4:37

Behind My Eyes
v5.5
Opening with a picked acoustic guitar in D, subtle reverb lending space, Deep, supportive bass anchors the rhythm, Haunting synth layers introduce tension under a somber, expressive violin line, High-fidelity production highlights crisp textures, with interplay between organic and electronic tones
4:16

indie rock, alternative pop, art pop, punchy drums, melodic bass guitar, angular clean guitar, synth accents, stacked harmonies, androgynous lead vocals, close-mic intimacy, parallel compression, plate reverb, stereo widening, gated snare, syncopated backbeat, darkly playful, anxious energy, cinematic indie
5:16

Glass Heart
v5.5
synthwave, industrial synthwave, 128 BPM, post-hardcore guitars, distorted cello drones, staccato violin runs, analog synth arpeggios, FM bass pulse, gated reverb snare, tape saturation, wide stereo chorus, drop breakdowns, call and response riffs, bittersweet melancholy, anthemic sorrow, half-time bridge, build and release, 80s digital sheen
3:36

dark synthwave, electropop, 112 BPM, breathless vocals, arpeggiated analog synths, chiptune lead accents, gated snare reverb, syncopated drum machine, distorted sub-bass, filtered pad swells, tape saturation, stereo chorus, minor key hooks, nocturnal urgency, emotional danger
4:12

Out of My Mind
v5.5
High Fidelity, post-punk, dance rock, 132 BPM, wiry guitar hooks, muted guitar skanks, strutting bassline, snappy rimshot groove, motorik kick pulse, tom fill bursts, tight dry snare, sharp vocal phrasing, half-spoken delivery, plate reverb vocals, parallel compression, clean room ambience, explosive chorus lift, downtown nightlife, tense flirtation
4:33

Made Me Mean
v5.5
dark synthpop, electro-industrial, 118 BPM, vocoder harmonies, analog polysynth stabs, arpeggiated synth lead, distorted sub-bass, gated snare, metallic percussion, tom fills, sequenced bassline, plate reverb, stereo chorus, sidechain pumping, breakdown lift, nocturnal menace, bittersweet tension

