Temple of Flame

Dark soul, gospel-blues, mystical folk, Deep male lead vocal (warm, emotional, smoky), Female backing vocals (haunting, witchy harmonies), Acoustic guitar + resonant drums + gospel claps + dark choirs, Atmospheric, spiritual, slow build with powerful choruses, Smoky, ritualistic, seductive, dangerous, Mood: A pale married man unraveling under the spell of a witchy femme fatale, Mix of humor, darkness, seduction, and myth, Cinematic and soulful, like a hymn dipped in sin, Do NOT sing the brackets

Style: Ritual chant x Mystical Folk x Cinematic Tribal Trance Tempo: Slow and hypnotic (around 70 BPM) Vocal Style: Whispered female lead (or low male narrator) with layered choral harmonies (ancestral, haunting), Vocal layering in the chorus, Instrumentation: Deep ritual drums, low drones, ancient flutes, bells, reverb-heavy vocals, slow atmospheric pads, Mood: Sacred, political, sensual, mythic, Theme: Lilith reclaims her voice and calls all witches to rise, The track should feel like a sacred initiation rite intimate, primal, and powerful, Keywords: Lilith, witches, bloodline, fire, sisterhood, whispered spell, defiance, softness with rage, slow stomping, moonlight, red earth, Cinematic Vibe: Like a forgotten prophecy chanted in a moonlit forest, Structure suggestion: Whispered spoken intro (Lilith speaks) Verse builds slowly with subtle percussion Powerful chorus with chanting + layered harmonies Bridge with names and whispering spells Final chorus explodes with tribal energy

Create a hard rock opera-style female-led song titled "Rahab the Wallbreaker", blending cinematic storytelling, dramatic instrumentation, and biblical mysticism, The intro is a spoken male choir, parodying religious patriarchy, The verses are sung by a haunting solo female voice with ambient pads, distorted bass and slow cinematic drums, The chorus builds into bold gospel-style harmonies with rock guitars and tribal percussion, The bridge is a duet: a male voice in mock-sermon tone, and a female voice that rises in quiet power, Final chorus is an all-female choir with intense rhythm and rock energy, The outro is whispered with echo effects and soft ambient decay, The story reclaims the biblical figure of Rahab, who was called a harlot — but in truth, she was a visionary woman who saved a nation, Themes: female agency, spiritual rebellion, breaking walls of shame and control, Vibe: Mythic, Fierce, Liberated, Sacred fire on stage

Title: WASHTI Style: Cinematic Alternative Folk x Dark Chamber Pop Tempo: Slow, dramatic (60–70 BPM) Vocals: Female deep voice, minimal vibrato, emotional, Whispers layered throughout, Instruments: Minimalist piano, cello, deep kick, ambient textures, layered strings Mood: Royal, restrained, proud, emotionally raw, poetic Theme: Refusal, dignity, exile as liberation, reclaiming erased history Comparable artists: AURORA (acoustic), Florence Welch (minimalist), Lisa Gerrard

Flamenco-Blues Fusion (sensual, satirical, dramatic) Spicy, bold, seductive, theatrical, tongue-in-cheek Medium-slow with dynamic build-up Spoken-word intro → sultry verse → flamenco chorus → dramatic bridge → explosive climax chorus → whispered outro Flamenco guitar (nylon string, rasgueado + melodic arpeggios) Gritty blues electric guitar (slide, bends, expressive phrasing) Cajón + Spanish hand claps (palmas sordas and fuertes) Contrabass (walking basslines with bowed tension) Flamenco foot percussion (zapateado) Hand fan sound FX (snaps and swishes) Whispered and spoken vocals (male and female interplay) Dramatic female flamenco chorus with group “¡Olé!” responses Occasional trumpet or café ambiance for outro tone Sensual, confident, humorous, and richly expressive Flirtatious Spanish-English fusion Spoken-word sections for drama, choruses for power Smoky flamenco A woman's fire dances through the instrumentation unapologetic, fierce, theatrical, and dripping with spicy elegance

Dark soul, gospel-blues, mystical folk, Deep male lead vocal (warm, emotional, smoky), Female backing vocals (haunting, witchy harmonies), Acoustic guitar + resonant drums + gospel claps + dark choirs, Atmospheric, spiritual, slow build with powerful choruses, Smoky, ritualistic, seductive, dangerous, Mood: A pale married man unraveling under the spell of a witchy femme fatale, Mix of humor, darkness, seduction, and myth, Cinematic and soulful, like a hymn dipped in sin, Do NOT sing the brackets

The song is a slow tempo electronic pop ballad with a male and female duet, The instrumentation includes a synth pad, a piano playing arpeggiated chords, a kick drum, a snare drum, and a bass synth, The male vocalist sings in a baritone range, and the female vocalist sings in a mezzo-soprano range, Both vocalists use a breathy, ethereal tone, The song structure follows a verse-chorus format with an instrumental bridge, The chord progression is primarily minor, creating a melancholic yet hopeful atmosphere, Production elements include reverb on the vocals and a subtle delay on the synth arpeggios, The mix emphasizes the vocals, with the instrumentation providing a lush, atmospheric backing, The tempo is approximately 60 beats per minute, The key is A minor

Dark Oriental Rock / Ritual Fusion Mythic, cinematic, Sacred and fierce — moves between sorrow and fury: Slow ritual intro → builds in tension → explodes into heavy chorus → transitions between intimate whispers and explosive rage • Electric guitar (distorted, with sliding bends, uses Arabic/Hijaz scale, dynamic riffs that change between sections) • Oud & saz (melodic, echoing ancient pain) • Darbuka, riq & frame drums (pulsing tribal rhythms, ritualistic buildup — NOT repetitive!) • Deep bass guitar with movement and variation (not looped) • Bowed strings (drone + accents) • Choir of female voices (chanting + layered harmonies) • Whispers and vocal cries (sacred rage) • Flute or ney with serpent-like ornaments • Occasional electronic textures (low rumbles, cinematic impact hits) • Intro: soft, eerie whispers with sparse oud and wind FX • Verse 1: intimate vocals over slow darbuka + tremolo guitar • Pre-chorus: strings rise, bass enters with tension • Chorus: full band explodes

Symphonic power metal with modern cinematic orchestration, fast and driving tempo around 140 BPM, massive epic atmosphere, inspired by high-energy modern symphonic metal, powerful and dominant female lead vocal with sensual undertone, wide vocal range, strong chest voice and soaring highs, clean vocals only, erotic confidence and fiery intensity, heavy distorted rhythm guitars, melodic lead guitars, double kick drums, tight modern metal groove, large symphonic string sections, brass accents, epic choir layers, cinematic percussion, dramatic dynamics, explosive choruses, rising tension in pre-chorus, dark and powerful verses, triumphant and overwhelming final chorus, feeling of fire, rebirth, passion, dominance, unstoppable energy, theatrical and cinematic metal anthem, high production quality, modern and polished sound, epic and aggressive yet melodic

Create a cinematic ritual song in English titled “Hekate – She Who Opens the Gate, ” combining tribal percussion, frame drums, ambient synths, and ancient instruments like ney flute and harp, The structure includes verse, chorus, and bridge with rich dynamics, Vocals should feel mystical and feminine, ranging from breathy whispers to powerful chant-like peaks, Include ambient elements (wind, fire crackling, heartbeat FX), layered harmonies, and transitions that feel like ritual phases, Style: Ritual Pop x Ethereal Folk x Mythic Soundtrack, Think: dark goddess awakening, lunar rites, sacred feminine, The outro should be intimate, as if whispered under moonlight

Style: Hard Rock × Gothic × Warrior Pulse Length: < 1000 characters Create a fast-paced Gothic hard rock song with dominant distorted guitars and aggressive tribal drums, The rhythm is intense and marching — like an army trained to obey, Start with no ambient intro — jump straight into the first verse with full energy, Female lead vocals should be low, commanding, sharp — like someone forged in pain, precise and deadly, Include electric guitar solos with cold, slicing tone — no blues, no emotion, just fire and control, Add deep bass pulses like footsteps of power, No synths, no cinematic elements — this is raw, stripped, ruthless rock, Let the music punch forward like a strike, no dragging sections, Style: Gothic Hard Rock × Female Warrior Anthem, Tempo: Fast and relentless, Energy: Maximum, Mood: Cold dominance, Volume: Guitars +4 / Drums +3 / Vocals +3 / Bass +3

This is a high-energy rock track with a driving tempo of 140 BPM in the key of E minor, The instrumentation features a powerful drum kit, a distorted electric guitar playing heavy riffs, and a prominent bass guitar providing a strong rhythmic foundation, The lead vocals are female, delivered with a powerful, slightly raspy quality, often employing a belting technique, The song structure includes verses, a pre-chorus, a chorus, and a bridge, The melody is characterized by its anthemic quality, with the vocals often soaring over the instrumental backing, Production elements include a tight mix with the drums and bass providing a solid low end, and the guitar and vocals cutting through clearly, There is a noticeable use of reverb on the vocals and some delay effects on the guitar during certain sections

Dark ritual folk opening with cinematic build, Tempo slow–mid, haunting and ceremonial

Genre: Dark Electro-Ballad × Mythic Ritual Pop × Sensual Cinematic Fusion Style: Slow build to explosive climax, Starts with ambient textures (wind, breath, low rumbles), then builds with tribal drums, pulsing synths, distorted bass, ethereal pads, and soaring chorus layers, Vibe: Erotic, Epic, Sacred, Dangerous, Like a vampire riding a dragon through a starstorm, naked and roaring, Instrumentation: Whispered stereo FX Shimmering synths Deep tribal percussions Moaning breaths and vocal textures Electric guitar swells in chorus Strings for drama in bridge Vocal Style: Verse 1: Female voice – breathy, seductive, vampiric tone Verse 2: Male voice – husky, fiery, reverent Chorus: Both – layered, euphoric, desperate and divine

symphonic power metal, melodic metal, dark metal, gothic metal, cosmic horror atmosphere, lovecraftian dread, ritualistic orchestration, massive strings and choir, crushing yet elegant guitars, slow-burning tension, abyssal harmonies, sensual but ominous mood, female lead vocals, powerful and expressive, darkly seductive tone, corrupted elegance, otherworldly presence, cinematic, dramatic, epic, oppressive, mysterious

Ritual multilingual birthday ballad in three acts: (1) Hebrew biblical lament with oud, duduk, and ambient desert drones, ending with a full vocal “Happy Birthday” over oriental strings, (2) Sensual Greek myth passage in ancient Greek and English, with lyra, dark ambient orchestra, and mystical echoing choirs, leading to another vocal “Happy Birthday”, (3) Dramatic Argentinian tango with Spanish lyrics, piano and bandoneon, ending with full performance of “Happy Birthday” in concert tango style, Emotional lirico-spinto male tenor voice, textured expression, Clip Volume +4, Skip the overture — open with voice, raw and immediate, like a blade through silence, ‑Vocalizations Wordless Vocals Intro Vocals Female Vocals Choral Harmonies AI speaking voices

Style: Dark electronic, witchwave, satirical, dramatic Vocals: Duet – Male vocal: cold, authoritative, spoken-sung, British accent, lecturing tone – Female vocal: confident, ironic, melodic, British accent, restrained sarcasm Mood: Satire, tension, irony, power reversal Tempo: Mid-tempo (100–115 BPM) Production: Atmospheric intro, minimal verses, heavy dark chorus, electronic pulse, choir textures, wind and fire sound effects Theme: Witch vs, Witch-Hunter, mansplaining, moral authority, irony Structure: Spoken intro, alternating verses, strong female chorus, dramatic outro

This is a high-energy rock track with a driving tempo of 140 BPM in the key of E minor, The instrumentation features a powerful drum kit, a distorted electric guitar playing heavy riffs, and a prominent bass guitar providing a strong rhythmic foundation, The lead vocals are female, delivered with a powerful, slightly raspy quality, often employing a belting technique, The song structure includes verses, a pre-chorus, a chorus, and a bridge, The melody is characterized by its anthemic quality, with the vocals often soaring over the instrumental backing, Production elements include a tight mix with the drums and bass providing a solid low end, and the guitar and vocals cutting through clearly, There is a noticeable use of reverb on the vocals and some delay effects on the guitar during certain sections