1:51

3:27

Acting brave
v4.5
[Aggressive lyricism]Westcoast gangsta groove, g funk, aggressive, dark melody, 808 bass drum, rolling high hats, Bay Area funk, deep baseline, vocoder voice box
3:07

Pass tha La
v4.5
Aggressive lyricism, Westcoast g funk, 808 drums, fast rolling high hats, 90s dark gangsta groove, [vocoder voice hook] bouncy
2:54

Xo confessions
v4.5-all
rap, Dusty 70s soul sample, chopped and pitched with syrupy swing over heavy Houston trap drums and trunk-rattling sub, Male vocals, half-sung half-rapped, laid-back but menacing, Hook drenched in stacked harmonies and call‑and‑response ad-libs; verses tighter and drier, Occasional tape stop effects and filtered intros for that screwed feel, with a slight plate reverb halo on the lead, soul
2:15

Outta love
v4.5
rap, Slick West Coast G-funk bounce fused with modern trap: rubbery talkbox leads, squealing synth hooks, deep sub, crisp claps, and swung hats, Male vocals with a laid-back menace in the verses, chanty layered hook, and a short half-time drop on the bridge for extra weight, Subtle choir pads widen the chorus while a detuned lead line answers the vocal phrases, hardcore
3:06

South Side Psalms
v4.5-all
Slow-rolling Houston ride with chopped-up gospel choir, pitched-down male vocals, Swollen 808s and syrupy bass glide under dusty organ stabs; hook blooms with stacked church harmonies and crowd-response ad-libs, Verses drag in a laid-back pocket, vocal doubles on key words, vinyl crackle throughout for old tape grit, Final chorus rides out with call-and-response and subtle tape-stop drops, gospel
3:52

Kitchen Table Gospel
v4.5-all
rap, Dusty lo-fi blues loop under spacious trap drums, warm vinyl crackle, Male vocals with a raw, lived-in tone; gospel harmonies swell on the hook, Minimal piano and bass in the verses, organ pads and stacked choirs bloom in the chorus, Subtle tape delay on ad-libs, slow head-nod pocket that feels like a late-night testimony over coffee, blues, soulful, gospel
3:09

Sanctified in the Trap
v4.5-all
Older black voice Gritty gospel-trap hybrid at 100 BPM: male vocals over heavy, dark church organ chords and subby bass, Fast, skittering hi-hats contrast with hand-played tambourine shakes; snare is sharp and roomy like a clap in a small chapel, Call-and-response gang vocals lift the hook, with subtle choir pads swelling on downbeats, Verses stay tight and conversational, hook explodes with layered ad-libs and octave doubles; occasional organ runs answer vocal phrases between lines, gospel, blues
3:04

Ghetto Gospel on the Block
v4.5-all
rap, Gritty trap beat at 90 BPM with overdriven electric guitar riffs and a haunting gospel choir sample; male vocals switch between laid-back storytelling and urgent double-time pockets, Hook lifts with stacked harmonies and sub-heavy low end, verses ride a head-nod groove with sparse keys and distant church organ swells, Final chorus adds ad-libs, extra choir layers, and a tape-stop outro for dramatic impact, electric, gospel
3:41

Ghetto Gospel to the Grave
v4.5-all
rap, Dark trap-blues at 90 BPM, swung drum groove and growling bass, sparse minor-key piano stabs and distant organ pads, Lead male vocals with gritty delivery, stacked female background harmonies on the hook, call-and-response phrases in the verses, Chorus opens with wider stereo choir and sub swell; bridge strips to drums, bass, and voice before a final, full-choir outro lift, blues, deep, gospel
4:27

Sunday Shoes & Dirty Hands
v4.5-all
rap, Gospel-blues trap at 90 BPM, male vocals, Swung drums with a rubbery 808, muted organ stabs, and fingerpicked blues guitar, Verses sit in a low, confessional pocket; chorus widens with churchy choir stacks, claps, and a lifted bassline, Subtle vinyl grit on the mix, with a mid-song breakdown that drops to organ and vocal before the beat slams back in, gospel blues
5:13

Rust on the Halo
v4.5-all
funk, Swampy 70s psycho-funk blues slow burn; male vocals laid back then unhinged, Dirty slide guitar and tremolo-soaked chords over a lurching, behind-the-beat groove; greasy bass walks in half-time, Organ swells creep in on the pre-chorus, then chorus blooms with ragged gang shouts and overdriven harmonica stabs, Gradual intensity climb, last chorus fully cracked vocal, roomy drums, tape-smeared grit, slow, blues
3:39

Back Porch Soul
v4.5-all
Dusty delta blues-soul ballad, male vocals, Fingerpicked vintage acoustic guitar front and center, gentle upright bass, brushed kit, Subtle organ pad and distant slide guitar phrases, Mix leans into vinyl crackle and tape saturation, super intimate vocal, chorus blooming with soft harmonies and a touch of room reverb, soulful, soul, slow



