House 33 30/01/326

Cinematic melodic house at 122 BPM opens with a minimal intro: deep warm bass, punchy clean kick, soft grooving percussion, and subtle sidechain, Analog-tinged melodic leads emerge early, supported by gentle arpeggiated synths and wide filmic pads, Male vocals—whispered and lightly sung, drenched in lush reverb and delay—glide through the stereo field, intimate yet spacious, The sound builds to a strong emotional drop with immersive pads and a rich groove, then transitions into a smooth, restrained breakdown, The finale brings a clear, impactful resolution, all crafted with studio-quality precision and a nocturnal, late-night city vibe, MABG Style signature ©

ambient, uk garage, dolby atmos, sfx, THX, electronica, 2-step

A sultry dub club track infuses synthetic afrobeat percussion with hypnotic bass and lush synth pads, Tight rhythmic guitar flickers add color, while delicate male vocals glide over the groove with an intimate, playful delivery, Breakdown sections introduce processed vocal samples and arpeggiated keys, amplifying the erotic tension before surging into dance-ready choruses with layered percussion and pulsing electronic textures

Elegant after-hours deep house rework with a classy, nocturnal vibe, 120 BPM, steady hypnotic groove, Deep rounded kick, smooth sidechained bassline, minimal but warm percussion (shakers, rim, ghost claps), Jazzy piano motifs filtered and evolving, lush atmospheric pads replacing orchestral strings, Male vocal is the centerpiece: seductive, intimate, confident, with whispered ad-libs, subtle vocal chops, delays, and reverb tails, Chorus hook repeats with restrained energy, no festival drops, pure late-night club elegance, Sophisticated, smooth, cinematic, modern, MABG Style signature ©

Grindhouse Rock, Aggressive Snarled Vocals, Raspy, Gritty, Growling

THX, Eurodance 90s, Eurobeat, eurodance rap, melodic, anthemic, driving, uplifting yet hopeful, teenage female vocals, J-Core, catchy, studio-quality, vocal overlaps, reverb, Lyrics about a teenage romance and finding the courage to phone your crush, Music reminescent of old telephone and dialing a phone number

studio early-90s grunge song in E mixolydian at 150BPM, 4/4, built on one relentless power-chord riff E5–D5–A5–E5 for intro, verses, choruses, break and outro, two distorted electric guitars (one main riff, one noisy stabs and short chaotic fills), bass doubling the riff with tight root punches and occasional anticipations, fast rock drums with big dry snare, constant hats and tom bursts, very dry urgent mix with light plate on vocals/snare, lead vocal is a chest-heavy baritone slightly ahead of the beat, shouted and half-sung with machine-gun phrasing, second higher voice barks “OATH!” “NO!” “YOU!” and doubles last words in choruses and break, lyrics are confrontational and morally intense about complicity and signing away responsibility through silence, using short declarative lines, slant rhyme and repetition around the word “OATH, ”with a frantic spoken-style break over the riff and an abrupt hard-stop ending, studio-quality

smooth, southern baritone male vocals, country, Americana, acoustic guitar, country drums, upright bass, banjo, and fiddle, a love ballad

Industrial Metal, Dark Western, Steampunk, Cowboy Frostpunk anthem, industrial metal, Western, country metal, frozen West ambient, Cowboy Style Song, Train Sounds, português brasileiro, keep melody and style, follow the lyrics em português [IS_MAX_MODE: MAX] (Max) [QUALITY: MAX] (Max) [REALISM: MAX] (Max) [REAL_INSTRUMENTS: MAX] (Max) [DYNAMICS: WIDE] (Wide)

A male trio with tight harmonies, a dark dense fusion of prog grunge metal guitar textures, processed through unconventional effects, collides with glitchy electronic elements and folky, sampled acoustics, Irregular, pulsing rhythms and stuttering synths contrast with abrupt drops into eerie, spacious breakdowns, The structure rotates between explosive riffs, hypnotic folktronica interludes, and sonic experimentation, anchored by thunderous bass and unpredictable percussive layers

75–80 BPM, C minor, Light, syncopated hand drums, Occasional shakers, Warm, deep sub-bass to anchor the groove, Soft electric piano, Sparse chords to leave space for vocals, airy synths for texture, Gentle reverb to make it feel spacious, female vocals

A deep house / nu-disco fusion at 120–124 BPM, built on a warm, pulsing sub-bass with round low end and sidechain movement, Tight kick, soft shaker-clap groove, and minimal percussion hold a subtle, nocturnal energy, Atmospheric pads with phaser, gentle muted synth stabs, and delayed vocal chops create hypnotic rhythm, Moody piano and filtered, low-passed wah guitar add cinematic textures, The flow moves from alluring intro into locked groove, drops into a seductive late-night breakdown, then lifts subtly to a restrained, polished finish, The wide, clean mix feels intimate and confident—elegant, midnight, neon-lit, perfect for after-hours sophistication, MABG Style signature ©

crushing, relentless, epic

jangle-pop, indie rock, high-tempo, uptempo indie rock, high and low vocal energy, emotional, 90s feel, energetic drums, hazy wall-of-sound guitars, shimmering fuzz distortion, bright melodic basslines, dual soft female vocal harmonies, syllable pronunciation, linger vocal words, minimal punchy riffs, separate electric guitar, lush reverb-drenched vocals, beachy summer atmosphere, nostalgic yet upbeat mood, catchy pop hooks buried in noise, warm lo-fi production with polished melodic clarity

Experimental contemporary dark alt art-pop blended with avant-R&B, chamber electronica, post-club minimalism, and vocal-driven sound art, Led by an expressive female vocal that shifts between intimacy and rupture, prioritizing emotional exposure through close harmonies, fragile unisons, and sudden interval fractures, Dramatic, non-linear key changes function as emotional events rather than smooth modulation, Instrumentation avoids standard pop palettes: prepared piano, bowed metal, detuned mallet instruments, breathy low woodwinds processed into drones, modular synth textures with organic instability, and percussive sounds sourced from non-traditional objects, Rhythm is implied rather than fixed, appearing briefly, dissolving early, or slipping sideways, Background vocals act as internal voices, sometimes shadowing, sometimes resisting the lead, The mood is luminous, unstable

At 115 BPM, Dub techno elements provide deep, spacious atmosphere in the background with reverb-soaked chords and delays, Powerful, theatrical, and sensual, GYNNIFER B, raspy female vocals

Trap core, drum paced, deep house energy, pop atmosphere, fusion static, reverb vinyl

Uplifting Nu-Disco with Gospel & Dance-Pop elements, Instrumentation: Funky disco bassline, tight four-on-the-floor kick, claps and hand percussion, rhythmic electric guitar, warm analog synths, bright stabs, filtered pads, subtle strings, risers and drops, live-feel piano for gospel moments, Vocals: Emotional lead vocals in duet style (male and female), expressive and warm; mixed-gender gospel choir for choruses and call-and-response (“We S-S-C U / We see you”), layered harmonies, occasional spoken ad-libs, Mood: Joyful, inclusive, hopeful, celebratory, communal, inspiring, springtime energy, global unity, friendly competition, Tempo: 122 BPM, steady danceable groove, Key: G Major key, Structure Notes: Anthemic chorus, uplifting pre-chorus lift, breakdown with gospel choir, disco drop, strong final chorus with full choir, Celebratory, uplifting, party vibes

darksynth, Electronica, male vocals with feminine qualities and higher pitched, pulsating atmospheric synths

Nigerian Pidgin English, Yoruba, Hard Amapiano, Global Bass, Peak Time Arena Banger, Massive Festival Anthem, Thunderous Log Drum, Aggressive 808 Sub Bass, Electrifying Lead Synths, Talking Drum Percussion, Heavy Groove, Explosive Drop, Vocal Chops, Pitch Shifted Hooks, Stutter FX, Complex Percussion Layers, Wide Stereo Imaging, Crystal Clear Production, Studio Quality, Mastered for Loudness, Intense Build-ups, Swag Attitude, Confident Male Vocals, Driving Syncopated Groove, Dancefloor Destroyer, Viral Hit Potential, Heavy Bass, Hypnotic Rhythm, Big Room Energy, Unique Sound Design, Polished Sound, Dynamic Transitions, Punchy Kick, Clean Transients, Future Afro-Tech

male vocals, sludge, heavy shoegaze, rock

Crushing, Relentless, Epic, Grindhouse Rock, Aggressive Female Vocals, Growling, Death Metal

Dr, Suno Experimental

Sophisticated 2025 Breakbeat-Pop, Electro-Pop, Dance-Rock, Funky Bassline, Punchy Drum Machine, Sidechained Pads, Arpeggiated Synths, Catchy Hooks, Modern Club Energy, Male Vocals, Wah-Wah Synths Pedal, PsyFunktronica track micro pitch-shifts inject tension and unpredictability, cosmic wah-wah space disco, while vocoded hooks interplay with slap drums & claps riffs, rapid-fire speed rock-pop bars ride syncopated hip-hop drums and breakbeat fills, driving high-energy vocal sections and blending raw lyrical delivery with hypnotic loops, and maximal impact create a fully immersive sonic groove meets hyper-lyrical rap fire, with catchy spy motifs, cinematic hits, enhancing dramatic tension and futuristic elegance, bedroom-produced grungegaze, catchy, psychedelic, with acoustic tape recording and lo-fi aesthetics

Epic symphonic power metal track with a cinematic fantasy atmosphere, The arrangement features a driving double-bass drum pattern, fast-paced power chord progressions on distorted electric guitars, and a prominent orchestral layer including soaring strings and brass, The song begins with a folk-inspired acoustic guitar and flute intro before transitioning into a high-energy metal anthem, The vocals are performed by a powerful male tenor with a wide range, utilizing operatic vibrato and dramatic delivery, The structure includes a melodic verse, a grand choral-style chorus with layered vocal harmonies, and a technical guitar solo, The tempo is fast, approximately 160 BPM, set in a minor key to evoke a sense of heroic struggle, Production is polished with a wide stereo field, heavy compression on the drums, and lush reverb on the orchestral elements

Zef, Fast Aggressive Pacing, Minimal Bass Heavy Beat, Industrial Club Groove, Zef Aesthetic, Dark Playful Tone, Female Lead Vocal, Strong South African Accent, Spoken Word Rap Delivery, Sharp Rhythmic Cadence, Cheeky Provocative Attitude, Attitude Forward Performance, South African Accent, Afrikaans Accent, Female Vocals

Cocky male vocals, sinfull country/hip-hop EDM, percussions, dilf play, naughty core hooks, reverb, spice poison, rough

Darksyth driven- eleceo-chillwave, mid-tempo, hypnotic arps (like gated, bouncy synths) under the choruses, seductive moody, soft male vocals with feminine qualities and higher pitched, Percussion Slow, chopped hi-hats + muffled kicks, Add some stuttering snares for emotional hits, FX Use lots of reverse reverb, distant whispers (vocal chops) for the ghostly "you" mentions, darksynth-driven chillwave, Lead Synth, Use a dark, resonant saw wave with lots of reverb + delay Make it melodic but with a "falling" feel (like it's sinking into sorrow), Bass Distorted, pulsing sub-bass for the "consumed" parts, Lo-fi, gritty for the verses, Pads Ambient, eerie textures

Happy Hard Dance x Urban Merengue, 160 BPM, high-energy rave Latin fusion, heavy hardcore kick, syncopated merengue percussion, off-beat bouncy bassline, bright euphoric synth lead, Latin brass stabs, pitched-up playful female vocals with hype male shouts, crowd chants, 90s rave + modern urban club energy