3:27

hoty kay On the junction
v4.5-all
Ethereal ambient and melodic rap with soft echoes, duet with sweet female voice and warm male voice
2:42

Ethereal ambient and melodic rap with soft echoes, duet with sweet female voice and warm male voice
5:52

** to finish the ant kingdom album with a grand finale cover
4:22

Brawn & Riddim (Banana Dub mix)
v4.5-all
Binaural trip-hop reggae, cinematic psychedelic afro-dub, immersive 3D left-right panning, deep rolling dub bass, dusty breakbeat drums, talking drums, warm Rhodes, spacey analog synths, tape echo, spring reverb, melodic highlife guitars, playful bamboo flute, brass accents, gritty male patois lead, spoken-word, layered female backing, hypnotic meditative tempo, sun-drenched mysterious jungle vibe, headphone mix, no EDM drops, no trap hats
3:07

Mid-1980s female-fronted pop-rock / new wave with strong jangly guitar focus, around 108 BPM, Bright Rickenbacker-style rhythm guitars, crisp palm-muted electric guitar chanks, melodic electric bass, tight punchy snare-driven drum groove with subtle LinnDrum-style reinforcement, tambourine and shaker, minimal glossy synth accents used sparingly, and occasional playful lead guitar hooks, Multiple female lead vocalists alternating short verse phrases, natural-sounding stacked harmonies throughout, especially in pre-chorus and chorus, with a strong West Coast pop sensibility, Songwriting should blend 60s girl-group charm, paisley pop sparkle, and MTV-era 80s polish, Verses should feel conversational, sly, and rhythmic; pre-chorus should lift melodically; chorus should explode into a bright, unforgettable singalong with layered harmonies and a simple hook, Include a short catchy intro riff, tight verse/chorus structure, brief instrumental break with jangly guitar motif, and a final repeate, ‑Sibilance, ‑off keys, ‑weird notes, ‑oversang, ‑loud singing, ‑bad composition
2:42

Thank you Alika!
v5.5
Melodic rap with half-time bounce, rolling sub-bass, crisp claps, and syncopated hi-hats; verses ride sparse piano and muted synth stabs, pre-chorus opens with filtered stacks and rising ad-libs, chorus lands on a bigger melody with doubled lead and chant backups, Add reversed risers, vinyl crackle, and a bass drop into the hook, Bright, polished, emotional mix with a heavy low end and intimate close-mic vocals, rap
3:17

Upbeat pop, pop rock, dance pop, contemporary r&b, rap for smoothness with live crowd participation
3:33

Army of Love.
v5.5
afrobeat, brass band fusion, 108 BPM, male lead vocals, call and response choir, talking drum accents, shekere shaker groove, horn stabs, baritone sax riffs, electric guitar chops, conga syncopation, bassline ostinato, snare rimshots, tape saturation, plate reverb, stereo horn spread, communal chorus, uplifting march
5:14

symphonic pop, uplifting pop, orchestral ballad
4:36

Come Home
v5.5
Orchestral Pop, Strings, piano, soft percussion, Clean male vocals, Moderate tempo, Song starts meloncholic but becomes more hopeful and majestic by the end
2:22

Pop power ballad, electronica, r&b, undertones of reggae with a powerhouse mezzo soprano female singer
4:57

3:24

3:40

Cosmic Elefants (Remix)
v4.5-all
Cinematic surf-dub fusion, eerie synth pads, party vibes, warm reverb, deep rolling dub bass, dry punchy snares, syncopated boom-tap rhythms, ghost-note percussion, samba enredo textures, sharp staccato guitars, gritty shoegaze riffs, analog synth pads, tape echo, spring reverb, vinyl grit, spacious dub delays, charismatic gritty male vocals shift between spoken-word, melodic singing and fast rap verses with hypnotic repetitive hooks, uplifting yet melancholic, urban yet tropical, spiritual, organic analog warmth, psychedelic soul-hop, nu-disco pulse, wide stereo, human feel, no EDM drops, trap hats or glossy pop
3:06

Cosmic Bunnies
v4.5-all
eerie synth pads, spanish guitars, party vibes, warm reverb, surf music
3:22












