3:14

Kick off with high life guitar lines interlocking with syncopated afrobeat percussion and punchy funk bass, all underpinned by deep, warm male vocals, Chorus bursts with disco strings, sharp kick drums cutting through, and chic brass hits, Verses lock in groove, vocals stay crisp and commanding
3:19

A slow old-school blues featuring mournful male vocals, expressive guitar licks, walking bass lines, and weeping harmonica fills, The arrangement leans on sparse instrumentation, with tasteful guitar responses to vocal phrases and harmonica solos accenting the emotional depth
2:29

Bright folk song with upbeat male vocals leads, built on lively acoustic guitar strumming, Handclaps and light percussion join in the chorus, layered with subtle banjo accents and warm harmonies to enrich the texture, keeping the mood buoyant from start to finish
3:09

Uplifting ballad opens with bright strumming acoustic guitar, joined by delicate percussion—soft brushes on snare, handclaps, and subtle tambourine, Gentle bass underpins the verses, building into a warm, layered chorus with harmonies and glockenspiel accents
3:33

A sad ballad opens with solo fingerpicked guitar, capturing a raw, intimate tone, Sparse brush percussion enters on verse two, subtly lifting the tension, Melancholic male vocals carry the melody, supported by soft expressive dynamics, maintaining a fragile atmosphere throughout
3:01

bluegrass, blues, male vocals, harmonica, guitar, banjo, steel guitar
3:34

3:07

A classical piece unfolds with Kendhang rhythms underpinning a tapestry of East Asian timbres, The shamisen introduces the main theme, echoed by expressive erhu lines and interwoven guzheng arpeggios, Dynamic orchestration builds in layered sections, culminating in intricate instrumental interplay before resolving with softened textures
4:44

sleazy country shuffle, e major, 120 beats, twangy male vocals
3:54

Bluegrass, acoustic guitar, banjo, mandolin, fiddle, and upright bass, F major, 3/4, Twangy older male vocals
3:28

Hate
v5
90s industrial rock with distorted drum machines, metallic percussion, overdriven bass, and dissonant synths, Gritty factory ambience, dark atmosphere, and pulsing mechanical groove, ”machine sounds, Tempo: 138 BPM
Time Signature: 2/4
Key: B Minor, ‑Phrygian, ‑orchestral, ‑acoustic, ‑folk, ‑lo-fi, ‑trap, ‑jazz, ‑Vocals
4:49

This 90s industrial rock song tears in at 170 BPM, 2/4, Distorted drum machines and pounding double kicks build a relentless drive, Metallic percussion and machine samples layer over overdriven bass and aggressive, death metal-inspired riffs in B Phrygian, Dissonant, cold synths add a pulsing menace beneath heavy guitars, all enveloped in gritty factory ambience for maximum intensity
2:58

90s industrial rock with distorted drum machines, metallic percussion, overdriven bass, and dissonant synths, Gritty factory ambience, dark atmosphere, and pulsing mechanical groove, ”machine sounds, B Phrygian 138 BPM
4:03

Early 2000s Nu Metal Heavy detuned 7-string guitars, slap bass, turntable scratches in the background, aggressive rap-scream verses, melodic screamed chorus, breakdown with djent riffs and "huh!" chants, A Phrygian
4:03

soul, slow R&B, deep baritone male vocals, 6/8 meter, 60bpm, Eb Major
3:09

2:12

Upbeat Dancehall in Jamaican Patois, male vocals with gritty delivery, E Mixolydian, 4/4 time signature, 120bpm, heavy 808 bass drops, skanking riddim guitar, echoing synth horns, laid-back yet energetic vibe with innuendo-laden lyrics, iambic meter for natural flow
2:26

No Crown
v5
1993 era gangster rap, conscious anti-gangster hip-hop, gritty West Coast beats with booming 808s, sampled soul loops, turntable scratches, deep male vocals with raw delivery, in E Minor Aeolian mode, 90 BPM, haunting and introspective mood, denouncing violence
4:59

Gothic Rock, electric guitar, bass guitar, drums, bagpipes, ethereal female vocals, 4/4, B Aeolian
4:38

heavy metal, electric guitar, bass guitar, acoustic drums, E Phrygian, male vocals, disturbing, ‑synths, ‑theremin
3:07

industrial techno/rock fusion, 808s, distorted guitars, angry synths, rolling basslines, metal grinding, chains rattling, piston sounds, E Phrygian, Angry and hurt male vocals, 170bpm

