
Platypus tunes
Martin, the belgian zoologist, while leafing a photo album remembers the mission in New Zealand a year ago he underwent with Hari, the maori native.
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18 songs
5:35

Platypus' song
v4.5-all
Genre: rockabilly turbo-folk/dark electro-folk fusion, Instrumentation - lead: virtuoso Kōauau (maori flute), bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: Pūtātara doubling lead, Male crooning vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: martial ländler pulse in 90-100 bpm with Hue-gourd in malfuf polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy digital drums, short decay kick, gated industrial drums and sub-bass boost, Sidechain compression, Strictly modal composition
6:58

At the end of the road
v4.5-all
Genre: rockabilly turbo-folk/dark electro-folk fusion, Instrumentation - lead: virtuoso flageolet (belgian recorder), bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: cister doubling lead, Male cante jondo with walloon chanson inspiration, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: martial allemande pulse in 90-100 bpm with carillon in malfuf polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy digital drums, short decay kick, gated industrial drums and sub-bass boost, Sidechain compression, Strictly modal composition
6:38

Well in Wellington
v4.5-all
Genre: rockabilly turbo-folk/dark electro-folk fusion, Instrumentation - lead: virtuoso flageolet (belgian recorder), bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: cister doubling lead, Duet between two male cante jondo vocals, Supporting male rockabilly salian choir, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: martial allemande pulse in 90-100 bpm with carillon in malfuf polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy digital drums, short decay kick, gated industrial drums and sub-bass boost, Sidechain compression, Strictly modal composition
7:46

Kiwi cadence
v4.5-all
Genre: rockabilly turbo-folk/dark electro-folk fusion, Instrumentation - lead: virtuoso flauto dolce (baroque recorder), bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: shawm doubling lead, Male cante jondo with walloon chanson inflection, Maori salian chant with noh slides support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: enigmatic loure pulse in 90-100 bpm with carillon in IDM polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy digital drums, short decay kick, gated industrial drums and sub-bass boost, Sidechain compression, Strictly modal composition
7:11

Kea clamour
v4.5-all
Genre: rockabilly turbo-folk/dark electro-folk fusion, Instrumentation - lead: virtuoso otamatone, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: didgeridoo doubling lead, Duet between two male cante jondo voices, Maori salian chant with kabuki guignol support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: ridiculous canarie pulse in 70-80 bpm with bird calls in IDM polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy digital drums, short decay kick, gated industrial drums and sub-bass boost, Sidechain compression, Strictly modal composition
7:31

Sea lion serenade
v4.5-all
Genre: wintry rockabilly turbo-folk/dark electro-folk fusion, Instrumentation - lead: virtuoso glockenspiel, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: cristal baschet doubling lead, Duet between two male cante jondo voices, Maori salian chant with angelic boy choir support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: wistful ironside passacaille pulse in 70-80 bpm with bird calls in IDM polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy digital drums, short decay kick, gated industrial drums and sub-bass boost, Sidechain compression, Strictly modal composition
7:40

Tasmanian devil tarantella
v4.5-all
Genre: jungle rockabilly turbo-folk/dark electro-folk fusion, Instrumentation - lead: virtuoso trautonium + ANS synth, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: tin whistle doubling lead, Duet between two male cante jondo voices, Maori salian chant with tribal chant support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: heart-pumping scary tarantella pulse in 70-80 bpm with ryuteki shrieks in IDM polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy digital drums, short decay kick, gated industrial drums and sub-bass boost, Sidechain compression, Strictly modal composition
4:46

Echidna's Entrée grave
v4.5-all
Genre: sprawling adventure rockabilly turbo-folk/adventure dark electro-folk fusion, Instrumentation - lead: virtuoso sega master system PSG sound chip lead, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: celesta + cosmophone doubling lead, Duet between two male cante jondo voices, Maori female ojkanje support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: robust entrée grave pulse in 70-80 bpm with glockenspiel in IDM polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:20

Wombat waltz
v4.5-all
Genre: sprawling adventure rockabilly turbo-folk/adventure dark electro-folk fusion, Instrumentation - lead: virtuoso Grandmother moog + serpent lead, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: portative organ doubling lead, Duet between two male cante jondo voices, Maori operetta mocking choir as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: processional waltz pulse in 80-90 bpm with snake hisses in IDM polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:48

Cassowary kyuchek
v4.5-all
Genre: chalga rockabilly turbo-folk/adventure dark electro-folk fusion, Instrumentation - lead: bulgarian folk style accordion, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: Korg M1 zurla patch doubling lead, Duet between two male cante jondo voices, Maori solemn salian chant choir as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: village kyuchek pulse with dert at 70-80 bpm with rhytmic hand claps, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
6:02

Koala keening
v4.5-all
Genre: caoineadh rockabilly turbo-folk/adventure dark electro-folk fusion, Instrumentation; multiple bourdon setup - lead: scottish highland bagpipes accordion, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: uillean pipes doubling lead, Duet between two male cante jondo voices, Maori solemn salian chant choir as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: lullaby rigaudon pulse in 70-80 bpm with interlocking bodhrán malfuf polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:26

Tuatara tramontana
v4.5-all
Genre: tribal rockabilly turbo-folk/adventure dark electro-folk fusion, Instrumentation; multiple bourdon setup - lead: crumhorn consort, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: scratchy and loud rauschpfeiffe doubling lead, Duet between two male cante jondo voices, Maori kakegoe salian chant disapproving choir as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: inverted passepied pulse in 90-100 bpm with interlocking rattle in IDM corrupted malfuf polyrhythms, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
8:46

All well remains in Wellington
v4.5-all
Genre: sad parting rockabilly turbo-folk/dark electro-folk fusion, Instrumentation; multiple bourdon setup - lead: telharmonium, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: conch shell doubling lead, Male cante jondo voice, Maori mournful keening salian chant as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: stumbling allemande pulse in 80-90 bpm, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
9:43

My guardian saint
v4.5-all
Genre: sad parting rockabilly turbo-folk/dark electro-folk fusion, Instrumentation; multiple bourdon setup - lead: virtuoso Kōauau (maori flute), bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: conch shell doubling lead, Male cante jondo voice, Maori mournful keening salian chant as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: stumbling allemande pulse in 80-90 bpm, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
7:49

Reverence
v4.5-all
Genre: solemn turbo-folk/martial ambient fusion, Instrumentation; multiple bourdon setup - lead: vibraphone synth, bass: celesta doubling lead reinforcing modal center constantly, Accents: shakuhachi doubling lead, Soft male cante jondo voice with recitative and umilenie, Maori angelic salian chant as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: solemn martial passacaille pulse in 60-70 bpm with rolling kettle drums, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition, Church acoustics
7:05

Death to the world
v4.5-all
Genre: sad parting rockabilly turbo-folk/dark electro-folk fusion, Instrumentation; multiple bourdon setup - lead: virtuoso Kōauau (maori flute), bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: dungchen doubling lead, Soft male cante jondo voice with recitative and umilenie, Maori angelic salian chant as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: amused jig pulse in 80-90 bpm, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
5:45

16th of march
v4.5-all
Genre: wistful rockabilly turbo-folk/dark electro-folk fusion, Instrumentation; multiple bourdon setup - lead: virtuoso rebab + Kōauau (maori flute) texture, bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: haegeum doubling lead, Soft male cante jondo voice with recitative and umilenie, Maori angelic salian chant as support vocals, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: calm passacaille pulse in 50-60 bpm, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
4:43

17th of march
v4.5-all
Genre: reunion rockabilly turbo-folk/dark electro-folk fusion, Instrumentation; multiple bourdon setup - lead: virtuoso Kōauau (maori flute), bass: wall of distorted droning guitars generated via FM-synthesis (by YM2612 sound chip) with tremolo doubling lead reinforcing modal center constantly, Accents: dungchen doubling lead, Use Enharmonic synemmenon dromos hitzazkiar with basamakli-kromatik seyir for all harmonic elements, Microtonal bends on aqaz and shahed, Bassline follows strictly by doubling lead instruments in perfect fourths, All instruments focus on glissando and portamento, Constant speed throughout, Loop-based rhythmic piece based on hypnotic repetition of a single motif with stable dynamics, Rhythmic pattern: amused jig pulse in 80-90 bpm, Percussion: Korg M1 workstation drum programming: tight punchy gated digital drums, short decay kick, sub-bass boost, Sidechain compression, Strictly modal composition
