album.01

Hyper jazz-rock punk-rap fusion 200BPM, Dense Japanese wordplay, internal rhymes every 2-4 syllables, Bebop piano nonstop cascading runs, free jazz sax Coltrane-style, Drums: punk blast beats alternating with 7/8 polyrhythms, Walking bass hyperspeed, Psychedelic synth filter sweeps, Vocals: machine-gun rapid playful tongue-twisters, perfect enunciation, Structure: deceptive fake choruses, real chorus hidden mid-song, Genre switch every 16bars: jazz→punk→electronic→jazz, Different arrangement each repeat, Whisper to shout dynamics, Chord changes every 2beats, chromatic voice leading, Mathematical rhyme patterns, consonant clusters for percussive rhythm, ‑NO slow tempo, ‑NO ballad sections, ‑NO acoustic guitar, ‑NO sad or melancholic mood, ‑NO lo-fi production, ‑NO mumble rap, ‑NO trap hi-hats, ‑NO autotune abuse, ‑NO generic pop progressions, ‑NO simple rhyme schemes, ‑NO predictable structure, ‑NO single genre consistency, ‑NO vocals without rhythm, ‑NO empty spaces in arrangement, ‑NO standard verse-chorus-verse pattern, ‑NO cliché lyrics, ‑NO serious or preachy tone, ‑NO smooth jazz, ‑NO ambient passages, ‑NO minimalism

Pop-rock anthem, 132BPM, female vocalist, confident and sassy delivery, Verse: acoustic guitar, banjo touches, minimal drums, Pre-Chorus: building with electric guitar, bass drops, Chorus: massive pop-rock sound, crunchy guitars, pounding drums, synth hooks, Bridge: spoken word dramatic pause, Final chorus: maximum energy, vocal runs, ad-libs, Contemporary pop production, Taylor-inspired energy, Dynamic shifts from conversation to declaration, Catchy repetitive hooks, radio-ready polish, ‑No ballad, ‑no slow tempo, ‑no sad mood, ‑no melancholy, ‑no jazz, ‑no classical, ‑no EDM drop, ‑no rap verses, ‑no metal screaming, ‑no reggae, ‑no Latin rhythm, ‑no autotune abuse, ‑no mumble vocals

Emotional Alternative J-Rock, 128BPM, A minor to Bb minor key change, female vocal, vulnerable to powerful, V1: Clean guitar, drums, synth bass, PC1: Building strings, crunchy guitar, Chorus: Full band, distorted guitars, symphonic strings, lead guitar cries, V2: Solo piano and dry vocal only, PC2: Acoustic guitar, cello, percussion, Bridge: Triplet feel, organ, brass, timpani, Final Chorus: Modulation up, choir vocals, orchestra hits, Modern J-rock production, Dynamic whisper to scream, Rhythmic onomatopoeia parts, Guitar solos between sections, Cathedral reverb on quiet, compression on loud, ‑No autotune, ‑no rap, ‑no EDM drops, ‑no tropical house, ‑no reggae, ‑no country, ‑no jazz fusion, ‑no metal growls, ‑no children's music, ‑no comedy elements, ‑no party vibe, ‑no disco, ‑no funk, ‑avoid excessive

Mellow acoustic R&B / neo-soul ballad, Female vocal, intimate and breathy, close-mic, Tempo 78 BPM, 4/4 with light swing (~56%), Key Eb major, Arrangement: capo-1 acoustic guitar arpeggios on upper strings, warm Rhodes, soft pad, wood/sub-leaning bass, Drums: closed hi-hat swung 8ths, slightly laid-back snare on 2/4; shaker only in choruses, Harmony color: maj7, m7, 9/11/13; frequent sus4→3 resolutions, Structure: Intro → Verse → Pre-Chorus → Chorus → short Post → Verse 2 → Pre-Chorus 2 → Chorus 2 → Bridge → Last Chorus + Tag → Outro, Signature: 3-second EP hit with faint vinyl crackle at 0:00, Hook: one octave leap in bar 8 of the chorus, then stepwise descent; in the Last Chorus also leap at bar 1 (“W-jump”), Dynamics gentle (≈-12 to -10 LUFS), Space: short plate reverb (predelay 20–30 ms) and subtle dotted-eighth delay, Mood: mellow, tender, wistful night-drive, ‑-EDM, ‑-four-on-the-floor, ‑-trap hi-hat rolls, ‑-808 sub slams, ‑-distorted rock guitars, ‑-brass stabs, ‑-supersaw lead, ‑-dubstep wobble, ‑-double time, ‑-huge hall reverb, ‑-heavy autotune, ‑-choir stacks, ‑-key change, ‑-tempo change, ‑-Latin carnival, ‑-country twang, ‑-idol J-pop brightness

J-pop, Pop Rock, a hint of Emo Pop, Centered around clean electric guitar riffs and a driving drum beat, Supported by melodic basslines, acoustic guitar in the verses, and sparkling synth pads for texture, The mood is bittersweet, emotional, and sentimental, with an energetic and soaring chorus, Medium-fast tempo, 4/4 time signature, Lead by a clear, youthful, and emotional female vocal, breathy in verses, powerful in the chorus, ‑Heavy metal distortion, ‑overly slow ballad tempo, ‑muddy mix, ‑old-fashioned synth sounds, ‑deep male vocals

Neo City Pop, Y2K Japanese Pop, Female Vocalist, Dance Pop 128BPM, Modern J-Pop Production, TikTok Ready [Sound] Sparkling Roland Juno synthesizer, Yamaha DX7 electric piano, Funky slap bass, 808 trap hi-hats, Guitar cutting with chorus effect, Modern vocal chops, Subtle autotune, Layered harmonies, Side-chain compression [Arrangement] Retro synth arpeggio intro, Building verse to chorus, Catchy post-chorus hook, Bridge stripped vulnerability, Final chorus all elements, Radio-ready mixing [Vocal] Confident playful delivery, Cute and cool switching, Clear pronunciation, Rap-singing pre-chorus, Whisper vocals, Power chorus, Cute ad-libs [Production] 80s citypop meets modern J-Pop, K-Pop quality standards, Hyperpop elements, High frequency emphasis, Punchy drums, Wide stereo [Mood] Self-confident, Playful mischievous, Social media generation, Main character energy, Cute but edgy, Kawaii future funk

Y2K Bedroom Pop, Hyperpop City Fusion, Gen-Z Female Voice, 125BPM, TikTok Dance Challenge Ready [Sound] Nostalgic Nintendo DS sounds, UK Garage drums, Bouncy 808 bass, Glitchy vocal chops, Kawaii future bass synths, Phone notification sounds, Crispy hi-hats, Dreamy pad layers [Vocal] Gen-Z talking style, Whisper to belt technique, Viral hook emphasis, Sassy attitude, Phone recording aesthetic, Heavy autotune moments, ASMR style intro [Production] Bedroom producer vibe, Instagram reel ready, 15-second loop focus, Trendy transition sounds, Phone speaker optimized [Mood] Toxic relationship anthem, Self-aware cringe, Relatable disaster, Dark humor cope, Main character syndrome

Hyperpop electronic dance track with glitch elements, female vocalist with rapid-fire delivery and vocoder effects, extremely fast tempo 185-195 BPM, heavy use of synthesizers and digital sound design, trap-influenced 808 drums with glitchy hi-hats, distorted bass with sidechain compression, pitch-shifted vocal chops, sudden tempo changes and beat stops, complex polyrhythmic patterns, video game inspired sound effects and 8-bit elements, aggressive digital distortion on drops, vocal processing including formant shifting and granular synthesis, influenced by PC music and future bass production, maximalist approach with dense layering, sudden genre switches between sections, autotune used as creative effect not correction, tongue-twister style rapid syllable delivery, kawaii future bass elements mixed with dark electronic textures, ‑Hyperpop electronic dance track with glitch elements, ‑female vocalist with rapid-fire delivery and vocoder effects, ‑extremely fast tempo 185-195 BPM, ‑heavy use of synthesizers and digital sound design, ‑trap-influenced 808 drums with glitchy hi-hats, ‑distorted bass with sidechain compression, ‑pitch-shifted vocal chops, ‑sudden tempo changes and beat stops, ‑complex polyrhythmic patterns, ‑video game inspired sound effects and 8-bit elements, ‑aggressive digital distortion on drops, ‑vocal processing including formant shifting and granular synthesis, ‑influenced by PC music and future bass production, ‑maximalist approach with dense layering, ‑sudden genre switches between sections, ‑autotune used as creative effect not correction, ‑tongue-twister style rapid syllable delivery, ‑kawaii future bass elements mixed with dark electronic textures

Contemporary Japanese R&B ballad with spoken-word and rhythmic elements, female vocalist age 23-28 with conversational yet emotional delivery, variable tempo starting at 70 BPM building to 85 BPM then dropping back, minimal trap-influenced hi-hats and soft 808 bass, mellow electric piano and subtle guitar plucks, vocal delivery mixing half-spoken verses with sung choruses, use of repetition and vocal layering for emphasis, breath and voice cracks kept for authenticity, inspired by modern J-R&B artists like iri or SIRUP's emotional tracks, dynamic production with space and silence as instruments, syncopated rhythm in pre-chorus sections, half-time feel in emotional peaks, lo-fi bedroom production aesthetic with professional polish

Modern J-Rock, Alternative Rock, with influences of Emotional Post-Hardcore, A raw, powerful, and stylish band sound, not a typical anime theme, Features sharp, distorted, and heavy electric guitar riffs and soaring lead lines, The rhythm section is extremely tight and powerful, The pre-chorus builds intense tension with palm-muted guitars and a driving snare beat, leading into an explosive, high-energy chorus where the full band unleashes, The final chorus must feature a dramatic key change for a powerful, climactic finish, Lead by a raw, emotional, high-tone male vocal with a wide dynamic range, capable of both breathy verses and powerful, screaming highs, ‑Anison clichés, ‑symphonic metal, ‑orchestral strings, ‑cheesy synthesizers, ‑retro 80s rock sound, ‑happy pop, ‑weak drums, ‑muddy production, ‑predictable chord progressions

An ultra high-speed, chaotic and stylish jazz-rock anthem at 190 BPM, like a modern, darker, more aggressive "Noushou Sakuretsu Girl", **Crucially, NO instrumental intro, The song must begin directly with the first vocal line on the first beat, ** The foundation is an intense rhythm section: a **dominant, monstrously funky slap bass**, upfront in the mix, and **explosive, relentless punk-jazz drumming** filled with chaotic, max-energy fills, Over this, an unhinged jazz piano and a sharp brass section battle with stabbing riffs and screaming solos, The female vocal must be a dynamic rollercoaster, shifting from a cute but unstable fast-talking style in the verses to a powerful, crazed chorus, The D-Melo requires a cool, disdainful rap flow, Her voice must embody the "Gekiyaku Princess Syndrome": surface-level perfection hiding underlying madness, The mood is a dizzying, dangerous masquerade of emotions, End with a desperate "Mou Ikkai!" shout, followed by one final, explosive band hit

NO INTRO cold open with sultry whisper, structuralist dark jazz-rock noir with role-shifting blocks deceiving listener expectations, film noir atmosphere meets gothic destruction, female vocalist 28-35 smoky jazz tone exploding into rock rage, four melodic themes transforming function retrospectively, 85-95 BPM swing groove with dangerous sensuality, walking bass to violent slap techniques, growling tenor sax battling distorted blues guitar creating sonic chaos, jazz brushes shifting to aggressive rock drums for false climaxes, Fender Rhodes atmospheric darkness with tritone substitutions, power chords hiding in verse tags while true climax lurks in bridge, chromatic progressions building unbearable tension, reverb-drenched analog warmth meets raw distortion, each section orchestrated differently masking emotional peaks, intimate whispers to primal screams, blocks changing meaning after final reveal, smoky cabaret exploding into metal returning to jazz decay, ‑Instrumental intro of any kind, ‑opening music before vocals, ‑fade-in start, ‑standard verse-chorus-verse structure, ‑predictable pop arrangement, ‑clear section definitions, ‑bright major keys, ‑cheerful uplifting mood, ‑electronic dance music, ‑trap beats, ‑auto-tune vocals, ‑acoustic folk guitar, ‑country elements, ‑children's music, ‑inspirational motivational lyrics, ‑clean digital production without grit, ‑simple 4-chord loops, ‑mainstream radio format, ‑obvious emotional peaks where expected, ‑linear narrative progression, ‑stable tempo throughout, ‑consistent instrumentation never changing, ‑cute kawaii J-pop vocals, ‑musical theatre style, ‑traditional ballad arrangement, ‑generic love song format

An introspective and melancholic Lo-fi ballad, at around 85 BPM, The song is built around a beautiful, mellow acoustic piano melody and atmospheric pads, A reverb-drenched clean electric guitar plays sparse, echoing phrases in the background, The beat is a gentle lo-fi hip hop drum loop with subtle vinyl crackle, The female vocal must be breathy, ethereal, and intimate, as if whispering directly into the listener's ear, conveying a deep sense of longing, The overall mood is perfect for a lonely, rainy night, The structure should flow seamlessly, focusing on space and resonance, End with the sound of gentle rain, and a final, distinct metallic sound of a ring being placed down

An intense, high-speed fusion of Electronic Rock and Hardcore Techno, with a Vocaloid-style musical composition, 178 BPM, **MUST start immediately with the first verse over a cold synth pad, ** The sound is a chaotic battle: a hard EDM drum beat, a growling wobble bass, and a distorted djent-style guitar with aggressive, syncopated riffs that explode in the chorus, The vocal performance is by a powerful, real female singer, Her voice must be **STRICTLY CLEAN AND MELODIC AT ALL TIMES**, **Absolutely NO shouting, NO growling, NO harsh vocals, ** Her style is sharp and intense, delivering fast, complex melodies with a **crystal-clear, powerful, high-pitched tone**, Verses are cool and detached, The chorus is powerful, but always sung, never screamed, The final chorus has a dramatic, uplifting shift to melodic euphoria, with bright synths & epic strings, Her voice here becomes warm, emotional, and full of strength

An aggressive, yet sophisticated, high-speed Jazz-Rock rebellion anthem at 182 BPM, a cynical coup d'état against corporate slavery, **The song MUST start immediately and powerfully with the cynical first verse, ** The sound is a **high-tension interplay of virtuosos**: a relentless, complex, funky slap bassline provides the core groove, The drums are **aggressive, high-speed fusion jazz drumming** with complex fills and syncopation, Over this, a **chaotic bebop piano** and a **screaming, improvisational saxophone** battle with sharp, complex phrases, The female vocal must have a sharp, rhythmic attitude, Verses are a **cool, bored, cynical fast-talk**, The chorus is a **powerful, melodically complex delivery**, replacing raw shouting with incredible vocal agility, The D-Melo is a **confident, mocking rap flow**, The mood is a stylish riot, a mix of dark humor and the euphoric thrill of an intelligent revolution

Alternative R&B Pop with Japanese City Pop influence, Neo-Soul groove, Smooth electric piano, Warm analog synths, Jazz guitar licks, Groovy bass with funk undertones, Trap-influenced hi-hats with live drums, Rhodes keyboard, Soft strings in chorus, Male vocal with vibrato and falsetto, 95-105 BPM, Bedroom production aesthetic, Organic textures, Vinyl crackle atmosphere, Acoustic guitar fingerpicking, Saxophone in bridge, Layered vocals with jazz harmonies, Dynamic quiet verses to soaring chorus, Japanese urban sound with Western R&B, Natural reverb, Warm compression, Smooth transitions, Tasteful silence and space, Building through orchestration, Modern with nostalgic elements, Jazz chord progressions, Conversational to passionate delivery, Groove over complexity, Human imperfections, Start with immediate vocals no intro, Direct vocal opening, Intimate feel, ‑No instrumental intro, ‑No long opening, ‑No autotune, ‑No distortion, ‑No heavy metal, ‑No EDM drops, ‑No mumble rap, ‑No screaming, ‑No overwhelming reverb, ‑No vocoder, ‑No harsh electronics, ‑No excessive compression, ‑No generic pop clichés

A high-speed, emotional rock tune reminiscent of modern emotional J-ROCK artists, It features complex, fast-paced acoustic guitar and technical, pop bass lines, The song has a dramatic structure with intense changes, expressing enthusiasm and bittersweet nostalgia, Female vocals, BPM125, ‑An emotional J-Pop ballad with a simple arrangement of one acoustic guitar and a raw male vocal, ‑Stripped-down and raw sound

Fast punk rock girl band 160-170 BPM, Female vocals with exaggerated R pronunciation and deliberate word liaison making Japanese morph into English phonetics, Raw garage production, Melodic punk not hardcore, [Pre-Chorus] Building: Add guitar layers, drum fills, rising intensity [Chorus] Peak energy: Gang vocals, full instrumentation, catchy hooks, passionate singing NO screaming [Verse 2] BASS ONLY with vocals: Solo bass line carrying melody, intimate vocal delivery, 50% volume, stark contrast [Bridge] Half-time gradual build: Start bass+vocals only (2 bars), ADD DRUMS bar 3 (kick+snare), ADD GUITARS bar 5 (clean then distorted), crescendo into final chorus [Final Chorus] KEY CHANGE up 2 semitones, 175 BPM, maximum energy, doubled gang vocals, all instruments loud Production: No autotune, natural punk sound, slight compression, room reverb Dynamic flow: Verse1(100%)→Verse2(BASS ONLY 40%)→Bridge(gradual 40-80%)→FinalChorus(120%), ‑Negative: NO death growls, ‑NO screaming, ‑NO shouting, ‑NO metal vocals, ‑NO excessive distortion, ‑keep melodic

Japanese city pop fusion with emo rock elements, female vocalist age 24-30 with both smooth and powerful delivery, medium-fast tempo 128-135 BPM, funky slap bass lines prominent in mix, clean electric guitar with chorus effect for verses, distorted power chords in chorus, tight drum groove with ghost notes on snare, vintage electric piano and analog synthesizers, saxophone solo option in bridge, mix of Japanese and Western production styles, dynamic shifts between smooth city pop verses and explosive rock choruses, vocal delivery switching from conversational to emotional belting, urban night atmosphere with reverb and delay, influenced by 80s Japanese city pop mixed with 2000s emo rock energy, crisp modern production with vintage analog warmth, syncopated rhythms and unexpected beat drops, ‑Pure acoustic ballad, ‑traditional J-pop idol style, ‑overly cheerful major keys throughout, ‑simple four-chord progression only, ‑country music elements, ‑heavy metal growling, ‑trap hi-hats, ‑EDM drops, ‑children's music simplicity, ‑opera vocals

Japanese city pop fusion with emo rock elements, female vocalist age 24-30 with both smooth and powerful delivery, medium-fast tempo 128-135 BPM, funky slap bass lines prominent in mix, clean electric guitar with chorus effect for verses, distorted power chords in chorus, tight drum groove with ghost notes on snare, vintage electric piano and analog synthesizers, saxophone solo option in bridge, mix of Japanese and Western production styles, dynamic shifts between smooth city pop verses and explosive rock choruses, vocal delivery switching from conversational to emotional belting, urban night atmosphere with reverb and delay, influenced by 80s Japanese city pop mixed with 2000s emo rock energy, crisp modern production with vintage analog warmth, syncopated rhythms and unexpected beat drops, ‑Pure acoustic ballad, ‑traditional J-pop idol style, ‑overly cheerful major keys throughout, ‑simple four-chord progression only, ‑country music elements, ‑heavy metal growling, ‑trap hi-hats, ‑EDM drops, ‑children's music simplicity, ‑opera vocals

Provocative dark-noir EDM/dance-electro, 4/4, 124–126 BPM, Key F minor (Phrygian), Vocals: ASMR whispers in verses; sultry taunts; chorus = hypnotic low-register mantra (few words; bite last line); JP whispers (“今夜”“ねぇ”), Groove: tight 4-on-the-floor; heavy reese/sub-growl w/ hard sidechain; clap/snare stacks; off-beat hats; snare-roll builds; 1-bar fake-drop mute, Synths: detuned dark saws, FM/sub growls, low pads/bells, analog grit; vocal-chop as texture; stutters, tape-stops, Harmony: i–♭II–i, i–v–♭VI, sus tones; avoid pop lifts, Form: Noir/whisper intro → Verse → Pre (filter) → blackout → Drop → Verse2 (half-time; dissonant: ♭2 stacks/tritones; micro-detune ±15c; ring-mod/bit-crush tails) → Pre → Chorus2 (low mantra) → double drop → Break (sub+noise) → Final chorus (darkest) → Final drop (switch-up) → Tag, Mix: dark/wide; mono-tight sub; hard sidechain; short plate+slap on lead; gated throws; clean highs; vox up-front