3:35

The Taste of Blood
v4.5+
hardcore, palm muted intro, clap on downbeat, nu-metal, deep gritty bass, wall of sound, heavy drops, horrorcore, deep and dark sound, gritty and rhaspy male voices, produced studio level sound that wraps around the listener, dynamic sound that pans and envelopes, the sound should make use of manipulating the listener's attention and direction of that attention, heavy distortion, deeply melodic, vocal layering, angry, deep bass drops, ‑live performance, ‑ad libbing
3:27

hardcore, palm muted intro, clap on downbeat, seductive female voice, nu-metal, deep gritty bass, wall of sound, heavy drops, horrorcore, deep and dark sound, produced studio level sound that wraps around the listener, dynamic sound that pans and envelopes, the sound should make use of manipulating the listener's attention and direction of that attention, heavy distortion, deeply melodic, vocal layering, angry, deep bass drops, ‑live performance, ‑ad libbing
3:28

nu metal, hardcore, male vocals, screaming, angry, minor key, sinister, a male sings in a baritone voice with a raspy delivery, The choruses are very catchy and melodic with a memorable melody, Screaming is reserved for only really edgy lines of the lyrics and are delivered with a lot of anger
4:52

hardcore, nu-metal, deep gritty bass, wall of sound, heavy drops, horrorcore, deep and dark sound, gritty and rhaspy male voices, produced studio level sound that wraps around the listener, dynamic sound that pans and envelopes, the sound should make use of manipulating the listener's attention and direction of that attention, heavy distortion, deeply melodic, vocal layering, angry, deep bass drops
3:42

Chiptune, Nu Metal, Hip Hop, Female Voice, slow pace, Minor Key
3:19

nu metal, hardcore, male vocals, screaming, angry, minor key, sinister
3:42

Hungry
v5
hardcore, nu-metal, deep gritty bass, wall of sound, heavy drops, horrorcore, deep and dark sound, gritty and rhaspy male voices, produced studio level sound that wraps around the listener, dynamic sound that pans and envelopes, the sound should make use of manipulating the listener's attention and direction of that attention, heavy distortion, deeply melodic, vocal layering, angry, deep bass drops


