Metal Muthas

Style: 1980s glam metal power ballad with maximum drama, Tender, sultry verses build into soaring choruses, Romantic but sleazy, with a big key-change finale and long guitar outro, Vocals: Male glam rock crooner, raspy but melodic, Verses soft and intimate, choruses powerful and soaring, Whispered phrases in the bridge for sensual effect, Final chorus after key change should be sung at maximum intensity, Instruments: - Clean electric guitar arpeggios (intro, verses, outro), - Distorted power chords (big choruses, finale), - Bass guitar (warm, supportive, melodic), - Drum kit (soft cymbals/toms in verses, booming snare and big fills in choruses, full build into key change), - Guitar solos: • First solo: soulful, bluesy bends and vibrato, • Second solo: extended virtuoso shred (tapping runs, high bends, sustained notes), • Outro solo: soaring, lyrical, fading out over the final chorus chords, - Optional keyboard pad for warmth and epic feel, Struc

Style: Sleazy 1980s hard rock ballad with blues-rock swagger, in the style of arena rock bands, Mid-tempo groove, smoky, sultry, and lascivious, Vocals: Male glam/hard rock crooner, raspy baritone with soaring power in the choruses, Delivery should be sensual, bluesy, dramatic, Instruments: - Distorted electric guitars (bluesy riffs, slide licks, big choruses), - Bass guitar (grooving low end, slightly swung feel), - Drum kit (mid-tempo rock groove, big snare, splash cymbals), - Optional Hammond/keyboard pads for warmth, Solo sections: - First solo: slide guitar with wah, slow and bluesy, dripping sleaze, - Second solo: virtuosic shred — tapping runs, fast high-fret bends, sustained notes, over-the-top showmanship, Structure: ~4–5 minutes, Intro: slow bluesy riff with slide lick, Verse 1, Pre-Chorus, Chorus (melodic, soaring), [Instrumental interlude – slide guitar solo], Verse 2, Pre-Chorus, Chorus (bigger, more soaring), Bridge (whispered

Style: Over-the-top 1980s glam metal anthem, Big gang-shout choruses, sleazy verses, absurd solos, High energy, party vibe, Vocals: Male glam metal singer (raspy, powerful, playful), Gang shouts on choruses, Spoken ad-libs between lines (“yeah!”, “come on!”, “hot tub!”), Instruments: - Distorted electric guitars (huge riffs, extended solos with tapping, squeals, whammy dives), - Bass guitar (driving, chunky), - Drum kit (big snare, tom fills, splash cymbals, huge reverb), - Moog synthesizer hits for cheesy excess, - Optional saxophone solo (neon sleaze factor), Structure: ~4–5 minutes, Intro with gang shouts, Verse 1, Chorus, [Instrumental solo section – guitar then Moog], Verse 2, Chorus double time, [Bridge – extended solos (guitar, drums, sax)], Final chorus max energy, Outro with feedback, bubbles, chant

Style: 1980s glam metal / hair metal anthem, Big, over-the-top energy with cheesy lyrics, soaring vocals, extended guitar solos, and thunderous drums, Vocal delivery should be powerful, gritty, and melodramatic, with shouted gang vocals in the chorus, Overall vibe: fun, dumb, and larger-than-life stadium rock, Vocals: - Male lead vocal with raspy power, lots of vibrato and screams, - Gang backing vocals in the chorus (shouted, anthemic, over-the-top), Instruments: - Electric guitars (dual harmonized leads, crunchy rhythm guitars, extended solos with tapping, squeals, divebombs), - Bass guitar (driving, simple eighth-note patterns), - Drum kit (big reverb snare, double-kick flourishes, stadium tom fills, cymbal crashes), - Occasional cheesy synth stabs for 80s flavour, Structure: 4–5 minutes, Intro: spoken growl over power chords, Verse 1: driving rhythm guitars, melodic but dumb lyrics, Chorus: shouted gang vocals, big anthemic hook, Verse 2: same energy, more ridi

Style: 1970s/80s hard rock epic with progressive elements, Heavy riffs, soaring vocals, extended instrumental middle section with guitar and Moog solos, and a dramatic multi-false ending, Vocals: Male hard rock singer, gritty but melodic, mid-to-high range, Verses delivered with attitude, choruses soaring and anthemic, Instruments: - Distorted electric guitars (riff-driven, extended solos with tapping, bends, shredding runs, sustained high notes), - Moog synthesizer (solo sections, melodic call-and-response with guitar, layered harmonies), - Bass guitar (driving groove, steady eighth notes, occasional melodic runs), - Drum kit (big rock groove, fills to push dynamics, dramatic accents in false endings), Structure: ~6–7 minutes, Intro: heavy guitar riff, drums build in, Verse 1, Chorus, Verse 2, Chorus, [Extended Instrumental Section – 3–4 minutes: - Guitar solo (melodic → shred), - Moog solo (swirling arpeggios), - Guitar vs Moog call-and-response

Vocals: Male lead vocal with an Irish accent / Irish lilt, Low-mid tenor, casual and soulful, spoken/sung delivery, Should sound like storytelling — conversational in verses, more melodic and chant-like in choruses, Style: 1970s hard rock with twin lead guitar harmonies, Tight, riff-driven, melodic, urban storytelling vibe, focus on straight rock riffs and harmonised guitar lines, Instruments: - Twin electric guitars (harmonised riffs and leads, melodic lines, lyrical solos), - Rhythm guitar (straight crunchy chords, not blues shuffle), - Bass guitar (upfront, grooving, occasionally melodic counterlines under vocal), - Drum kit (straight, punchy rock beat, no shuffle swing)

Style: Early 1970s heavy metal with doom-laden riffs, slow to mid-tempo groove, and dark atmosphere, Massive down-tuned guitar riff, ominous bass, pounding drums, and church bell effects, Vocals: Male lead vocal, high wailing English tenor in the style of early 70s heavy metal, Haunting, eerie, with sustained cries and nasal edge, Verses: dramatic, half-chanted delivery, Choruses: soaring high wails with long sustained notes, Bridge: ritual chant, slower, almost spoken, Instruments: - Electric guitar (down-tuned, crushing distortion, heavy riffs, short doom solos), - Bass guitar (prominent, doubling the riff, thick and ominous), - Drum kit (slow groove, tom-heavy, big cymbal crashes), - Church bells / eerie FX in intro and outro, Structure: ~5–6 minutes, Intro: slow riff with church bell tolls, Verse 1, Chorus (wailing high tenor), Verse 2, Chorus, Bridge (ritual chant, eerie), Instrumental break – heavy riff, slow guitar solo, bass thundering

Style: 1970s progressive rock epic with futuristic atmosphere, Complex riffs, odd time signatures, extended instrumental sections, Vocals: Male high tenor, soaring and theatrical, Verses: urgent, dramatic, Choruses: triumphant, layered harmonies, anthemic, Spoken interlude before aliens arrive, Instruments: - Electric guitar (riff-driven, solos, melodic themes), - Bass guitar (prominent, melodic, aggressive), - Drum kit (busy, odd time signatures, big fills), - Synthesizers (cosmic atmosphere, melodic duels with guitar), Structure: ~6–8 minutes, Spoken interlude, Verse (urgent), Chorus (triumphant), [Instrumental duel – guitar vs synth], Verse 2, Chorus (layered), Finale: extended instrumental outro, choir voices, cosmic fade, Mood: Triumphant, cosmic, liberating, A twist on the original ending — salvation instead of despair

Style: Late 1980s hard rock with swagger and attitude, Big sleazy riffs, melodic expressive solos, groove-driven rhythm section, and raw high rasping vocals, Blues-tinged but straight rock, dramatic and emotional, Vocals: Male lead vocal, high rasping tenor with grit and attitude, Verses: sneering, half-spoken, full of swagger, Choruses: soaring rasp with drawn-out wails, melodic not shouty, Bridge: quiet piano + softer vocal that explodes back into a scream, Final chorus: maximum rasp, layered vocals with extended wails, Instruments: - Electric guitar 1: crunchy riffing, sleazy licks, - Electric guitar 2: melodic lead with long sustained bends, emotive solos, - Bass guitar: grooving, supportive, occasionally melodic counterlines, - Drum kit: straight rock groove, tight snare, big fills into solos, - Piano: featured in the bridge for dynamic contrast, Structure: ~5–6 minutes, Intro: iconic riff, Verse 1 (snarling vocal), Chorus (soaring rasp), Verse

Style: Late 80s/early 90s hard rock power ballad, Starts soft with piano and voice, builds into a soaring rock anthem with expressive guitar solos and layered vocals, Vocals: Male high rasping tenor, Verses: soft, emotional, fragile delivery, Choruses: soaring rasp, melodic, dramatic wails, Bridge: quiet piano + soft vocal, then explodes with a scream, Final chorus: maximum rasp, layered harmonies, extended sustained notes, Instruments: - Piano (intro, interlude, bridge, outro), - Electric guitar 1: rhythm riffs under choruses, - Electric guitar 2: melodic lead, long emotional solos with bends and sustain, - Bass: warm, supportive, fills between vocal lines, - Drums: restrained in verses, big fills into choruses, powerful in final section, Structure: ~6–7 minutes, Intro: piano + voice, Verse 1, Chorus, Verse 2 (band joins softly), Chorus, [Interlude – piano], Bridge (quiet piano → explosive scream), Instrumental (long guitar solo, piano under

Style: 1970s epic hard rock in the spirit of Rainbow, Heavy guitar riffs, soaring tenor vocals, organ atmosphere, and orchestral drama with choir finale, Vocals: Male high tenor, operatic and powerful, Verses: narrative, dramatic delivery, Choruses: soaring, lyrical, hymn-like, Bridge: slower, mystical, dramatic, Final chorus: layered with choir harmonies for epic climax, Instruments: - Electric guitar (heavy riffs, melodic leads, expressive solos), - Bass guitar (driving, steady, supporting riffs), - Drum kit (big rock sound, tom-heavy fills, cymbal crashes), - Organ/keys (atmospheric swells, riff support), - Orchestral strings (rising under the solo, swelling into the final chorus), - Choir (wordless harmonies under the final chorus), Structure: ~6–7 minutes, Intro: dramatic riff with organ, Verse 1, Chorus, Verse 2, Chorus, [Instrumental – extended guitar solo, strings underneath], Bridge (slower, mystical), Final chorus (with strings +

Style: Late 70s / early 80s speed metal meets punk rock, Fast tempo, raw distorted bass, roaring guitar riffs, and filthy energy, Vocals: Male deep rasping vocal (whiskey-soaked, gravelly), Half-sung, half-shouted with attitude and grit, Instruments: - Distorted bass guitar (gritty, driving the riff), - Electric guitar (fast, crunchy power chords, short raw solos), - Drum kit (fast double-time beat, relentless energy), Structure: ~3 minutes, Intro: bass + guitar riff, Verse 1 (fast, snarled vocal), Chorus (short, repeated hook), Verse 2, Chorus, [Instrumental – short dirty guitar solo], Verse 3, Final Chorus, Outro: riff hammered hard, sudden stop, Mood: Fast, filthy, loud, and dangerous, Raw, street-tough rock’n’roll with no polish

Style: 1970s Led Zeppelin–style hard rock with dynamic contrasts, Starts with folk-inspired 12-string acoustic passages, explodes into heavy electric riffing choruses, then returns to acoustic for the outro, Vocals: Male high tenor, storytelling and mystical, capable of falsetto and soaring wails, Verses: soft, poetic, sung over 12-string acoustic guitar, Choruses: powerful, soaring, with wails and vocal ad-libs (“since time began…”), Bridge: half-spoken mystical vocal lines over acoustic + organ, Instruments: - 12-string acoustic guitar (intro, verses, bridge, outro), - Electric guitar (heavy riffing in choruses, expressive extended solo with bends + wah), - Bass guitar (warm, driving counterlines), - Drum kit (dynamic, thunderous in choruses, Bonham-style fills), - Organ (atmosphere in the bridge), Structure: ~6–7 minutes, Intro: 12-string acoustic + vocal, Verse 1 (folk storytelling), Chorus (heavy riff, full band), Verse 2 (electric rhythm with aco

Style: Early 1980s blackened speed metal, Fast tempo verses and choruses, but with a slower, grinding ritual section in the middle, Vocals: Male deep snarling growl, half-shouted with menace, Verses: fast, spat delivery, Choruses: short, shouted, repetitive hooks, Bridge: slower, menacing vocal chants with Crowley quotes (“Do what thou wilt…”), Instruments: - Electric guitars (fast, distorted power chords in verses/choruses, Slower grinding riff in bridge, Solos are raw: high note bends, squeals, feedback, not technical), - Bass guitar (distorted, loud, driving), - Drum kit (fast double-time in verses/choruses, slower pounding in bridge), Structure: ~4–5 minutes, Intro riff (fast), Verse 1, Chorus, Verse 2, Chorus, Bridge (slower ritual riff + Crowley chants), Solo (basic, high-note bends and squeals), Verse 3 (fast again), Final chorus, Outro riff + feedback cut, Mood: Evil, chaotic, campy, Ritualistic Crowley occult section in the middle

Style: Early 1980s NWOBHM in the style of Saxon, Mid-tempo, riff-driven heavy metal with anthem choruses and twin-guitar leads, Vocals: Male mid/high tenor, gritty but melodic, sung with a distinctly English (Yorkshire/Northern) accent — no American twang, Verses: straightforward, storytelling delivery, Choruses: chant-like, anthemic, designed for crowd sing-along, Final chorus: maximum intensity, extended wails, call-and-response feel, Instruments: - Twin electric guitars (chunky riffs, harmonised lead lines), - Guitar solo 1: melodic, harmonised, Thin Lizzy/Maiden style, - Guitar solo 2: faster, rawer, speedy runs + bends, - Bass: steady, driving eighth-note foundation, - Drum kit: solid hard rock beat, heavy snare, tom fills, Structure: ~4–5 minutes, Intro: crunchy twin-guitar riff, Verse 1, Chorus (anthemic shout), Verse 2, Chorus, [Instrumental – twin guitar solos, one melodic, one fast/raw], Verse 3, Final chorus (extended), Outro: riff

Style: 1970s psychedelic hard rock in the style of Frank Marino & Mahogany Rush, Cosmic, blues-based foundation with heavy guitar improvisation and psychedelic textures, Vocals: Male baritone, bluesy and grounded, with a cosmic/spacey edge, Less soaring tenor, more preacher-like delivery — earthy, spoken-sung in places, with grit, Verses: blues-rock storytelling with cosmic imagery, Choruses: refrain-like, chantable, resonant, Bridge: half-spoken, psychedelic and ritualistic, Instruments: - Electric guitar (wah-heavy leads, soaring bends, sustained notes, long improvisational solos), - Bass guitar (groovy, fluid, underpinning the jam), - Drum kit (loose, dynamic, with rolling fills), - Organ/synth for psychedelic atmosphere, Structure: ~6–8 minutes, Intro: trippy wah riff + band groove, Verse 1, Chorus, Verse 2, Chorus, [Extended Instrumental – long wah-driven guitar solo, band jamming], Bridge (half-spoken, psychedelic imagery), Final chorus (b

Style: 1970s progressive hard rock epic, Riff-driven verses and choruses with soaring falsetto vocals, breaking into a long mid-song instrumental duel between guitar and Moog synthesizer, then returning to the chorus finale, Vocals: Male hard rock singer, high male tenor with falsetto screams, Verses: high, urgent delivery, Choruses: soaring falsetto screams and sustained wails, Bridge: shouted mid-tenor, Final chorus: maximum intensity, stacked falsetto screams, Instruments: - Distorted electric guitar (riff-driven, extended solos with bends, shred runs, tapping, sustained notes), - Moog synthesizer (extended solo section, arpeggios, filter sweeps, call-and-response with guitar, unison riffs), - Bass guitar (driving groove, steady eighth notes), - Drum kit (big rock sound, fills, solo break in jam), Structure: ~7–8 minutes, Intro: guitar + Moog riff, Verse 1, Chorus (falsetto screams), Verse 2, Chorus, [Jam Section – Moog solo → guitar solo → call

[Intro – heavy guitar riff, Moog stabs in unison] [Instrumental Section – main riff groove established] [Moog solo – extended, swirling arpeggios, gliding leads, filter sweeps] [Guitar solo – bends, shredding runs, tapping, answering the Moog] [Call and response – short guitar phrase answered by Moog lick, repeat and escalate] [Moog takes lead – wild ascending run, sustained high pitch] [Guitar takes lead – soaring high sustained notes, virtuosic flourishes] [Unison riff – Moog + guitar play the same melody together, heavy and tight] [Drum solo break – rolling toms and cymbal crashes, groove returns with main riff] [Second Jam Cycle – more intense] [Guitar solo – melodic at first, then shredding fury] [Moog solo – answering with rapid runs and sweeping filter effects] [Unison riff reprise – Moog + guitar harmonising, louder than before] [Outro – final soaring guitar notes + Moog arpeggio swell, fade into feedback/static]

[Intro – heavy riff, Hammond stabs in unison with guitar] [Instrumental Section – main riff groove established] [Hammond organ solo – extended, bluesy runs, fast arpeggios, stabbing chords] [Guitar solo – bends, shredding runs, tapping, answering the organ] [Call and response – short guitar phrase answered by Hammond lick, repeat and escalate] [Hammond takes lead – wild ascending run, swirling sustained chords] [Guitar takes lead – high sustained notes, virtuoso flourishes] [Unison riff – Hammond + guitar play the same melody together, thunderous sound] [Drum solo break – rolling toms and cymbal crashes, groove returns with main riff] [Instrumental Section – second round of solos] [Guitar solo – melodic at first, then shredding fury] [Hammond organ solo – answering with deep chords and fast runs] [Unison riff reprise – both instruments together again, heavier than before] [Outro – final soaring guitar notes + Hammond swell, fade in feedback]

Style: 1980s heavy metal instrumental, Mix of NWOBHM twin guitars, Sabbath heaviness, and Metallica-style structure, Vocals: None (instrumental only), Instruments: - Electric guitars (twin rhythm riffs, melodic lead themes, multiple solos: one expressive and bluesy, one fast and shredding, one twin-harmony trade-off), - Bass guitar (driving, loud in the mix, galloping when needed), - Drum kit (heavy, dynamic: gallops, half-time doom sections, big fills), Structure: ~5–7 minutes, Intro: heavy riff, Section A (driving riff + melodic lead theme), Section B (galloping rhythm + harmony guitars), Solo 1 (expressive, blues-metal), Section C (half-time, doom riff), Solo 2 (fast, shredding, tapping/high notes), Breakdown (bass + drums only), Section D (riff reprise, twin guitars harmonising), Final solo (twin guitar trade-off, high sustain), Outro: riff fade with feedback, Mood: Epic, heavy, instrumental storytelling without words, A showcase of riffs, mo

Style: 1970s/80s hard rock epic with progressive elements, Heavy riffs, soaring vocals, extended instrumental middle section with guitar and Moog solos, and a dramatic multi-false ending, Vocals: Male hard rock singer, gritty but melodic, mid-to-high range, Verses delivered with attitude, choruses soaring and anthemic, Instruments: - Distorted electric guitars (riff-driven, extended solos with tapping, bends, shredding runs, sustained high notes), - Moog synthesizer (solo sections, melodic call-and-response with guitar, layered harmonies), - Bass guitar (driving groove, steady eighth notes, occasional melodic runs), - Drum kit (big rock groove, fills to push dynamics, dramatic accents in false endings), Structure: ~6–7 minutes, Intro: heavy guitar riff, drums build in, Verse 1, Chorus, Verse 2, Chorus, [Extended Instrumental Section – 3–4 minutes: - Guitar solo (melodic → shred), - Moog solo (swirling arpeggios), - Guitar vs Moog call-and-response

Style: 1970s progressive rock epic with futuristic atmosphere, Complex riffs, odd time signatures, extended instrumental sections, Vocals: Male high tenor, soaring and theatrical, Verses: urgent, dramatic, Choruses: triumphant, layered harmonies, anthemic, Spoken interlude before aliens arrive, Instruments: - Electric guitar (riff-driven, solos, melodic themes), - Bass guitar (prominent, melodic, aggressive), - Drum kit (busy, odd time signatures, big fills), - Synthesizers (cosmic atmosphere, melodic duels with guitar), Structure: ~6–8 minutes, Spoken interlude, Verse (urgent), Chorus (triumphant), [Instrumental duel – guitar vs synth], Verse 2, Chorus (layered), Finale: extended instrumental outro, choir voices, cosmic fade, Mood: Triumphant, cosmic, liberating, A twist on the original ending — salvation instead of despair

Style: 1970s progressive hard rock epic, Riff-driven verses and choruses with soaring falsetto vocals, breaking into a long mid-song instrumental duel between guitar and Moog synthesizer, then returning to the chorus finale, Vocals: Male hard rock singer, high male tenor with falsetto screams, Verses: high, urgent delivery, Choruses: soaring falsetto screams and sustained wails, Bridge: shouted mid-tenor, Final chorus: maximum intensity, stacked falsetto screams, Instruments: - Distorted electric guitar (riff-driven, extended solos with bends, shred runs, tapping, sustained notes), - Moog synthesizer (extended solo section, arpeggios, filter sweeps, call-and-response with guitar, unison riffs), - Bass guitar (driving groove, steady eighth notes), - Drum kit (big rock sound, fills, solo break in jam), Structure: ~7–8 minutes, Intro: guitar + Moog riff, Verse 1, Chorus (falsetto screams), Verse 2, Chorus, [Jam Section – Moog solo → guitar solo → call

Style: 1970s proto-metal hard rock epic, Fast, riff-driven verses and choruses with soaring high vocals, slowing down into a long mid-song jam featuring Hammond organ and electric guitar call-and-response, Vocals: Male hard rock singer, **high male tenor range** with falsetto capability, Verses: strong high tenor, powerful delivery, Choruses: soaring falsetto/high screams, long sustained wails, Bridge: shouted mid-tenor for contrast, Final chorus: stacked falsetto screams over main vocal, Instruments: - Distorted electric guitar (fast riffing, extended solos, bends, shred runs, harmonised with organ), - Hammond organ (extended solo section, riffs in unison, call-and-response with guitar), - Bass guitar (driving, steady eighth notes), - Drum kit (fast groove, big fills, solo break in jam), Structure: ~7 minutes, Intro: heavy riff with Hammond stabs, Verse 1, Chorus (falsetto/high tenor), Verse 2, Chorus (falsetto wails), [Jam Section – Hammond solo

Style: 1970s proto-metal hard rock epic, Fast, riff-driven verses and choruses with soaring high vocals, slowing down into a long mid-song jam featuring Hammond organ and electric guitar call-and-response, Vocals: Male hard rock singer, **high male tenor range** with falsetto capability, Verses: strong high tenor, powerful delivery, Choruses: soaring falsetto/high screams, long sustained wails, Bridge: shouted mid-tenor for contrast, Final chorus: stacked falsetto screams over main vocal, Instruments: - Distorted electric guitar (fast riffing, extended solos, bends, shred runs, harmonised with organ), - Hammond organ (extended solo section, riffs in unison, call-and-response with guitar), - Bass guitar (driving, steady eighth notes), - Drum kit (fast groove, big fills, solo break in jam), Structure: ~7 minutes, Intro: heavy riff with Hammond stabs, Verse 1, Chorus (falsetto/high tenor), Verse 2, Chorus (falsetto wails), [Jam Section – Hammond solo

Style: 1970s hard rock epic with heavy blues influence and extended jam sections, Focus on interplay between distorted guitar and Hammond organ, with long instrumental breaks and dramatic vocals, Vocals: Male hard rock singer, gritty blues-rock tone with soaring screams in choruses, Instruments: - Distorted electric guitar (riff-driven, long solos, bends, shred runs), - Hammond organ (extended solos, chord swells, riffs doubling guitar), - Bass guitar (thick, grooving, driving the jam), - Drum kit (swing-infused hard rock groove, extended solo section), Structure: ~7–8 minutes, Intro: Hammond swell + riff, Verse 1, Chorus, Verse 2, Chorus, [Extended jam section: Hammond solo → guitar solo → call-and-response → drum solo → full band riff return], Bridge (spoken/shouted), [Final solo: guitar + Hammond harmonised lead], Chorus (max intensity), Outro: riff repeats, Hammond + guitar fade in feedback, Mood: Bluesy, heavy, jam-driven, dramatic, Perfect

Style: 1980s classic heavy metal epic, harmonised twin guitars, soaring vocals, extended solos, and mythological themes, Vocals: Male heavy metal singer, dramatic high range with soaring delivery, Occasional spoken phrases in the bridge for theatrical effect, Instruments: - Twin lead electric guitars (harmonised riffs, fast melodic passages, extended solos with trade-offs), - atmospheric keyboard pads (low in mix, subtle), Structure: ~6–7 minutes, Intro: harmonised twin guitar riff + galloping bass, Verse 1, Pre-Chorus, Chorus, [Instrumental interlude – twin guitar melody], Verse 2, Pre-Chorus, Chorus, Verse 3, Pre-Chorus (shouted harder), Chorus, [Mid-song riffage – new galloping riff, shifting into halftime section, then back to gallop], Bridge (spoken over riff

Style: Over-the-top 1980s glam metal anthem with stomping riffs and crowd chant sections, Catchy, dumb, and fun — built for audience call-and-response, Vocals: Raspy glam metal male lead, swaggering delivery, Gang shouts on choruses (“LEATHER! LEMONS!”), Spoken ad-libs (“shred it!”, “come on!”, “oh yeah!”), Instruments: - Distorted electric guitars (big power chords, harmonised riffs, extended solo with squeals and tapping), - Bass guitar (simple driving low end), - Drum kit (stomping groove, big snare, halftime stomp in bridge), - Optional cowbell or claps to exaggerate the live feel, Structure: ~4–5 minutes, Intro: stomping riff + crowd chants “LEATHER! LEMONS!”, Verse 1, Pre-Chorus, Chorus (gang shouts), [Instrumental interlude – twin guitar lick], Verse 2, Pre-Chorus, Chorus (gang vocals bigger), [Bridge – halftime stomp, crowd chanting call-and-response], [Instrumental break – extended solo], Final Chorus (maximum chaos), Outro: riff fad

The track is in E minor at approximately 108 bpm for the verses and 150 bpm for the choruses, The instrumentation features a downtuned electric guitar playing a palm-muted riff with heavy distortion, a bass guitar following the root notes, and a drum kit with a prominent kick drum, snare, and crash cymbals, The vocals are male, baritone, and delivered with a gravelly texture, featuring some distortion, particularly in the chorus, The song structure is Verse 1, Chorus, Verse 2, Chorus, Guitar Solo, Chorus, Outro, The verses have a sparse arrangement

Live performance with crowd and audience noise, Audience singing the choruses make it a ragged, almost sloppy live version with chords slipping from one to another and breathless rasping vocals

Style: 1970s/80s hard rock epic with progressive elements, Heavy riffs, soaring vocals, extended instrumental middle section with guitar and Moog solos, and a dramatic multi-false endings 7 minutes long Live performance with crowd and audience noise, Audience singing the choruses Epic live version [live performance]

Melodic, pop, slow, folk, guitar, strings, male vocal