renderer, Apple Spatial, Dynamic & EQ Shaping Tools, De-Esser, Spectral Processing
[Emoji Adlib Legend
💨 | Rhythmic Exhales, Breath Punches
🔔 | DJ Shouts, Crowd Call–Response
🧩 | Vocal Stabs, Interlocking Loops
🧂 | Grainy, Lo-Fi Vocal Bites
🎭 | Dramatic Vocal Shifts, DJ Inflections
🪕 | Rapid Chest-Head Vocal Drops]
10:34

Breaking Point
v4.5
neoclassical shred metal, instrumental power metal, baroque-inspired metal, progressive metal, symphonic metal, virtuosic metal, avant-classical shred, relentless technical precision, blazing speed, neoclassical scale mastery, classical phrasing meets metal intensity, furious alternate picking, intricate sweep arpeggios, baroque inspired melodic drama, sharp vibrato and expressive bends, dynamic tension and release, pedal point dominance, flamenco flair in phrasing, explosive legato runs, virtuosic counterpoint, fast harmonic layering, dramatic thematic development, heroic melodic statements, pure instrumental storytelling, mastery of phrasing and timing, triadic and seventh chord forms, rapid chordal sweeps, three- and four-note-per-string runs, intricate finger tapping arrangements, multi-octave sweeping arpeggios, harmonic minor cascades, melodic minor sequences, rapid triplet runs, rapid string skipping, melodic embellishments, precise synchronization, seamless sweep-legato combos
3:24

Over and Over
v4.5
sophisticated 80s Synth-pop, Dance-Rock, New Wave, Blue-Eyed Soul, Electro-Pop, Catchy, melodic, funky, female vocals
4:17

What did I do?
v4.5+
Swedish Melodifestivalen 80s synthpop, 00's Pop-Rock, House Pop EDM dance-house; Vocals: Australian male accent; melismatic Australian male lead pop vocals, Early-2000s Australian Boy Band, Sound-FX: sparkling synths
3:53

Somethin' About You
v4.5+
1969 Motown | Classic R&B/Soul-Pop groove | Male lead vocalist (tenor, gritty yet smooth, expressive melismas, ad-lib heavy) | Vintage live studio session feel | Funky rhythm guitar (clean, wah-muted strums), upright electric bass (syncopated Motown walk), punchy snare-forward drums, tambourine on backbeat | Warm Wurlitzer keys and clavinet accents | Live horn section (bright saxophone riffs, muted trumpets, call-and-response brass stabs) | No vocal backups | All analog gear and tape saturation | Real-room reverb | Handclaps on 2+4 | Soulful and romantic vocal delivery with tension-and-release phrasing | Performance feels intimate, raw, and slightly improvised | Music style blends upbeat swing with funk tension, with tight rhythmic interplay and melodic brass hooks | Channel Detroit 1969 energy: danceable, emotional, and unmistakably vintage
3:38

Hold On Together
v4.5+
1969, classic Motown, classic R&B, motown pop, 1969, Motown male singer, adlib backups, gospel choir, saxophone, tambourine, funk, vintage, live audience cheering and clapping
3:42

One Shot
v4.5+
2020s Era, Rhythm: Presto Tempo, 4/4 Time Signature, Industrial Techno Beat; Genre: EDM Techno, Subgenre: Dark Techno; 2020s Subgenre: Influenced by Cyberpunk, Synthwave, and Industrial Metal;
Instruments: Analog Synths, Moog Sub 37 (Distorted Lead Arp); Modular Synth, Heavy Filtered Bass Swells; Drum Machine (TR-909), Aggressive Kick & Metallic Hi-Hats; Industrial Percussion (chains, steel hits);
Vocals: Minimalist Male Vox, Baritone, Robotic Whisper Style, Processed with Heavy Distortion and Bitcrush;
Mood: Tense, Ruthless, Adrenaline-fueled; Themes: Urban warfare, Vengeance, Tactical Execution; Context: Neon-lit corridor shootout, close-quarters combat in a nightclub;
Mix: Wet Reverb on Synths and Percussion for depth, Dry and Punchy Kick, Parallel Compression on Bass for intensity
4:17

Y not?
v4.5+
Epic instrumental journey fusing blues, reggae dub, psybreaks and psychill trance, Starts with expressive electric blues guitar bends, raw tube amp tone, Hammond organ chords and shuffling drums, Transitions into deep reggae dub with one-drop drums, fat sub bass, offbeat skanking guitar, tape delay and spring reverb swells, echoing vocal FX snippets, Builds with layered synth risers and filter cutups, leading to a massive psybreak drop: 140 bpm breakbeat drums, glitch fills, rolling sub bass, 303 acid riffs, wide psychedelic pads and hypnotic arps, After the peak, tempo slows into a dub x psychill outro, blending reggae bass groove with airy pads, tablas, shakers, ambient guitar echoes, cosmic atmospheres and trance-influenced layers, Ends with a spacious fade into silence, [blues, reggae dub, psybreak, psychill, fusion, instrumental, cinematic, festival]
3:59

Indie rock, alt-pop, slacker rock, bedroom pop, A laid-back, conversational male and female duet, Vocals are relaxed and almost spoken in the verses, then become energetic and unified in the anthemic choruses, The music is driven by a prominent, catchy, slightly fuzzy bassline and a simple, effective drum beat with a live, garage feel, Features sun-drenched, jangly electric guitars that build from sparse chords in the verses to a full, driving wall of sound in the chorus, The overall vibe is a bittersweet, youthful, and cathartic—a song about a passionate but temporary love









































