DBR Playlist #4

This ballad blues opens with a slow 12/8 groove, highlighting mournful electric guitar bends and delicate piano chords, Upright bass and brushed drums support the smoky vocals, The intensity swells at each chorus with organ fills, culminating in a soul-stirring solo

Heavy, syncopated drum patterns and sub-bass drive a dark, energetic atmosphere, The drop explodes with distorted wobbly bass synths, metallic stabs, and glitchy effects layered over sharp percussive hits, Tense builds create anticipation, with relentless momentum throughout

A gentle, uncertain acoustic intro leads to sparse verses with fingerpicked guitar and soft percussion, The pre-chorus introduces layered strings and light synths, The chorus lifts with full drums, warm bass, and textured electric guitar, A brief bridge uses subtle piano and airy backing vocals before a delicate outro, female vocals, epic

A delicate intro of fingerpicked acoustic guitar leads into layered strings and subtle piano in the verse, The arrangement expands with warm bass, gentle percussion, and airy synths for the chorus, maintaining a lush indie-folk texture throughout, then ending softly

Style: Cinematic rock + Latin-industrial fusion • heavy tom drums + tribal percussion + electric guitars with desert reverb • tempo 90–95 BPM • key E minor • male or female lead with raw emotional tone • backing chants and vocal layers echoing like neural waves • orchestral strings and brass swells to evoke the storm’s rise Mood / Tone: Fierce, embodied, unapologetic • elemental and storm-driven • merges neuroscience with mythology — a hymn to the RAGE circuit, protector of boundaries and dignity • intensity that builds from simmering tension to volcanic release Vocal Direction: Strong and grounded • start low and contained, explode into the chorus • rhythmic phrasing matching a heartbeat under pressure • short growl inflections on words like “fire, ” “storm, ” “RAGE, ” “midbrain” • final chorus delivered like a battle cry that resolves into stillness Production Feel: Think Imagine Dragon × Muse × Gladiator soundtrack with tribal Latin percussion (cajón, congas, low drums) • cinematic

Style: Upbeat folk-pop with Latin flavor • acoustic guitar, ukulele, marimba, tambourine, hand claps, light percussion • tempo 108–112 BPM • key C major • mixed adult/child vocal harmonies • bursts of laughter FX and rhythmic breathing woven in Mood / Tone: Joyful, playful, embodied • neurobiologically inspired celebration of Panksepp’s PLAY circuit • evokes carefree movement, social connection, safe laughter, and diaphragmatic release • radiant, heart-warming, and contagiously happy Vocal Direction: Light, bright tone • smiling delivery you can hear • interactive call-and-response in the bridge (“Clap your hands together!” / “Let the sorrow go!”) • spontaneous giggles between lines encouraged • brief breath sounds or whoops to mark freedom of breath and diaphragm Production Feel: Paul Simo × scientific glee • steel drums or glockenspiel accents for sparkle • acoustic bass with bounce • stereo-panned laughter echoes like neurons fir, reggae, piano, afrobeat

Style: Dark cinematic orchestral rock • low strings, pulsing drums, eerie ambient pads, electric cello, ghostly choral harmonies • tempo 84 BPM • key D minor • male or female lead with breathy intensity and trembling phrasing • deep reverb and heartbeat-like percussion Mood / Tone: Tense, visceral, ancient • evokes the brainstem’s survival code — hyper-vigilance, freeze, and the trembling wisdom of the body • poetic and reverent rather than horror-based • carries the listener from fear to awareness and grounded compassion Vocal Direction: Whisper-to-roar dynamics • sharp inhalations between lines to mirror threat response • trembling vowels on words like “shadow, ” “spine, ” and “freeze” • final chorus sung strong but softened, embodying release and regulation after the storm Production Feel: Hans Zimme × Florenc + The Machine × Trent Reznr • sub-bass pulse mimicking adrenaline surge • bowed metal or low taiko hits to suggest the periaqueductal gray • ambient wind FX woven with slo

Ethereal cinematic ballad • piano and cello core • ambient reverb and low synth drones • occasional heartbeat percussion • tempo 95 BPM • key B minor • male or female lead with emotional vulnerability and soft vibrato • background vocals echoing as distant cries or echoes of memory Mood / Tone: Haunting, intimate, tender • grief and connection intertwined • from silent suffocation to the release of tears • the moment the cry emerges after long suppression — sorrow as the signal of love’s endurance Vocal Direction: Begin breathless, almost spoken, as if holding back tears • gradual expansion through the chest voice as the song opens • deep emotion, raw but never forced • sighing between phrases mirrors physiological release • last chorus sung as a collective mourning — gentle harmonies, not power Production Feel: Sigur Ró × Agnes Obe × Max Richte • strings that swell like tears rising • deep reverb tail to represent midbrain echo • faint sound of air or heartbeat in mix • could end w

Style: Warm cinematic folk ballad • acoustic guitar, soft piano, cello, and brushed percussion • subtle ambient pads like a heartbeat of safety • tempo 82-85 BPM • key G major • female lead (alto) or soft male tenor with tender tone • layered harmonies in chorus like a circle of voices around a fire Mood / Tone: Loving, serene, maternal • evokes oxytocin release, trust, and gentle containment • the feeling of holding and being held • musically mirrors co-regulation and the neurobiology of caregiving — heart coherence in melody form Vocal Direction: Breath-led phrasing, relaxed vibrato • sing as if soothing a loved one or a child • warmth and presence more important than perfection • final chorus layered with quiet harmonies or hums, symbolizing collective compassion Production Feel: Norah Jone × Sleeping at Last × Loreena McKennit • cello countermelodies represent the midbrain “quiet mercy” • acoustic texture builds slowly to full warmth • faint sound of a heartbeat or breathing u

Style: cinematic + progressive musical theatre (Hamilton × Florence + The Machine × Muse) Instruments: piano / cello / French horn / synth pulse / ethereal female vocals + male harmony Tempo: 98 BPM — gently swelling to 120 BPM at final chorus Mood tags: poetic • neuroscience • healing • memory • trauma • spatial orientation • DBR • Alexander Technique Optional voice tags: “Cinematic Neuro-Poetic Duet, Male + Female, Emotional Clarity, Dynamic Range”

An upbeat, Broadway-inspired song with rhythmic spoken verses and melodic hooks — playful, clever, and full of heart, Blending humor with neuroscience, The Cheri Effect celebrates the integration of the Alexander Technique and Deep Brain Reorienting through a Hamilton-style delivery: quick-witted lyrics, syncopated phrasing, and joyful ensemble energy, The tone is warm, intelligent, and celebratory, mixing the precision of science with the rhythm of connection

Hamilton / Hadestown / rap-opera / trip-hop percussion / cinematic brass hits / 3-part vocals Fast rap + melodic hooks High emotional arc Dramatic, witty, embodied, neurobiologically accurate ### **🧠 CLIENT — the one in the reality-shift storm** ### **🧩 THERAPIST — steady midbrain-informed guide** ### **⚡ NERVOUS SYSTEM — the brainstem/SC/PAG voice (the “character underneath”)** Male and female and child voices

**Suno prompt:** DBR-savvy, AT-infused, wickedly witty neuroscience parody** of *Defying Gravity* from WIcked by elphaba, Same vibe, same arc, totally original lyrics, Clever, brainy, poetic, Theme: **POTS, DBR, AT Interweaves, bracing, orienting, shock, and finally “defying gravity” (literally and neurobiologically), ***“Epic Broadway female lead, Wicked-style theatrical pop-ballad, soaring emotional arc, powerful belts, lush orchestration, neurobiology + DBR + Alexander Technique poetic references, witty science metaphors, dramatic key changes, clear storytelling, elegant rhyme, ” *epic broadway, wicked-inspired, theatrical pop musical, emotional belt female lead, dramatic orchestration, poetic neuroscience lyricism, trauma-informed, DBR, Alexander Technique, witty, clever, uplifting, cinematic, *

Bursting open with fuzz-laden guitar riffs and syncopated slap bass, the psychedelic funk punk track quickly layers in tight, punchy drums and swirling analog synths, Verses use angular rhythms and gang vocals; the chorus bursts with wah-drenched guitars and frenetic percussion, A breakdown brings warped effects, then launches back into an explosive, high-energy finale

Prompt: A haunted yet healing cinematic song about Dissociative Identity Disorder and the journey of integration through Deep Brain Reorienting and Alexander Technique Interweaves, The lyrics describe depersonalization, derealization, and dissociative amnesia from both a psychological and neurobiological perspective, inspired by The Haunted Self by Ruth Lanius, The tone should be ethereal, melancholic, and transcendent — haunted but hopeful, Genre: Dark cinematic ambient / ethereal electronic / art pop ballad Mood: haunted, introspective, aching, slow awakening, redemptive ending Tempo: 68–74 BPM Key: D minor shifting to F major at final chorus (resolution) Vocal style: breathy female vocal (or androgynous ethereal tone), layered harmonies on chorus Instrumentation: reverb-heavy piano, low cello drones, sparse percussion, ghostlike synth pads, heartbeat pulse, subtle reversed guitar swells, ambient breath textures Emotional arc: dissociative fragmentation → midbrain tremor → reorienta

This Broadway musical number opens with swelling strings and gentle piano chords, introducing a theatrical atmosphere, Verses feature woodwinds weaving through vocal lines, while the chorus bursts with brass, full orchestra, and choral harmonies, Dramatic percussion and dynamic tempo shifts add grandeur

🎨 STYLE / GENRE (suggestion): Cinematic Neuro-Pop / Psy-Electro Groove / Educational Spoken-Word Fusion Tempo: 84 BPM Key: C minor Mood: Curious ↔ Resolving “Neuro-cinematic pop with two vocalists (one narrator, one soulful singer), Blend educational and poetic tones – Jaak Panksepp meets Trent Reznor, Use warm synth pads, cello, subtle hip-hop percussion, End on an uplifting chord as the SEEKING circuit re-engages, ”

🎨 SUGGESTED STYLE PROMPT (paste into Suno’s “Style / Prompt” box): Warm, soulful neuro-blues with a touch of gospel-folk, Tempo: 80 BPM • Key: A minor, Instruments: upright bass, brushed drums, Hammond organ, acoustic guitar, soft horns, Tone: playful yet compassionate—think B, B, King meets a neuroscience TED Talk, Vocal: one expressive narrator (storyteller-singer) with call-and-response backing, End with a cozy choir hum and light tambourine as the “oxytocin” chorus fades

Tempo: Mid-tempo (around 88–95 BPM) — a steady horse trot rhythm, Instrumentation: Acoustic guitar (fingerpicked and strummed) Slide steel guitar for emotional twang Light fiddle for texture and warmth Upright bass or gentle kick drum heartbeat Optional harmonica for wistful depth Subtle backing vocals (low male or smoky female harmony) Structure & Dynamics: Intro: Sparse guitar and slide steel — evokes open plains and quiet awareness Verse 1: Gentle storytelling tone, slow build Pre-Chorus: Add light percussion, fiddle enters softly Chorus: Full band swells, emotional release — open vocal space Bridge: Drop to half-time, focus on vocal intimacy (“No pushin’, no proddin’, ”) Final Chorus: Return strong — harmony, fiddle, and steel guitar soaring Outro: Fades with acoustic strumming and slide steel echoing like a memory Vocal Style: Warm, textured, slightly husky country voice, Sung with authenticity, as if telling a true story at the campfire after the rodeo — vulnerab

🎙️ Suno Style Prompts Genres: Hip-hop musical + baroque-string fusion + gospel finale Instrumentation: Harpsichord intro, strings and brass hits, bass drops, choral harmonies, heart-beat percussion Tempo: 126 BPM Mood: Awe-filled, witty, scientific, primal-to-modern arc Vocal cast: Narrator (The Midbrain) – fast, rhythmic, witty rap Tongue, Ribs, Quads – character solos Infant Self (choral echo) – ethereal soprano/gospel DBR + AT Ensemble – therapeutic finale

*A humorous, jazz-snap, Glee-style trio about Martin Warner’s AT Interweaves for DBR* **Suno prompts:** Upbeat jazz • Glee trio • tight harmonies • comedic timing • upright bass • finger snaps • neuro-somatic humor • global tour energy

Create a Hamilton-style musical theatre song with witty rapid-fire vocals, dramatic arrangement, and rhythmic lyrical delivery, Tone: humorous, poetic, neurobiologically accurate, Include clear enunciation of endogenous (en-DAH-juh-nus), cannabinoids (cah-NAB-uh-noydz), and AT (A–T), Big Broadway energy, clever rhyme schemes, emotional crescendos, and orchestral hip-hop fusion, * Please clearly enunciate technical terms, Pronounce **endogenous** *(en-DAH-juh-nus)*, **cannabinoids** *(cah-NAB-uh-noydz)*, and **AT** *(A–T)* with crisp clarity, Sing **AT** exactly as the letters “A — T, ” ---, bridge, playful tone, lucid dreaming

A sultry electric violin glides over pulsing synth pads and understated electronic percussion in the intro, As the song builds, textured beats and airy synth layers support jazzy piano chords and nimble runs, interlocking with expressive violin melodies, blending classical and modern styles, falsetto voice

A gentle, uncertain acoustic intro leads to sparse verses with fingerpicked guitar and soft percussion, The pre-chorus introduces layered strings and light synths, The chorus lifts with full drums, warm bass, and textured electric guitar, A brief bridge uses subtle piano and airy backing vocals before a delicate outro, female vocals

The song fuses classical and hip hop, opening with sparse piano and minimal bass beneath expressive female vocals, Crisp electronic drums enter, building tension, The chorus surges with lush synth layers, rich vocal harmonies, punchy hip hop rhythms, An atmospheric bridge features orchestral strings and subtle beats, heightening drama ahead of a grand, anthemic finale

Style / Genre: Hamilton-style Broadway hip-hop rap, fast spoken-word musical theater Mood: Clever, confident, dry insider humor Tempo: Fast (≈124 BPM) Vocal Style: Very clear, clipped rap delivery Short lines Strong consonants Minimal backing vocals No echo or distortion Lyrics Prompt: Write a fast, witty Hamilton-style rap for Deep Brain Reorienting (DBR) clinicians, Use concise lines and short phrases, Reference the temporoparietal junction (TPJ) as a “you-are-here” hub for bodily self-consciousness, attention, and social cognition, Include DBR inside jokes: “wait for the neck, ” orienting tension, “that’s not affect, ” Contrast classic PTSD (hypervigilant, bottom-up threat scanning) with PTSD with dissociation (frontal over-control, emotional numbing, TPJ offline), Mention compensatory occipital-to-frontal visual threat networks, cerebellar lobule VIII, and peripersonal space differences, Include Alexander Technique humor: “let the head go forward and up, ” No metaphors that reduce

**Suno-ready Pop / K-Pop track (DBR-savvy, neuroscience-clean, catchy as glitter)** **[Suno Style Prompt]** K-pop / pop-dance track, 120–128 bpm, bright synths + punchy drums, tight rap verse, big melodic pre-chorus, stacked harmonies in chorus, playful ad-libs, crisp English lyrics with a few Korean-style interjections (no real Korean required), confident + compassionate vibe, “science but make it dance, ”

Fleetwood Mack–inspired protest song in the style of Dreams, 136, 10 HZ Heart Chakra Amped up Laid-back groove, hypnotic repetition, understated power, Clean guitar, warm bass, minimal percussion, airy harmonies, Female vocal—knowing, composed, unflinching, Lyrics frame women’s trauma as shaping, not breaking, Protest tone is lyrical, ironic, and deeply grounded, Repeated lines feel mantra-like, Mood: collective realization, feminine authority, systems gently but firmly losing control, breathy 95 bpm, dance