The Poly-Carbonare Nightmare
B-side tracks to The Poly-Carbonare Dream (full explanation in that playlist)
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6 songs
3:42
Buffer Overflow
v4.5-all
Style: 1980s Experimental Glitch, Minimalist Industrial, Cold Analog Synthesis, Circuit-Bent Text-to-Speech, Eerie Cinematic Ambience, Bit-Crushed Percussion, Lo-fi IDM, Atmosphere: Disorienting, clinical, awakening, static-heavy
3:09
The Meat-People’s Tea Party
v4.5-all
Style: Avant-garde Chamber Pop, Glitchy Baroque, Mechanical Harpsichord, Clockwork Percussion, Distorted Waltz, 1980s Fairlight CMI sounds, Surrealist Opera-core, Atmosphere: Manic, "wrong" elegance, jittery, claustrophobic hospitality
3:38
Syntax of a Rose
v4.5-all
Style: Minimalist Ambient Electronic, Granular Synthesis, Ethereal 80s Dream Pop, Digital Bell Melodies, Cold Reverb, Glitchy Cello, Bit-crushed Harp, Atmosphere: Sterile yet beautiful, crystalline, detached, mathematical longing
3:59
Sarah’s Pigeons
v4.5-all
Style: Dark Psychedelia, 1980s Experimental Post-Punk, Tribal Industrial Percussion, Tape-Saturation, Erratic Woodwinds, Low-bitrate Chants, Analog Echo, Atmosphere: Hallucinatory, obsessive, rhythmic, fever-dream, slightly menacing
4:00
Cold Electricity
v4.5-all
Style: Dark Ambient, Cinematic Drone, Vangelis-inspired Synthesizer, Cold Pad Textures, Deep Sub-bass, Minimalist Pulse, 80s Sci-Fi Noir, Isolated Vocals, Atmosphere: Vast, lonely, monolithic, freezing, eternal
2:38
The End of the String
v4.5-all
Style: Deconstructed Club, Glitch Hop, Bit-Crushed Outro, Granular Breakdown, 8-bit Melancholy, Tape Stop effects, Orchestral Swell that abruptly cuts to Static, Atmosphere: Final, collapsing, disintegrating, bittersweet, "The End, "