RHS-Robert Henry Scott

modern doom metal, 135-145 BPM, distorted baritone guitar, fuzz bass unison, punchy live drums, room mic ambience, spring reverb guitar, tape saturation, parallel compression, wide stereo guitars, pre-chorus lift, anthemic chorus, minor key, gritty hook, straight eighth drive, close harmonies, piano and guitar, catchy guitar riffs, energetic drops, ‑live crowds sounds, ‑pop rock

Hard rock with glam metal, sleaze rock, and electro-punk edge: distorted electric guitar riffs, 80s metal guitar tone, thunderous driving drums, syncopated toms, soulful piano, and stacked male/female vocals, Unison singing male female, Polished mid-80s production, gritty swagger, anthemic chorus chants, and bathroom-recorded natural slap echo, tiled-room ambience, and close-mic grit, ‑Live crowds

alternative rock, 125-130 BPM, distorted baritone guitar, fuzz bass unison, punchy live drums, room mic ambience, spring reverb guitar, tape saturation, parallel compression, wide stereo guitars, pre-chorus lift, anthemic chorus, minor key, gritty hook, straight eighth drive, close harmonies, piano and guitar, catchy guitar riffs, energetic drops

darkwave metal, stoner doom, erhu lead lines, down tuned guitar riffs, syncopated palm mutes, crisp percussion grid, polyrhythmic drum accents, analog synth drones, metallic bass pulse, tape saturation, gated room reverb, neon noir, nocturnal dread, 96 BPM half time, swung sixteenth groove, modular glitch fx, soaring Ethiopian pentatonic guitar solos held together with cinematic low end, heavy drops, witchpop, dark melodic, backing vocals, dynamic drumming, hypnotic beats

hard kicks, high-energy drops, sharp rhythmic groove, emotional intensity, female harmonies, vocal effects, powerful drums, sharp synth stabs, melancholic vibe, layered melody, dark glitch, dynamic transitions, pitch bend (guitar)

Hard rock with glam metal, sleaze rock, and electro-punk edge: distorted electric guitar riffs, 80s metal guitar tone, thunderous driving drums, syncopated toms, soulful piano, and stacked male/female vocals, Unison singing male female, Polished mid-80s production, gritty swagger, anthemic chorus chants, and bathroom-recorded natural slap echo, tiled-room ambience, and close-mic grit, ‑Live crowds

Alt-pop, jazz-noir, 105 BPM, 4/4 time, steel-string strumming, palm-muted backbeat, syncopated chord accents, close-mic, slight conversational style, with a slight lift on chorus, dry small room reverb, solo acoustic arrangement, G major, 1960s lounge folk, tape saturation, mono room capture, intimate night set, steady eighth notes, baritone sax, piano and clean guitars The vocals are dry with light small room reverb, delivered in a flowing crooning jazz hipster lounge style chest voice that shifts into a belted head voice during the last chorus and outro

dark jazz, chamber strings, bowed bass, baritone sax stabs, tape-saturated drums, spring reverb, analog compression, roomy close-mic mix, minor key, 93 BPM swing, smoky noir, brooding urgency, left-field groove, brass accents, syncopated percussion, dub echo tails, stoner rock weight, catchy guitar riffs, piano and guitar, deep bass lines

dark-pop, jazz-noir, 110BPM, 4/4 time, steel-string strumming, palm-muted backbeat, syncopated jazz chord accents, close-mic, slight conversational style, with a slight lift on chorus, dry room reverb, solo acoustic arrangement, G# minor 1960s lounge dark-jazz, tape saturation, mono room capture, intimate night set, steady eighth notes, baritone sax, piano and clean guitars The vocals are dry with light small room reverb, vocal jazz scatting delivered in a flowing crooning jazz hipster lounge style chest voice that shifts into a belted head voice during the last chorus and outro, ‑Fuzz guitars

dark-pop, jazz-noir, 110BPM, 4/4 time, steel-string strumming, palm-muted backbeat, syncopated jazz chord accents, close-mic, slight conversational style, with a slight lift on chorus, dry room reverb, solo acoustic arrangement, G# minor 1960s lounge dark-jazz, tape saturation, mono room capture, intimate night set, steady eighth notes, baritone sax, piano and clean guitars The vocals are dry with light small room reverb, delivered in a flowing crooning jazz hipster lounge style chest voice that shifts into a belted head voice during the last chorus and outro, heavy deep bass, vocal jazz

dark rock, industrial metal, doom weight, jazz noir, industrial groove, staccato piano chords, distorted guitars, electric bass, dark synth arps, dry drums, clear cymbals, wide stereo mix, low-end crush, chant hooks, 92 BPM, swung hip-hop groove, hypnotic tension, defiant lust, nocturnal menace, ‑live crowds sounds, ‑pop rock

dark-pop, jazz-noir, 110BPM, 4/4 time, steel-string strumming, palm-muted backbeat, syncopated jazz chord accents, close-mic, slight conversational style, with a slight lift on chorus, dry room reverb, solo acoustic arrangement, G# minor 1960s lounge dark-jazz, tape saturation, mono room capture, intimate night set, steady eighth notes, baritone sax, piano and clean guitars The vocals are dry with light small room reverb, delivered in a flowing crooning jazz hipster lounge style chest voice that shifts into a belted head voice during the last chorus and outro, heavy deep bass, vocal jazz

Southern Metal, Sludge Metal, mid-tempo heavy groove, downtuned distorted guitars, prominent bass, gruff melodic male andHardcore Punk, Raw, Distorted electric guitar, Shouted / sung male vocals, Relentless aggressive tempo, 90’s rock production, 80's Hardcore Punk, stoner rock, 90’s alt rock, powerful anthemic, ‑live crowds sounds, ‑pop rock

dark rock, industrial metal, doom weight, alt hip hop, jazz noir, distorted baritone vocals, breathy pre-chorus, shouted chorus, half-time groove, swung snare pockets, 92 BPM, syncopated kick patterns, drop-tuned guitars, palm-muted chugs, minor-key synth stabs, sub-bass reinforcement, dry snare, clear cymbals, plate delay throws, wide stereo mix, soulful vocals, alternative rock, heavy southern doom rock, ‑live crowds sounds, ‑pop rock

industrial hip-hop, darkwave post-punk, future bass, doom guitar riffs, detuned seven-string, syncopated bass hits, jazz noir piano, analog synth drones, gated snare, dry live drums, sub-bass distortion, wide stereo guitars, glitch percussion fills, chant hooks, urgent defiance, 140 BPM, halftime drop, verse prechorus build

hard 1990’s industrial metal, glam metal, distorted guitar riffs, drop tuned rhythm guitars, palm muted chugs, hammer-on leads, hand claps, big choruses, hammond organ stabs, analog synth layers, multi layered male vocals, gang shouts, dry snare hits, gated reverb drums, polished grit, wide stereo guitars, driving mid tempo, anthemic chorus hooks, neon menace, zombie swagger, moog synths, Horrorcore

Hair Metal, Anthemic high-pitched male vocals, Distorted riff-driven electric guitars, Sleaze Rock, Hard Rock, raspy male lead vocals, distorted electric guitars, driving hard Rock, Blues-infused electric guitar solos, High-pitched raspy male vocals, Anthemic swagger, hard Rock, Blues Rock, driving tempo, dominant slide guitar riffs, gritty raspy male vocals, rebellious aggressive mood, raw production, Early 80s Hard Rock, Glam metal, Hard rock, Aggressive distorted guitar riffs, Driving mid-to-fast tempo, Raspy high-register male vocals, Anthemic choruses with gang shouts, Polished yet gritty 80s production, 80s Los Angeles metal scene