2AMBluescreen

Instrumental only, 82 BPM, 4/4, Cinematic noir trip-hop meets minimal, phasey electronica with DJ-style turntablism, Dirty break layered with a tight live kit (tape-saturated, roomy), deep mono sine-sub + gritty picked bass, detuned Wurlitzer/electric piano through band-passed dub delays, glassy polysynth doing a 5-over-4 ostinato (subtle nod to odd-meter feel, but keep the grid 4/4), Vinyl crackle + city field texture low in mix, DJ elements: transformer cuts, chirps, flares, baby scratch fills; tasteful spinbacks at section turns; no tonal sample quotes, Brooding post-rock guitars = low-passed, wide, textural only (not lead), Mix: dark plate on guitars, long stereo autopan on keys, parallel drum crush, mono’d sub <100 Hz, gentle bus glue 2:1, Vibe: late-night freeway, vapor lights, slow tension → release, Form (longest duration): Field-noise intro (8) → Verse A groove (16, minimal drums; side-chained keys) → Chorus lift (16, open hats, bass variation; scratch fills on bar 8 & 16) → B

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

trip-hop x big beat, 108 BPM, 4/4, A Dorian; UNKLE mood—cinematic strings/pads, dusty break loops, chunky vinyl drums, saturated Reese/sub, grimy guitar stabs, filtered/phase synth arps, tape hiss + analog delay throws; nocturnal, introspective, urban; vocal = intimate, breathy lead with tight doubles only on the hook, mild distortion/telephone layer tucked; wide stereo but center-anchored kick/bass; punchy bus comp, gentle tape grit; avoid trap hats, EDM supersaws, talky spoken-word, bright pop gloss

big beat x breakbeat, 122 BPM, 4/4, A Dorian; UNKLE + Chemical Brothers energy—crunchy layered breaks, distorted Reese/sub, filtered synth arps, fuzz guitar stabs, risers/white-noise sweeps; optimistic, chantable hook “Four A, M, Afternoon”; female lead with tight doubles + crowd shouts on “hands up, push through”; wide stereo, punchy bus comp, tape grit; no spoken-word, no trap hats, no EDM supersaws

Minimalist melancholic electronica; 76 BPM; asymmetric 10/4 loop feel (or 4/4 with 5-bar phrasing); hazy analog poly pad + soft-clipped Rhodes; pedal-tone minor with sus2/add9 clusters; intimate high male vocal, airy falsetto, close-mic’d, vowel-heavy, mantra-like phrases; layered harmonies (octave + 3rd), slight pitch drift ±10 cents; plate reverb long tail, dotted-eighth delay low feedback; gentle sidechain, tape wow/flutter, lowpass swells; sparse kick, no snare, soft noise floor; mood = nocturnal, glassy, elegiac

big beat, 122 BPM, 4/4, A Dorian; layered Amen-style breaks, fuzz bass, mono kick/roomy snare, risers/white-noise sweeps, choral pad swells; hook-forward vocal with chantable repeats, short crowd shouts in last 8 bars; wide, saturated, aggressive but melancholic; no trap triplets, no shiny EDM leads

trip-hop x big beat, 108 BPM, 4/4, A Dorian; UNKLE mood—cinematic strings/pads, dusty break loops, chunky vinyl drums, saturated Reese/sub, grimy guitar stabs, filtered/phase synth arps, tape hiss + analog delay throws; nocturnal, introspective, urban; vocal = intimate, breathy lead with tight doubles only on the hook, mild distortion/telephone layer tucked; wide stereo but center-anchored kick/bass; punchy bus comp, gentle tape grit; avoid trap hats, EDM supersaws, talky spoken-word, bright pop gloss

trip-hop x big beat, 108 BPM, 4/4, A Dorian; UNKLE mood—cinematic strings/pads, dusty break loops, chunky vinyl drums, saturated Reese/sub, grimy guitar stabs, filtered/phase synth arps, tape hiss + analog delay throws; nocturnal, introspective, urban; vocal = intimate, breathy lead with tight doubles only on the hook, mild distortion/telephone layer tucked; wide stereo but center-anchored kick/bass; punchy bus comp, gentle tape grit; avoid trap hats, EDM supersaws, talky spoken-word, bright pop gloss

trip-hop x big beat, 108 BPM, 4/4, A Dorian; UNKLE mood—cinematic strings/pads, dusty break loops, chunky vinyl drums, saturated Reese/sub, grimy guitar stabs, filtered/phase synth arps, tape hiss + analog delay throws; nocturnal, introspective, urban; vocal = intimate, breathy lead with tight doubles only on the hook, mild distortion/telephone layer tucked; wide stereo but center-anchored kick/bass; punchy bus comp, gentle tape grit; avoid trap hats, EDM supersaws, talky spoken-word, bright pop gloss

trip-hop x big beat, 108 BPM, 4/4, A Dorian; UNKLE mood—cinematic strings/pads, dusty break loops, chunky vinyl drums, saturated Reese/sub, grimy guitar stabs, filtered/phase synth arps, tape hiss + analog delay throws; nocturnal, introspective, urban; vocal = intimate, breathy lead with tight doubles only on the hook, mild distortion/telephone layer tucked; wide stereo but center-anchored kick/bass; punchy bus comp, gentle tape grit; avoid trap hats, EDM supersaws, talky spoken-word, bright pop gloss, Alt (club-leaning UNKLE x Chem Bros): big beat, 122 BPM, 4/4, A Dorian; layered Amen-style breaks, fuzz bass, mono kick/roomy snare, risers/white-noise sweeps, choral pad swells; hook-forward vocal with chantable repeats, short crowd shouts in last 8 bars; wide, saturated, aggressive but melancholic; no trap triplets, no shiny EDM leads

trip-hop x big beat, 108 BPM, 4/4, A Dorian; UNKLE mood—cinematic strings/pads, dusty break loops, chunky vinyl drums, saturated Reese/sub, grimy guitar stabs, filtered/phase synth arps, tape hiss + analog delay throws; nocturnal, introspective, urban; vocal = intimate, breathy lead with tight doubles only on the hook, mild distortion/telephone layer tucked; wide stereo but center-anchored kick/bass; punchy bus comp, gentle tape grit; avoid trap hats, EDM supersaws, talky spoken-word, bright pop gloss, Alt (club-leaning UNKLE x Chem Bros): big beat, 122 BPM, 4/4, A Dorian; layered Amen-style breaks, fuzz bass, mono kick/roomy snare, risers/white-noise sweeps, choral pad swells; hook-forward vocal with chantable repeats, short crowd shouts in last 8 bars; wide, saturated, aggressive but melancholic; no trap triplets, no shiny EDM leads

Minimalist melancholic electronica; 76 BPM; asymmetric 10/4 loop feel (or 4/4 with 5-bar phrasing); hazy analog poly pad + soft-clipped Rhodes; pedal-tone minor with sus2/add9 clusters; intimate high male vocal, airy falsetto, close-mic’d, vowel-heavy, mantra-like phrases; layered harmonies (octave + 3rd), slight pitch drift ±10 cents; plate reverb long tail, dotted-eighth delay low feedback; gentle sidechain, tape wow/flutter, lowpass swells; sparse kick, no snare, soft noise floor; mood = nocturnal, glassy, elegiac

A groove-driven, cinematic track blending jazz-hop grit with dark trip-hop atmosphere and hypnotic minimalism, Bass is gigantic, resonant, and wood-like, anchoring loose, syncopated drums with dusty swing, Add glitchy textures, chopped samples, reversed synths, and layered ambient noise to create tension, Vocals (if present) should be half-spoken, rhythmic, and playful in cadence, contrasted with fragile, haunting sung phrases treated with heavy reverb, delay, and filtering for a spectral quality, Use repeating, loop-like motifs—synth chords, fractured piano, or processed guitar—that shift subtly over time, creating a trance-like feel, Include turntable scratches and sample fragments woven into transitions for UNKLE-style grit, Dynamics should move from sparse, moody verses to dense, layered choruses, balancing groove, atmosphere, and minimal repetition, The overall mood is urban, surreal, and cinematic: half smoky jazz club, half glitch-drenched dreamscape

big beat, 122 BPM, 4/4, A Dorian; layered Amen-style breaks, fuzz bass, mono kick/roomy snare, risers/white-noise sweeps, choral pad swells; hook-forward vocal with chantable repeats, short crowd shouts in last 8 bars; wide, saturated, aggressive but melancholic; no trap triplets, no shiny EDM leads

A groove-driven, cinematic track blending jazz-hop grit with dark trip-hop atmosphere and hypnotic minimalism, Bass is gigantic, resonant, and wood-like, anchoring loose, syncopated drums with dusty swing, Add glitchy textures, chopped samples, reversed synths, and layered ambient noise to create tension, Vocals (if present) should be half-spoken, rhythmic, and playful in cadence, contrasted with fragile, haunting sung phrases treated with heavy reverb, delay, and filtering for a spectral quality, Use repeating, loop-like motifs—synth chords, fractured piano, or processed guitar—that shift subtly over time, creating a trance-like feel, Include turntable scratches and sample fragments woven into transitions for UNKLE-style grit, Dynamics should move from sparse, moody verses to dense, layered choruses, balancing groove, atmosphere, and minimal repetition, The overall mood is urban, surreal, and cinematic: half smoky jazz club, half glitch-drenched dreamscape

big beat, 122 BPM, 4/4, A Dorian; layered Amen-style breaks, fuzz bass, mono kick/roomy snare, risers/white-noise sweeps, choral pad swells; hook-forward vocal with chantable repeats, short crowd shouts in last 8 bars; wide, saturated, aggressive but melancholic; no trap triplets, no shiny EDM leads