2:12
My Jacket
v4.5-all
Gritty Latin trap meets urban corrido energy, male vocals with a raspy edge, Minor-key guitar riff looped over heavy, swung drums and thick sub-bass; verses stay close and menacing, then chorus widens with stacked gang vocals and filtered claps, Bridge strips to voice and guitar before the full beat slams back in for the last hook
3:30
Holy War
v4.5-all
rock, Wide, anthemic spiritual rock with male vocals; clean electric arpeggios in the verses, tom-heavy drums and soaring bass in the chorus, Gang-style call-and-response on key hook phrases, with subtle organ pads under the second chorus, Bridge strips to vocal + reverb-drenched guitar swells before a final, bigger chorus with stacked harmonies and a held, shout-along outro, drama
3:11
Last Trip
v4.5-all
Airy ambient house bed with soft sidechained pads, deep round kick, and faint vinyl haze; male vocals float in reverb, Verse starts intimate and close, chorus widens with stereo delays and subtle wordless harmonies, final section rides an extended groove with filtered vocal chops and gentle risers, ambient
4:02
Still Breathing
v4.5-all
Modern Turkish arabesk ballad with male vocals, saz and baÄŸlama leading over deep, reverb-soaked drums, Verse sits low and smoky, with tremolo strings and subtle qanun phrases; chorus opens into raw, belt-out emotion with stacked octave vocals and dramatic tom rolls, Bridge strips to vocal, hand percussion, and drone before final chorus returns bigger, with call-and-response ad-libs and held notes, empowering, arabesk
2:44
Spot 27
v4.5-all
High-energy visual kei funk-rock with elastic slap bass, jagged glam guitars, and tight, syncopated drums, Male vocals flip between sly, half-whispered verses and soaring, theatrical choruses; gang shouts on key punchlines, Pre-chorus strips to bass and claps, chorus explodes with bright synth stabs and stacked harmonies, Big dynamic stop-start hits for live jumps, gritty but polished mix, funky, visual kei
4:38
The Sanctuary
v4.5-all
metal, Epic melodic metal with spiritual overtones; soaring male vocals over twin-guitar harmonies, double-kick groove, and symphonic pads, Verses ride chugging mid-tempo riffs; chorus opens wide with choir-like backing vocals and open chords, Bridge drops to half-time with clean guitar arpeggios, then climbs into a climactic high-register vocal peak before a final, triumphant chorus
4:40
Rio Doce
v4.5-all
folk, Gentle Brazilian folk ballad, mid-tempo acoustic groove with nylon-string guitar and soft pandeiro, male vocals, Warm cavaquinho fills, subtle shaker, and airy flutes on the chorus, Intimate verses stay close and conversational; choruses bloom with stacked harmonies and a swaying, singalong feel, Organic room reverb and finger squeaks left in for an earthy, lived-in texture
3:11
Cuore di Montagna
v4.5-all
folk, Bright Italian folk with male vocals, brisk acoustic guitar and mandolin driving the groove, earthy hand percussion and stomps, melody that rises into a big communal sing-along chorus, subtle accordion swells in the second half to widen the sound, ending with unison claps and voices, italian folk, inspiring