3:22

Upbeat psychedelic song in a tense minor key, driven by thick sub-bass and a resonant analog bass synth, High-fidelity phone-recorded lead runs through close-miked bathroom acoustics, natural tile reverb, phased delay trails, tape echo, and stereo chorus, Crisp high-end detail, cramped room tone, and hypnotic neo-psychedelic groove
3:30

Sideways
v5.5
Deep psychedelic bass-driven track with a high-fidelity phone-recorded lead texture, warped through close-miked bathroom acoustics and natural tile reverb, Thick sub-bass, resonant analog bass synth, phased delay trails, tape echo, and stereo chorus create a hazy neo-psychedelic sound with crisp high-end detail and a cramped, reflective room tone
3:22

Addicted
v5.5
Deep psychedelic bass-driven track with a high-fidelity phone-recorded lead texture, warped through close-miked bathroom acoustics and natural tile reverb, Thick sub-bass, resonant analog bass synth, phased delay trails, tape echo, and stereo chorus create a hazy neo-psychedelic sound with crisp high-end detail and a cramped, reflective room tone
3:53

Hold it Close
v5.5
Tense major key, high pitch neo-psychedelic groove with thick sub-bass and a resonant analog bass synth anchoring the low end, High-fidelity phone-recorded lead vocals cut through close-miked bathroom acoustics, natural tile reverb, phased delay trails, tape echo, and stereo chorus, Crisp high-end detail, cramped room tone, plus percussive spoken phrasing and clipped consonants woven into the rhythm
3:59

Lo-fi psychedelic soft pop with woozy tape warble, slapback echo, and hazy spring reverb, Clean fingerpicked electric guitar, muted analog bass, brushed drums, Mellotron-style pads, and doubled vocal harmonies drift through a gently detuned mix with dreamy chorus, soft stereo panning, and clash/crescendo on each chorus
3:14

Too Many Lies
v5.5
Upbeat psychedelic song in a tense minor key, driven by thick sub-bass and a resonant analog bass synth, High-fidelity phone-recorded lead runs through close-miked bathroom acoustics, natural tile reverb, phased delay trails, tape echo, and stereo chorus, Crisp high-end detail, cramped room tone, and hypnotic neo-psychedelic groove
3:08

Roll Up
v5.5
Upbeat psychedelic song in a tense minor key, driven by thick sub-bass and a resonant analog bass synth, High-fidelity phone-recorded lead runs through close-miked bathroom acoustics, natural tile reverb, phased delay trails, tape echo, and stereo chorus, Crisp high-end detail, cramped room tone, and hypnotic neo-psychedelic groove
3:16

Cherenkov Blue
v5.5
Neo-pop ballad at 70 BPM in a minor key with conversational lead phrasing, glossy synth-pop chords, hazy chorus-drenched electric guitar, and guitar synth lines, Pulsing 808 sub-bass, tight electronic kicks, crisp claps, off-kilter percussion, and finger snaps, Intimate rasped vocal with slapback delay, breathy doubles, wide harmony stacks, and long-drawn chorus phrasing for a dreamy psychedelic mood
3:29

The Fall of Us
v5.5
Alternative hip-hop with dubby trip-hop drums, lo-fi drum machine snaps, and a stumbling-to-steady groove that locks in by the chorus, Thick sub-bass, distorted synth stabs, wah guitar, Mellotron pads, and glitchy vocal chops over a dry, punchy mix with tape hiss and spacious delays
3:51

Unread Messages
v5.5
Alternative hip hop with indie rock edge, trip-hop drums, dubby bass, and warped synth hooks, Slurred vocal doubles, lo-fi guitar skanks, talkbox-style accents, and echo-laced background chants, Punchy drum machine groove, wide stereo delays, gritty tape saturation, and roomy reverb for a hazy, animated texture
3:10

Dont Sweat It
v5.5
Genre-blending alternative hip-hop at half volume: dubby sub-bass, crunchy programmed drums, and lo-fi guitar chops over wavering synth pads, Warped vocals through talkbox, delay, and tape saturation, Trip-hop verses, pop-hook choruses, oddball electronic textures, gritty low-end, off-kilter groove, psychedelic funk
3:37

Smoke Steady
v5.5
Alt-pop with glitchy hip-hop drums, woozy synth bass, and off-kilter sampler loops, Heavy falsetto lead vocal doubled in octaves, drenched in delay and tape echo, with chopped backing chants, Clean electric guitar, muted keys, and spacious stereo panning create a hazy, left-field groove
