3:22

Just stay
v5.5
[BPM: fluctuating / unstable tempo drift (approx 90 ↔ 127 ↔ 72), with intentional push-pull timing, slight humanized swing and irregular tempo shifts]
[Instruction:
Heavy, resonant bass harmonics dominating the low-end, slightly sidechained to unstable kick pulses, High-frequency electric guitar with fuse-like distortion, Loose timing, behind-the-beat feel, occasional rushed strums, Subtle pitch instability and micro timing drift to create a worn, unstable texture, Drums:
Polyrhythms combining triplets and quintuplets, Kick: deep, ominous, irregular spacing, almost breathing, Snare: light, sharp, slightly late for groove instability, Hi-hats: chaotic, overactive, erratic velocity and timing, Toms: frequent, rolling fills with uneven spacing and tribal chaos, Synth:
Thin mid-range sustained tones, Light detune (subtle pitch drift, not chorus-heavy), slightly unstable tuning, Acts as a fragile harmonic layer, gently clashing with guitar overtones, ]
2:57

4:02

2:18

3:05

ねぇ…きこえる?
v5.5
Heart beats with background pale female chorus, slightly spread high range warm pad, SFX noise in rythem, [Low-pitched female vocal, breathy throat-driven whisper tone, Slightly nasal texture blended with chest voice and occasional airy head voice transitions, No vibrato, extremely delicate and emotionally fragile delivery, Rhythm is loose and off-grid, spoken-word influenced phrasing with subtle timing shifts, Rich in overtones, emphasized consonants, softened and blurred vowels, Intimate, close-mic presence, almost murmuring into the listener’s ear, Dark, melancholic, introspective mood, ]
2:53

冬桜
v5.5
[Structure: Intro → Verse1 → Pre-Chorus → Chorus → Verse2 → Bridge → Final Chorus → Outro]
[Key Flow: B minor → F major → C major → F major → A minor → F major → C minor → Eb major → G major → B major → F major]
[Chord Progression]
[Intro | Key: B minor]
[B][Bbm7b5][C][G]
[Verse1 | Key: F major]
[Fmaj7][Em7][Am7][Gadd9]
[Fmaj7][Em7][Adim7][Bdim7]
[Pre-Chorus | Key: C major]
[Am7][Gadd9][Cmaj7]
[Dm7][Gadd9][Caug]
[Chorus | Key: F major → A minor]
[F][E][A7][G]
[F7][Em7b5][Gb][Asus4]
[A][G][C7][Bb]
[A7][Abm7b5][Bb][F7]
[Verse2 | Key: F major]
[Fmaj7][Em7][Am7][Gadd9]
[Fmaj7][Em7][Adim7][Bdim7]
[Bridge | Key: C minor → Eb major]
[Cm7][Dm7][Ebmaj7][F]
[Dm7][Em7][Fmaj7][Gaug]
[Final Chorus | Key: G major → B major]
[G][Gb][B7][A]
[G7][Gbm7b5][Ab][Bsus4]
[B][F][D7][C]
[B7][Bbm7b5][Cmaj7][G7]
[Outro | Key: F major]
[Fmaj7][Em7][Am7][Gmaj7]
2:28

魔障
v5
Exprimental choir, Glitchy dark-fusion core track, low-deep male vocals in an urgent whisper-to-scream arc, Start with thin, detuned synth stabs and a sparse, side-chained kick pulse; chorus explodes with distorted lead, sub-heavy bass, and stuttering percussion, Use aggressive bitcrush and pitch dives between phrases, with a brief breakdown of filtered pads before the final, clipped hook, syncopation kick, rolled snare makes space, busy hi-hat, groove returns with accent shift, Triplet and quintuplet Drum, Metric modulation, Counter melody Chorus, Roll phrasing makes some space
4:12

禁域の音叉
v5
Exprimental, Glitchy dark-core track, low male vocals in an urgent whisper-to-scream arc, Start with thin, detuned synth stabs and a sparse, side-chained kick pulse; chorus explodes with distorted lead, sub-heavy bass, and stuttering percussion, Use aggressive bitcrush and pitch dives between phrases, with a brief breakdown of filtered pads before the final, clipped hook, syncopation kick, rolled snare makes space, busy hi-hat, groove returns with accent shift, Triplet and quintuplet Drum, Metric modulation, Counter melody Chorus
3:59

今日の終わりを
v5
#Instruments:
Distorted electric guitar (fuzzy, loose timing)
Overdriven electric bass (mid-heavy, unstable)
Analog synth (noisy, detuned, monophonic, distortion after filter)
Acoustic drums (dry, raw, slightly late snare)
Noise / feedback textures (low-level)
#Mood:raw, mooving melody, pentatonic, over howling, rolled drum make space, spread range riff, half time and double time, head voice, nasal voice, growl voice, falsetto mixed
3:32

黎明
v5
major key lock, Alternative Rock, Post-Punk, Industrial-leaning
#Instruments:
Distorted electric guitar (fuzzy, loose timing)
Overdriven electric bass (mid-heavy, unstable)
Analog synth (noisy, detuned, monophonic, distortion after filter)
Acoustic drums (dry, raw, slightly late snare)
Noise / feedback textures (low-level), mood:raw, modern, melancholy, moving, fine
2:59

8beat, major key rocked, bright crunchy electric guitars, open chord strumming, thin high-mid focused tone, simple heavy gravity bass, acoustic drums with dry snare and sustain sub kick, subtle high-register pads, instruments leaving space for extreme high-pitched female vocal, forward-driving mid-tempo, designed for extreme high-pitched screaming male vocal, intro gentle over gain single-note guitar riff only, later reused in the chorus as octave-doubled distorted lead, chorus vocal melody mirrors the intro riff, creating a strong melodic payoff, female vocals
2:09

ふて寝シマス
v5
Bpm:220, Cute female topline processed with vocoder, Glitchy hyperpop, bright detuned synths and bitcrushed leads, Tiny, clipped drums and elastic bass under choppy, pitch-shifted topline, Verses stay minimal and bouncy, choruses explode with stacked harmonies, formant-shifted doubles, and stuttered vocal chops for a sugar-rush hook, Fast tempo, hard sidechain swells, glittery risers and abrupt stop-start cuts to mirror female vocals sweeped
3:20

aggressive alternative, lo-fi distorted synth mono riff looping entire track, low BPM 120, Bright atmosphere, melody development, degradation over time, uneasy and restrained, dry and intimate mix, ultra thin and flat Bass male vocal, almost scream
2:48

[Song: glitchcore looped track at 220pm, warm madness and fragile intimacy, seamless repetition with no clear structure, unstable emotions spreading between voices, minimal development, dissonance feels comforting, unresolved and hypnotic]
3:17

alternative rock with synth layers, BPM 100
modern alternative rock, restrained and minimal
electric guitar foundation, muted verses, open chorus chords
synth pads for depth, not dominant
male vocal, very high register, extremely nasal tone
flat, emotionless delivery, no vibrato
chorus feels brighter by instrumentation, not vocal power
no pop rock, no indie pop, no EDM
dark but forward-moving, controlled intensity, ‑Introduction Prelude Interlude Solo
3:34

#Genre: Grunge, Alternative Rock, Post-Punk, Industrial-leaning
#Instruments:
Distorted electric guitar (fuzzy, loose timing)
Overdriven electric bass (mid-heavy, unstable)
Analog synth (noisy, detuned, monophonic, distortion after filter)
Acoustic drums (dry, raw, slightly late snare)
Noise / feedback textures (low-level)
#Mood:bright, moving, mid-fast paced tempo, emotional, extreme, ‑Introduction, ‑Interlude
2:52

#Style:Speed-Grunge, #Key:Cmaj #BPM:180 #FX:light riverb #Mood:cry, anger, wisper and scream, extreme
3:23

#Gunre:Speed-slap base/Modern-grunge #mood:fast-speed, busy, heavy, attack, rough, distortion, chaos over load, rapid, #BPM:137feeling, ‑前奏 間奏
3:31

テンションMAX
v5
Main instrument: Slap bass in half-step-down tuning, leading the entire track, Bright high-end slap pops, metallic clanky attack, mid-high focused distortion (not muddy), Fast DnB groove at BPM 200, funky accents with slight bluesy pentatonic phrasing, Bridge-pickup style clarity; aggressive, dominant slap riffs with tapping-like articulation, FX: transient-rich, high-frequency emphasis, tight compression, wide stereo chorus on the long-tone vocals
2:59

[Audio Engine: Ultra-HD 96kHz | Hi-Resolution Master | Studio-Grade Fidelity | Lossless Detail | Wide Dynamic Range | Audiophile Mix | High Definition Stereo Imaging] #Key:Cmaj #BPM:180 #FX:light riverb #Mood:cry, anger, wisper and scream, extreme
2:25

[Audio Engine: Ultra-HD 96kHz | Hi-Resolution Master | Studio-Grade Fidelity | Lossless Detail | Wide Dynamic Range | Audiophile Mix | High Definition Stereo Imaging] #Key:Cmaj #BPM:180 #FX:light riverb #Mood:cry, anger, wisper and scream, extreme
3:46

ガラスの境界
v5.5
Panning & Chaos:
asymmetrical stereo placement across all elements, hi-hats and percussion slightly off-center with variation, distorted guitars hard-panned with different phrasing, lead and counter synths placed unevenly across stereo field, randomized panning for noise and glitch elements, subtle auto-panning on selected layers, layered sounds with slight timing offsets (ahead/behind), different detune and filter settings per layer, controlled chaos moments:
brief stutter cuts, micro dropouts, one-sided audio gaps, short bursts of bitcrush or distortion, ambient noise spread across stereo field with slow movement, slightly unstable vocal layering with minimal distortion and micro formant shifts
machinegun phrasing, rapid-fire vocal delivery, high syllable density, minimal pauses, consonant-heavy articulation, clipped vowels, rhythmically tight, slightly ahead of beat, spoken-like flow mixed with melody
2:41

ポテトが食べたくなる魔法
v5.5
soft raw drum, ambient pad, clean guiter, clean bass, no emotional breathly mare vocal


