After Party 13.01.2026

Opening with a driving frame drum and rhythmic harp ostinato, the Celtic battle anthem surges as uilleann pipes carry a bold melody over layered fiddles, Low whistles and bodhrán add depth in the chorus, while group vocals join in, forging a rousing, epic atmosphere

Modern pop-fusion with Greek rap verses and an emotional English pop ballad chorus, Cinematic, minor key, piano-led with lush synth pads, clean pop drums and smooth bass, International, dramatic, radio-ready sound with strong contrast between rap and melody

1997–1999 Cheiron/Euro-pop boy band production, Max Martin songwriting discipline, 88 BPM straight feel, boom-snap pop groove (not R&B pocket), drum machine: Akai MPC2000/MPC3000 style sequencing, kick: short-decay electronic kick (TR-909/DR-660-type sample behavior), snare: tight pop snare layered with dry clap (SPX90/AMS-style gated ambience very subtle), hats: closed hats only, even 8ths/16ths, low velocity, no rolls, percussion: minimal tambourine/shaker on choruses only, bass: Music Man StingRay active DI tone, fingerstyle, root-driven, minimal syncopation, slight compression (LA-2A/1176 behavior), keys: Korg Trinity/Yamaha EX5/Roland JV-1080 workstation pads, muted synth stabs, bright piano layer used sparingly, harmony: triads/6ths, no jazzy extensions, vocals: 5-part male stack, tight doubles, clean consonants, light plate/room reverb, mix: bright top, tight low end, center vocal, no pumping, ‑EDM, ‑house, ‑four-on-the-floor kick pattern, ‑club build/drop language, ‑trap/drill hats, ‑hat rolls, ‑open hats, ‑triplet or shuffle swing, ‑heavy sub-bass, ‑wobble bass, ‑sidechain pumping, ‑modern loudness maximization, ‑glitch/stutter edits, ‑granular textures, ‑lo-fi noise beds, ‑distorted drums, ‑saturation-heavy clipping, ‑live rock kit, ‑roomy acoustic drums, ‑tom fills, ‑big cymbal washes, ‑cinematic risers/impacts, ‑orchestral percussion, ‑guitar-driven arrangements, ‑funk slap bass, ‑fretless bass, ‑chorusy 80s bass, ‑jazz chords (9ths/11ths/13ths), ‑neo-soul voicings, ‑melismatic R&B runs, ‑whispered/breathy bedroom-pop vocals, ‑modern hyperpop synths, ‑festival energy, ‑dubstep, ‑future bass, ‑reggaeton dembow, ‑afrobeat grooves

alto female singer with a manic, pixie style Bjork-like delivery with elongated notes and delicate vibrato, Layered vocals and complex harmonies, Her voice seems to bend and stretch time itself, She likes to land with a withering bite, The vocalist takes her time she lets the piece breathe and move in long instrumental moments, Minimal melisma, The music remains strange undulating with forbidden rhythms, Ticking away like a clock, rising and falling with the dread, SHould have live production sound, bass forward, low rumble, organic percussion, Like a rushing river that goes faster and stronger pulling along the listener as it builds to the rapids, and the 30 foot drop of the waterfall

midwest emo + folk + cloud rap, romantic duet, male lead, sad boy, emo, man, male, boy, female backing, folk, acoustic guitar + jpop, glitch, cloud rap beat, duet, close in harmony, ‑R&B

Traditional Japanese instruments like koto and taiko anchor the verse with pentatonic melodies, interwoven with crisp electronic drums and glossy pop synths, The vibrant atmosphere is energized by dynamic transitions, uplifting choruses, and a soaring female vocal over both acoustic and digital textures

This hardcore punk track fires off with searing chainsaw guitar power chords and relentless D-beat drumming, Snarky lead vocals cut through, while verses shift between frantic punk and alt-rock with skanking, offbeat ska-punk guitar, Gang chants fuel the explosive choruses, A fierce two-step breakdown escalates tension before a furious, melodic alt-rock outro

Opening with a driving frame drum and rhythmic harp ostinato, the Celtic battle anthem surges as uilleann pipes carry a bold melody over layered fiddles, Low whistles and bodhrán add depth in the chorus, while group vocals join in, forging a rousing, epic atmosphere

80's synth pop-rock, emo, layered vocals, industrial, complex chords, syncopated, punk-influence, upbeat groove, punchy rhythm, bright synth textures, and sharp lyrical edges while still uplifting

loud tight punchy sub-bass, dark atmospheric house beat, djent-influenced, layered vocals, strong, contrasted by ethereal, sleep, complex chords, female vocals, wall of detuned guitars with syncopated polyrhythms, moments of quiet introspection, heavy use of reverb and delay on the vocals to create a sense of space and mystery, hypnotic, soaring vocals, expect odd time signatures

Confessional alt-pop ballad titled “Living Dead Portrait, ” Slow tempo with a fragile, conversational Japanese female vocal soft, lilting, clear but raspy and hurt over a pulse of decaying electronics and lo-fi drum loops, The sound feels warm but corroded, like a love song recorded through rusted wires, Verses are intimate, almost spoken; choruses bloom with fractured harmonies and distorted reverb that flickers like dying light, Sparse piano and static textures breathe between phrases, Lyrical themes of guilt, devotion, and self-destruction unravel into a whispered breakdown where emotion becomes noise, The song should ache like a memory too damaged to replay—beautiful, eerie, tender, and rotting at the edges, Emotional tone: warm decay, tragic intimacy, confessional ruin

Experimental Rock, Art Rock, Noise Rock, Dissonant, Spoken Word passages, Lo-fi

complex piano chords, female vocals, quiet introspection, heavy use of reverb and delay on the vocals to create a sense of space and mystery, hypnotic synth pads, delicate, vulnerable and strong