とっきゅう⭐︎じゅぶちゅ

female vocals and chorus, electric guitar, electric bass, drums, Japanese drums, shamisen, shakuhachi, koto, The A-melody is death metal hardcore, The B-melody is hiphop, chorus is powerful emo

female vocals, electric guitar, electric bass, drums, Japanese drums, shamisen, shakuhachi, koto, The A-melody is death metal hardcore, The B-melody is hiphop, chorus is powerful punk, up-tempo, melodic

Female Vocals And Chorus, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, The intro features Japanese drums, shakuhachi, and clappers, The A-Melody Is lo-fi, The B-Melody Is Hiphop, Chorus Is melodic metal Punk, The contrast between the chorus and the B-melody creates excitement

Female Vocals And Chorus, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, The intro features Japanese drums, shakuhachi, and clappers, No intro, the song starts immediately with the chorus shouting "Zero Karma Drive!" for maximum impact, The verses (Aメロ) are calm and philosophical, expressing the idea that everything is made of plus and minus, and when combined it all returns to zero, The pre-chorus (Bメロ) builds intensity, describing the breaking of causality and the destruction of fragile balance, leading into the explosive chorus, The chorus is powerful and dramatic, blowing away pain, fate, and the world itself, The bridge (Cメロ) reveals the awakening of the sealed left hand, unlocking the ultimate destructive power, The final chorus is even more intense, destroying everything and ending with total annihilation, Musical style: Japanese girls’ rock band with traditional instruments (和楽器) such as taiko drums, shamisen, and shakuhachi

Female Vocals And Chorus, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, The intro features Japanese drums, shakuhachi, and clappers, No intro, the song starts immediately with the chorus shouting "Zero Karma Drive!" for maximum impact, The verses (Aメロ) are calm and philosophical, expressing the idea that everything is made of plus and minus, and when combined it all returns to zero, The pre-chorus (Bメロ) builds intensity, describing the breaking of causality and the destruction of fragile balance, leading into the explosive chorus, The chorus is powerful and dramatic, blowing away pain, fate, and the world itself, The bridge (Cメロ) reveals the awakening of the sealed left hand, unlocking the ultimate destructive power, The final chorus is even more intense, destroying everything and ending with total annihilation, Musical style: Japanese girls’ rock band with traditional instruments (和楽器) such as taiko drums, shamisen, and shakuhachi

Female Vocal, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, cracker, indie pop, emotional, melodic, heavy metal, catchy, hard rock, heavy metal, techno

Female Vocal, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, cracker, indie pop, emotional, melodic, heavy metal, catchy, hard rock, heavy metal, techno, anime, powerful, dramatic, Add a little Asian flair, Mainly shamisen and shakuhachi, In the interlude, high-speed scratch sounds are added from the shamisen and koto

Girl band, ska punk, techno rock, retro, shamisen, electric bass, drums, trumpet, trombone, saxophone, shakuhachi, cute female vocals, electronic sounds, up-tempo, J-pop, The cutting is unison shamisen and guitar, with twin female vocals (one cute, the other wild), a cute voice in the A-melody, a wild voice in the B-melody, and harmony in the chorus (a cute voice for the high notes, a wild voice for the low notes)

female voice, very bright and lively ska punk, Shamisen, Shakuhachi, trumpet, trombone, electric guitar, electric bass, drums, alternative rock, trance, upbeat, electro, melodic, soul, metal, house, dreamy The Cutting Is Unison Shamisen And Guitar, With Twin Female Vocals (One very Cute, The Other very sweetie), A very Cute Voice In The A-Melody, A very sweetie Voice In The B-Melody, And Harmony In The Chorus (A very cute Voice For The High Notes, A very sweetie Voice For The Low Notes), Slap bass: Funky, percussive pops and slaps for rhythmic drive

Female Vocal, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, cracker, ska punk, indie pop, emotional, melodic, heavy metal, catchy, hard rock, heavy metal, techno, anime, powerful, dramatic, Add a little Asian flair, Mainly shamisen and shakuhachi, In the interlude, high-speed scratch sounds are added from the shamisen and koto, Bass: slapping and hammering techniques, The shamisen cuts in unison with the guitar, melodic, pop rock, chill

Cute Ska Punk, Female Vocal, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, cracker, indie pop, emotional, melodic, heavy metal, catchy, hard rock, heavy metal, techno, anime, powerful, dramatic, Add a little Asian flair, Mainly shamisen and shakuhachi, In the interlude, high-speed scratch sounds are added from the shamisen and koto, Bass: slapping and hammering techniques, The shamisen cuts in unison with the guitar

[Tempo/BPM] 125 BPM, high-speed, irregular rhythm [Genre/Style] Melodic techno-punk × Japanese traditional instruments, dark epic instrumental [Instrumentation] Shamisen with sharp plucked grains, dramatic violin harmonies, electric bass, thunderous drums, distorted guitar, synth layers, shakuhachi whispers; interlude with furious shamisen scratching, screaming violin, chaotic overdrive noise [Structure] Silent void opening → shamisen strikes like blades; verse with shamisen & violin dueling lines; chorus a cataclysmic burst of all instruments; interlude: silence collapsing into noisy dissonance; final chorus like a cursed festival of sound; outro fading into eerie shakuhachi and shamisen echoes [Vibe/Keywords] Dark, epic, mystical, Japanese chuunibyo style, silence vs explosion, forbidden energy, festival of chaos

[Title] Samurai Strings Overdrive [Tempo/BPM] 125 BPM, high-speed, irregular rhythm [Genre/Style] Melodic techno-punk × Japanese instruments, instrumental [Instrumentation] Crisp and percussive shamisen lead with clear plucked texture, violin harmony soaring high; electric bass, drums, guitar, synth, shakuhachi; interlude with rapid shamisen scratch, sharp violin, noisy overdrive guitar [Structure] Intro silence → shamisen plucks cut through; verse call-and-response shamisen & violin; chorus explosive full-band energy; interlude chaotic dissonance (silence ↔ burst); final chorus climax; outro fading shakuhachi & shamisen echoes [Vibe/Keywords] Energetic, sharp plucked tones, dramatic, East-West fusion, silence vs explosion, festival-like climax

[Tempo/BPM] 125 BPM, high-speed, irregular rhythm [Genre/Style] Melodic techno-punk × Japanese traditional instruments × electronic, twin female vocals [Instrumentation] Dominant shamisen lead with explosive riffs and sharp plucks, violin harmonies, twin female vocals (cute & energetic + sweet & soft), heavy bass, pounding drums, distorted guitar, synth, shakuhachi, glitchy electronic effects [Structure] • Intro: fierce shamisen riff in spotlight → electronic pulses, vocal whispers join • Verse: shamisen leads melody, violin + vocals weave in call-and-response • Chorus: shamisen doubles vocal line, full-band explosion • Interlude: furious shamisen scratch, violin soaring, chaotic guitar + glitch synth • Final Chorus: shamisen drives ultra climax, twin vocals in unison → fading shamisen & shakuhachi [Vibe/Keywords] Explosive shamisen lead, epic, high-energy, silence vs eruption, festival of chaos

Cute Ska Punk, Female Vocal, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, cracker, indie pop, emotional, melodic, heavy metal, catchy, hard rock, heavy metal, techno, anime, powerful, dramatic, Add a little Asian flair, Mainly shamisen and shakuhachi, In the interlude, high-speed scratch sounds are added from the shamisen and koto, Bass: slapping and hammering techniques, The shamisen cuts in unison with the guitar

Ska Punk, Female Vocal, Electric Guitar, Electric Bass, Drums, Japanese Drums, Shamisen, Shakuhachi, Koto, cracker, indie pop, emotional, melodic, heavy metal, catchy, hard rock, heavy metal, techno, anime, powerful, dramatic, Mainly shamisen and shakuhachi, In the interlude, high-speed scratch sounds are added from the shamisen and koto, Slapping and hammering on the bass, fanky bass, The unison of ska guitar cutting and shamisen cutting, the coexistence of wind instruments and shakuhachi, romantic, melodic, cinematic, pop, lo-fi, dreamy, country

Style: Hard Rock, Heavy Metal, Techno, Emotional, Melodic, Catchy, Powerful, Dramatic, Fast-Paced, Uplifting Chorus Vocals: Female Twin Vocal (Emotional, Powerful, Cute), Harmonized in chorus for dramatic climax Instruments: Shamisen (main), Shakuhachi (main), Electric Guitar, Electric Bass, Drums (fast and intense), Japanese Drums, Cracker (effect) Arrangement: Shamisen and Shakuhachi are the main leading instruments, driving both verses and interludes, In the interlude, shamisen produces high-speed scratch sounds, Japanese instruments add a melodic rock/metal base, The overall song emphasizes speed, intensity, and dramatic build-up, with a powerful and catchy chorus that bursts into emotional climax

Female twin vocals (cool dominant + crazy cute aggressive), powerful female chorus, Japanese wa-gakki melodic punk rock / hip-hop fusion girl band, Instruments: Melodic aggressive electric guitar, electric bass very loud with chopper-style slapping and hammer-ons, drums and Japanese taiko, shamisen as lead with sharp riffs and solos, shakuhachi for dark ritual tones, koto for rhythmic accents, Structure: A-melody: aggressive melodic punk energy, driving riffs, cool vocal leads, B-melody: hip-hop groove, bass-driven rhythm, crazy cute vocal, Chorus: ultra high-energy melodic punk / emo anthem, explosive and uplifting, crowd-shouting style, Break: shamisen vs electric guitar call-and-response solo, Final chorus: full overdrive, maximum tension, Theme & mood: Rebirth through riot, curse turning into blessing, blessing into stronger blessing, Chuunibyou new year ritual, dark yet celebratory, High BPM, strong melody, emotional, aggressive, live band energy

Cute and cool twin female vocals, Japanese and English duet, Japanese wa-gakki melodic punk rock with extreme high energy, Instruments: Shamisen as a main lead instrument with fast aggressive riffs and solos, electric bass very loud with chopper-style slapping, popping, hammer-ons, aggressive melodic electric guitar, live drums and Japanese taiko, koto and shakuhachi for atmospheric accents, Vocal structure: Cute vocal sings in Japanese with playful madness and emotional intensity, Cool vocal sings in English with calm, cosmic, controlled tone, Structure: Fast melodic punk verses, explosive uplifting chorus with maximum energy, bass and shamisen instrumental battle section, final chorus with full emotional and instrumental overdrive, Theme: Love, universe, and apple pie merging into cosmic rebirth, Cute madness vs cool control, Chuunibyou, cosmic, explosive, emotional, rebellious, High BPM, strong melody, addictive, dramatic, live band energy

Female Twin Vocals (Cute Clean Voice And Aggressive Rough Voice), Japanese And English Mixed Lyrics Traditional Japanese Rock Band With Extreme Energy Electric Guitar (Fast Riffs And Screams) Electric Bass (Very Aggressive Slap And Distorted Lead Bass) Drums (Wild And Dynamic) Japanese Drums (Taiko) Shamisen (Fast Picking, Scratch Playing, And Lead Phrases) Shakuhachi (Wild Breathing Phrases And Emotional Accents) Koto (Glitchy And Chaotic Accents) Add Riot Shouts, Laughs, And Breathing Sounds Song Structure: Intro: Noise, Shamisen Scratch, Breathing A-Melody: Japanese Clean Vocal With Hidden Madness B-Melody: English Aggressive Vocal Chorus: Twin Vocal Explosion (Japanese And English Together) Bridge: Sudden Silence And Whisper Final Chorus: Maximum Riot Energy Emotional Tone: Uncontrolled Energy Release Cute But Dangerous Freedom Without Purpose Violence Without Target Ending: Song Collapses Suddenly Only Breathing And Soft Laugh Remain

110 BPM, Dark Japanese Hybrid Electro alternative Rock, Dual Female Vocals (Cute Lead + Riot Rap/Shout), strong call-and-response, layered chorus, Electric Bass very strong, Deep sub base, Aggressive slap groove and hammer-ons, Bass as rhythm engine but supporting shamisen lead, Frequent tight unison riffs with shamisen, Shamisen dominant melodic identity, Main repeating riff hook throughout, Forward in mix, louder than bass during instrumental parts, Sharp attack, slightly distorted edge, Defines transitions and chorus energy, Shakuhachi subtle and distant, Used briefly for atmospheric accents only, Punchy kick, tight snare, Energy builds through rhythmic density, No EDM drop, Structure: Rap verses over bass+shamisen unison, Riff-driven pre-chorus, Explosive addictive chorus with repeated hook line, Short minimal break (bass pulse only), Final chorus heavier, chant-like, Mood: Defiant, playful, dangerous, Dancing at the edge of collapse, Controlled chaos, strong Japanese string

220 BPM Fast double-time J-Rock Fusion, Relentless driving rhythm, constant motion, Twin Cute Female Vocals (Aggressive Riot + Dark Cute contrast), No male vocal, Dominant shamisen riff louder than guitar, Prominent slap and hammering electric bass, Punchy tight drums, fast hi-hats, Heavy taiko impact accents, Breathy shakuhachi only in transitions, A-melody: Aggressive fast female vocal, B-melody: Rhythmic female rap flow, Pre-Chorus: Close-mic whisper cute voice, Chorus: Explosive twin harmony, intense and sharp, Very high energy, Edgy female tone, Less polished, more raw, Short silence break before chorus only, No slow sections

236 BPM Japanese Girls Rock Band with fierce twin female vocals, fusion, alternative rock, Very prominent slap electric bass (mid-forward mix), high-speed shamisen leading riffs and 8-bar solo section, festival-style taiko rhythms, tight snare, double kick drive, screaming shakuhachi bends, fast koto arpeggios, Song starts instantly with shouted “ZERO KARMA DRIVE!”, Verses philosophical about plus and minus returning to zero, Pre-chorus accelerates like festival build-up breaking causality, Explosive chorus mixing English and Japanese romaji incantations, After second chorus insert 8-bar shamisen solo with bass interaction, Bridge features heavy slap bass and shakuhachi scream, Final chorus ultra intense, then sudden full stop followed by slow ritual taiko hits and final shakuhachi fade