Singles by Baiint Records

funk, Silky neo-soul groove with lush Rhodes and liquid bass, female vocals, Verses stay intimate and smoky over gently syncopated drums; chorus lifts into big, belted pop-soul hooks with stacked harmonies and sharp brass stabs answering key phrases, Bridge swells with gospel-flavored organ, tambourine, and call-and-response backgrounds, building to a dynamic, improvised-feel vocal outro as the band pushes harder, then lands on a warm, lingering chord, gentle, vocal, pop, soaring, soul, dynamic, gospel

House Remix, Gen Z Pop, Robotic Vocal chops, Vocoder

rock, High-energy bar-band rock groove, crunchy overdriven guitars, walking bass, and tight live drums; male vocals with a wink and a snarl, gang shouts on the hook, Verses stay punchy and rhythm-driven; chorus explodes into big, chantable lines, Brief guitar lick responses to key phrases, with a playful, bouncy feel across the whole track, male vocals

rock, High-energy 1950s rock ’n’ roll with slapback guitar, upright bass walking hard on the 1, and pounding piano triplets, Male vocals, hot and breathy, with call-and-response “shoo-bop” backing, Choruses explode with tambourine hits and gang shouts; short guitar lick between sections keeps it dancing, Mix is bright, snappy, and stage-ready

dance, Hyper-polished K-pop-style production at 137 BPM with bright digital synth hooks, tight sidechained bass, and snappy dance drums, Female vocals in the verses stay airy and playful over layered synth plucks; chorus explodes with stacked harmonies, wide pads, and shimmering arps, Bridge drops to a brief, intimate spoken section over a spotlighted traditional Korean motif before slamming back into a final, extended chorus with ad-libs, octave doubles, and a last-hit slow-down, spoken word, beats, pop, soaring

Cinematic 1960s space-age pop, swinging lounge drums, lush strings and brass, vibraphone sparkle, clear female vocals, ‑modern trap, ‑brostep, ‑harsh metal, ‑lo-fi muffled, ‑distorted punk

Timeless gospel, 1960s Gospel, Hammond organs, church organ swells, handclaps and stomps, powerful belted female lead, big choir call-and-response, uplifting peak, ‑EDM drops, ‑trap hi-hats, ‑autotune pop, ‑metal guitars, ‑lo-fi haze

pop, Big 1980s art-pop sheen: gated drums, glossy synth stabs, chiming chorus guitar, male vocals soaring in the hook, Verses are tight and rhythmic over pulsing bass; chorus explodes with stacked harmonies and bright pads, Bridge drops to toms and arpeggiated keys, then slams back into a final, extended chorus with ad-libbed top lines, art pop

pop, High-energy German Schlager pop with bright synth brass, pumping four-on-the-floor kick, and big festival claps; female vocals riding a playful, slightly cheeky melody, Verses stay tight with rhythmic acoustic guitar strums, pre-chorus adds rising strings and tom fills, and the chorus explodes with gang vocals on the hook and shimmering pads, Short middle break strips to kick, bass, and crowd chants before a final, key-lifted chorus, schlager, female vocals

pop, Eerie cinematic gothic pop; sparse felted piano and distant, detuned music-box chimes in the intro, breathy female vocals very close-mic’d, Verses ride a bed of dark analog synth pads, subtle pizzicato strings, and low, pulsing percussion, Choruses swell with stacked harmonies, dramatic toms, reverse cymbals, and haunting choir swells, Bridge leans into whispered doubles, spectral delays, warped pitch FX, and swarming strings, cresting into a chilling, full-throttle finale that cuts to a fragile, lingering tail, female vocals, breathy, dramatic

pop, Grand cinematic pop banger with female vocals, lush strings in octaves, bold brass stabs on syncopated hits, and booming orchestral percussion, Verses stay sultry and low over pulsing bass and pizzicato, choruses erupt with soaring top-line, stacked harmonies, and shimmering pads, Bridge adds swirling synth arps and filtered drums under sweeping strings, then explodes into a starry, full-orchestra finale with choir-like backing vocals and a long diva belt on the last hook, dynamic, electronic, orchestral, dramatic

pop, Lush 1960s space‑age pop fantasia: glistening vibraphone and swirling strings set a dreamy intro, brushed drums and upright bass in a gentle, swaying pocket, Warm male baritone leads, with mellow brass answering phrases, Analog synth layers bloom in the pre‑chorus, then a soaring, harmony‑rich chorus lifts off like vintage lounge on a rocket, Outro drifts into a hushed celestial lullaby with close‑mic’d harmonies and soft vibraphone shimmer, rich, warm, soaring, mellow, harmony

Moody Italo disco with shimmering arps, steady four-on-the-floor kick, and throbbing bassline, Male vocals, smoky and emotional, Verses stay restrained with tight analog synth chords and soft claps; chorus blooms into bright pads, octave leads, and stacked gang-style hooks, Subtle tom fills and filtered sweeps lift each section, ending on a long reverb tail and fading sequencer, disco

Passionate 1980s Freestyle, 1980s Dance-Pop, 1980s Synth-Pop, 1980s hi-NRG

Fast-paced Regional Mexicano with bright accordion lead, driving bajo sexto, and tuba locking in a tight polka groove; snappy trumpets hit call-and-response phrases, Verses stay clipped and witty, room for swagger in male vocals; choruses explode with stacked male harmonies, playful ad-libs, and quick-stop breaks to highlight punchlines, accordion, vocal, playful, polka

1950s Nashville ballad with hoarse-voiced female lead, slow swaying tempo, lush pedal steel swells, upright bass walking softly under brushed snare and gentle piano, Verses stay intimate and close-mic, almost whispered; chorus blooms with warm choir harmonies and wide, orchestral countermelodies from steel and piano, Subtle slapback on the vocal, reverb on the choir, classic tear-in-a-beer heartbreak arc building to a final held note that hangs in the air, gentle, female vocals, nashville sound

funk, 1960s space-age pop, warm baritone vocals, Lush string pads gliding over vibraphone arpeggios and playful brass swells; gentle bossa groove on brushed kit, shaker, and upright bass, Airy “ahh” backing vocals soften the choruses, with a bright, starry middle eight that introduces vintage cosmic synth flourishes and wordless cooing harmonies before returning to a close, intimate final verse and hushed outro, warm, soaring, gentle, playful, bossa nova, pop

pop, Festive synth-pop jam with bright female vocals; glittery arpeggiated synth hooks on the verses over tight electronic drums and a pulsing sidechained bass, Pre-chorus gently widens with climbing pads and claps, then the chorus explodes into stacked harmonies, singalong topline, and big synth stabs, Second half adds countermelodies and a brief instrumental break before the final, punchy chorus outro, female vocals, electronic, bright, playful

pop, Orchestral power pop ballad; female vocals, Intro of delicate piano and close-mic’d strings, brushed pop drums barely present, Verses lean on woodwinds, soft timpani swells, warm plate reverb on vocal, Chorus explodes with bright brass stabs, soaring string lines, electric guitar doubling the top melody, and a driving rhythm section pushing forward, Emotional bridge strips to low strings and piano under her raspy, impassioned belt, then a massive full-orchestra build into one last sustained, cathartic high note that hangs in the hall, emotional, ballad, soaring, orchestral, electric, dramatic, female vocals, gentle, power pop

pop, Italian Sanremo-style orchestral power pop ballad; female vocals, Intro of delicate piano and close-mic’d strings, brushed pop drums barely present, Verses lean on woodwinds, soft timpani swells, warm plate reverb on vocal, Chorus explodes with bright brass stabs, soaring string lines, electric guitar doubling the top melody, and a driving rhythm section pushing forward, Emotional bridge strips to low strings and piano under her raspy, impassioned belt, then a massive full-orchestra build into one last sustained, cathartic high note that hangs in the hall, emotional, ballad, soaring, orchestral, electric, dramatic, female vocals, gentle, power pop

Swinging 1960s orchestral cabaret; husky female vocals, Snappy big-band brass over walking upright bass and playful piano comping, with fluttery woodwinds and lush strings answering vocal phrases, Verses stay tight and talky, half-spoken patter in the pocket; chorus bursts wide with bold horn stabs, bright choral backing, and a wink of “showtime” modulation, Bridge leans into silky violins, pizzicato teasing the rhythm, then a final key lift and all-in band button ending, playful, orchestral, cabaret, choral, clever, brassy, female vocals, big band, musical

1960s Orchestral Cabaret, 1960s Musical Theatre

1960s orchestral cabaret musical theatre; powerful female vocals with theatrical delivery backed by a warm supporting choir, Intro features sweeping strings, playful woodwinds, and bold brass flourishes setting a lively stage atmosphere, Verses driven by piano, upright bass, and light percussion with expressive phrasing and dynamic vocal storytelling, Pre-chorus builds with rising strings and subtle brass swells, Chorus expands into full orchestration with bright brass hits, lush string sections, choir harmonies, and a strong rhythmic foundation, Instrumental breaks highlight jazzy piano runs and brass interjections, Bridge softens into intimate piano and strings before gradually building with choir entrance, Final chorus is grand and triumphant with full orchestra and layered vocal harmonies, outro ends with classic big band style brass stabs and a theatrical finish, elegant, witty, uplifting, dramatic, vintage, rich, expressive, theatrical, timeless

Cinematic Pop, Ukulele, backing choir harmonies

space-age pop, theremin glissando, modular synth arpeggios, analog string machine, brushed snare accents, tape echo, spring reverb, stereo widening, chrome sheen, filtered bassline, vibraphone plucks, pedal steel swells, phased Rhodes, four-on-the-floor pulse, lift-and-release build, retro-futurist shimmer

Arabic pop, contemporary Middle Eastern pop, oud tremolo, qanun plucks, darbuka hand drums, riq accents, microtonal synth lead, string ensemble stabs, doumbek rolls, sidechain pumping, glossy plate reverb, halftime breakdown, club-ready lift, dramatic uplift, call-response claps, layered percussion, rising refrain

1960s Cabaret, 1960s Musical Theatre, playful, orchestral, cabaret, choral, clever, brassy, male vocals, big band, musical

Upbeat 1960s R&B girl group vibe at 137 bpm, launching with jangly guitars, tambourine, and crisp snare, Vibrant vocal harmonies dance over walking bass and bright piano riffs, Punchy call-and-response choruses give way to dynamic, handclap-driven bridges and a bold horn section

pop, Glossy 70s disco with female vocals, tight four-on-the-floor groove and rubbery bass; clipped Chic-style guitar over bright strings and punchy horn stabs, Verses stay nimble and sassy, call-and-response chorus with stacked girl-group harmonies and crowd-style ad-libs, Breakdown drops to syncopated percussion, filtered talkbox hooks, and handclap patterns before the full band slams back in for a jubilant final refrain, female vocals, bright, beats, romantic, soaring, playful, disco, funky

British Female singer, Italian orchestral power pop ballad with electropop pulse, close-mic strings, synth bass, crisp drums, brass hits, cathartic chorus, female vocals, electropop, pop, Italian Sanremo-style orchestral power pop ballad; female vocals

pop, Maximalist 2000s Swedish schlager pop banger: bright sidechain synth stabs, glittering disco strings, huge four-on-the-floor kick with clap stacks, Female vocals, bold and elastic, living in that belting upper register on the choruses with sugary gang harmonies on hooks, Verses are tight and sassy over leaner production; pre-choruses climb with modulating chords and rising pads, Big key changes into the final chorus and outro, with modulated string runs, stacked vocal ad-libs, and a triumphant, shimmering finish, bright, dramatic, soaring, schlager, female vocals

High-energy 1990s eurodance meets modern gym trap-pop; four-on-the-floor kick with snappy claps and rolling bass, bright supersaw stabs, short swagger rap-sung verses, chanty pre-chorus call-and-response, massive anthemic chorus hook, Add modern 808 fills and risers, then a halftime breakdown for breath and attitude, before slamming back into a peak final chorus with ad-libs and crowd-style shouts; confident, cocky, focused workout energy, ‑slow ballad, ‑lo-fi chill, ‑acoustic folk, ‑sad indie, ‑death metal, ‑harsh noise, ‑spoken word only, ‑ambient drone, ‑overly comedic novelty

Dusty lo-fi lullaby with music box plucks, soft sidechain pads, vinyl hiss, and intimate female vocals right up on the mic, Verses stay hushed and conversational; chorus blooms with layered harmonies and a subtle bass swell, Gentle rim clicks, brushed snare, and distant reversed synths give it a dreamy, late-night scroll feel, female vocals, lo-fi

Swinging 1960s orchestral cabaret; husky female vocals, Snappy big-band brass over walking upright bass and playful piano comping, with fluttery woodwinds and lush strings answering vocal phrases, Verses stay tight and talky, half-spoken patter in the pocket; chorus bursts wide with bold horn stabs, bright choral backing, and a wink of “showtime” modulation, Bridge leans into silky violins, pizzicato teasing the rhythm, then a final key lift and all-in band button ending, playful, orchestral, cabaret, choral, clever, brassy, female vocals, big band, musical

A feverish 1980s Dance-Rock/New Wave track at 150 bpm in D minor, opening with chorus-drenched guitars and syncopated stabs, taut slap bass, and pulsing gated drums, Breathy, raspy male vocals thread through new wave synth leads and noisy reverse swells, with sly falsetto lifts, Backing “ooh-whoa” stacks ride big, stereo guitar interplay, The bridge shifts to F major, led by arpeggiators and filtered percussion, A breakdown filters everything but whispered lines, then bursts back with a huge tambourine crash for the final chorus, using sharp vocal delays and a punchy, snappy snare to enhance the song’s chaotic, playful romantic energy

High-energy 1960s surf pop; bright, twangy, reverb-soaked guitars in rapid-fire unison riffs, slamming tom-heavy drums, and pulsing bass, Male group vocals in tight stacked harmonies, lots of call-and-response shouts, Verses ride a quick, bouncy pocket; chorus explodes with big “whoa-oh” gang vocals and handclap accents, Short instrumental breaks spotlight guitar runs between sections, rapid, pop

Grand cinematic pop banger with female vocals, lush strings in octaves, bold brass stabs on syncopated hits, and booming orchestral percussion, Verses stay sultry and low over pulsing bass and pizzicato, choruses erupt with soaring top-line, stacked harmonies, and shimmering pads, Bridge adds swirling synth arps and filtered drums under sweeping strings, then explodes into a starry, full-orchestra finale with choir-like backing vocals and a long diva belt on the last hook, dynamic, electronic, orchestral, dramatic

upbeat club dance pop with Arabic pop crossover; male vocals, Intro with filtered synths and distant vocal chops, punchy electronic drums with a driving four-on-the-floor beat, Verses feature minimal bass groove with rhythmic vocal phrasing and subtle Middle Eastern melodic ornaments, Pre-chorus strips back with atmospheric pads and tension risers, Chorus hits with a massive drop, layered synth leads, catchy vocal chants, and deep sub bass, Post-chorus includes chopped vocal hooks designed for looping, Dance break introduces Arabic percussion elements like darbuka and claps with hypnotic rhythm, Bridge pulls back to airy textures and emotional vocal delivery before building into a final explosive chorus, energetic, playful, addictive, rhythmic, club-ready, modern pop, male vocals, vibrant, danceable, euphoric

German Schlager pop, Volksmusik, High-energy German Schlager pop with bright synth brass, pumping four-on-the-floor kick, and big festival claps; female vocals riding a playful, slightly cheeky melody, Verses stay tight with rhythmic acoustic guitar strums, pre-chorus adds rising strings and tom fills, and the chorus explodes with gang vocals on the hook and shimmering pads, Short middle break strips to kick, bass, and crowd chants before a final, key-lifted chorus, schlager, female vocals

Playful 1940s Samba, 1940s Samba Pop, parrot squawks, Festive 1940s Samba-Choro, Female soprano, Cavaquinho, flute, piccolo, pandeiro, surdo, bandolim, muted trumpet, upright bass, cuíca, clarinet, tamborim, accordion, vocal adlibs, Vintage tape warmth, vibrant percussion mix, crowd ambience, parrot squawks, playful call-and-response

High-energy trap-pop banger with swaggering Latino male vocals, sharp syncopated hats, and booming low-end, Verses stay tight and rhythmic over sparse stabs; choruses explode with stacked hooks, siren-like risers, and wide stereo claps, Bridge dives into a cavernous bass drop with chopped vocal phrases swirling and filtering before a final, triumphant hook, Pop rap, male vocals, vocal, deep, smooth

Art-pop, Shimmering psychedelic art-pop, Female vocals; phased guitars swirl around a rubbery bassline and dusty analog synths, Verse sits intimate and whispered, close-mic, with soft brushes on the snare; chorus blooms wide with stacked harmonies, saturated pads, and a sticky, syncopated hook, Middle section gets woozy with tape-delay vocals and filter sweeps, then snaps back into a tight, danceable outro, female vocals

Baroque pop and grand cinematic pop at a midtempo pulse with a repetitive beat, harpsichord sparkle, plush strings, and a low plucked bass; verse stays sparse with close-mic sultry female vocals and tiny piano figures, pre-chorus opens into stacked harmonies, chorus blooms with handclaps and a chanty hook, then a dance break strips to drum groove and vocal chops before a hushed breakdown, Glossy, opulent, wide mix, female vocals, baroque, pop