1mmoMusiClub #2

Ukulele slight blues sad memorable, with an old guitar with slight struts of its strings

Indietronica, UK Drill, Ska 6/4 lurch, 60s gothic sitcom, Igorecore, Igorcore, Igor-e-core, ghettotech bassline, modern Smooth Surf rock, natural professional Masculine studio singers [FEATURED VOCALS | THE BRAIN - CALCULATED, EGOMANIACAL TENOR, STONE-FLAT TONE | PINKY - HIGH-PITCHED, ERRATIC COUNTER-TENOR] [PRODUCTION | VINTAGE TV SHOW SATURATION, LO-FI TAPE WARBLE, HARD-HITTING DRILL MIX, GATED REVERB, DYNAMIC PANNING FOR DIALOGUE] 1mmoigor, [(genre: Igorcore—Gothic Drill—Surf Rock)—(instr: Harpsichord—Theremin—808s—Twangy Guitar)—(vocals: Satirical—Call and Response—Deadpan)—(texture: Lo-Fi—Vintage—Cartoonish)—(mood: Unhinged—Cynical—Dark)] [Clear Enunciation, Clear Pronunciation, Vocal Stutter, glitchdb vst, High Frequency Pass, Low Frequency, Waves Tune, Revoice Pro, Vocal Effects Processor], ‑robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts

Genre: West Coast trap with G-funk influence, 96 BPM, F minor, Style: Minimal, percussive, club-ready with hypnotic bounce and sharp vocal sync, Mood: Confident, confrontational, satirical, Singer’s Voice: Male vocals, mid-tenor, tight flow, clean enunciation, dry mix, West Coast accent, heavy rhythmic punch, Instrumentation: Looped plucky synth lead, tuned 808 bass hits, clap-snare combo, rimshot accents, sub-layered kicks, sparse hi-hats, vocal stabs, occasional reversed FX, Mastering: Tight dynamic range, dry punchy drums, stereo synth spread, aggressive vocal-forward mix

Melodic EDM and UK Garage track with modern bass influences, Mood: raw, honest, reflective, Tempo: 134 BPM, Vocals: subtle distortion, layered harmonies, minimal repetitive lyrics about wondering if someone still thinks of you, FX: vocal chops, stutters, pitch-shifting for texture, especially before chorus/bridge, Drums: punchy kick, crisp hi-hats, snappy snares, Bass: deep, heavy synths, Synths: warm pads, atmospheric swells, rising builds, Structure: intro (soft pads + vocal hook) → verse → pre-chorus → chorus with “do you think of me” refrain + big drop → second verse → chorus → bridge with rising synth build + emotional climax → final chorus with layered vocals + powerful drop, Mix/Master: -6 dB headroom, bus comp 2:1, de-ess 6–8k, reverb + delay for space, limiter -9 LUFS/-1 dBTP

Madchester, sun-drenched late-90s alt-pop, dusty MPC sampler loop with hazy breakbeat, jangly clean Stratocaster riffs with chorus shimmer, rubbery Fender Precision bass groove, toy keyboard and cheap Casio bleeps, female harmony, loose harmony, lazy roller-disco tempo, breezy bubblegum psychedelia edge, carefree summer mood, sunshine haze with playful charm

Genre: 60s Northern Soul / Motown / R&B, Style: A direct and authentic homage to the high-energy, dancefloor-filling sound of Shirley Ellis-inspired or Martha Reeves & The Vandellas-inspired tracks, Mood: Energetic, Joyful, Driving, Confident, Danceable, Instrumentation: The foundation is a fast, driving, four-on-the-floor drum beat with a prominent tambourine hitting on the 2 and 4, A powerful, driving brass section (baritone sax, trumpets) plays iconic stabs and catchy riffs, A funky, melodic, walking bassline (James Jamerson-inspired) is a core element, A clean, choppy electric guitar plays rhythmic chords, and a bright, rhythmic piano fills out the sound, Vocal Style: A powerful, raw, and soulful female lead vocal with a confident, slightly raspy attitude, Her performance is a mix of singing and energetic call-outs, supported by a simple female backing vocal group, Production: Authentic vintage 1960s sound: warm analog tape saturation, natural room reverb, and a punchy, slight

drum and bass, jazz fusion, breakbeat, syncopated, ‑lofi

2 Step, UK Garage, Garage, Future-Garage, Grime-Risers, Future Bass, Psychedelic Deep Dubstep, Slo-Mo

A high-energy electronic dance music track with a driving beat and a prominent synth melody, The song features a male vocal sample repeating a phrase, The tempo is fast, around 140 BPM, The instrumentation includes a powerful kick drum, a driving bassline, a snare drum with a strong crack, and various synthesized sounds creating a layered texture, The track incorporates elements of dubstep and trap, with a heavy emphasis on bass drops and rhythmic complexity, The overall production is clean and punchy, with a wide stereo image, The song structure is repetitive, building tension through the addition and subtraction of layers, The vocal sample is processed with a robotic, distorted effect, adding to the electronic feel, There are no traditional chord progressions, but rather a focus on rhythmic interplay and sound design

High-energy modern glitchcore remix with crystal-clear mastering, sharp stereo imaging, and deep sub bass, Intricate chopped vocals, stutter edits, and time-stretch FX, Use clean glitch transitions, pitch-shift swells, and reverse reverb tails, Combine hyperpop-style synth layers, detuned plucks, and saw pads with tight trap-inspired drums, BPM 160, 4/4 time, Smooth drop-ins and build-ups with pristine high-end sparkle, Blend warm mid-bass with crisp snares for maximum clarity, Vocals processed with formant shift and light vocoder, keeping articulation clear, Atmosphere: futuristic, vibrant, and electrifying, Use pitch/tuning tools (Melodyne, Waves Tune, Revoice Pro), formant shifting, harmonizer, stereo spread, Apply HPF and LFP filters for clarity, Add echo tail and reverb blend in chorus, FX: modulation, phaser, chorus, Include Dolby Atmos or Apple Spatial for cinematic layers, Use de-esser, spectral EQ, Final production must be treat as full HD

[Style: alt-pop x industrial trap x rap-rock][Key: E minor][Tempo: 134 BPM][Drums: tight 808 kick + low-tuned acoustic layer; snare short gated plate; hats 1/16 with triplet bursts; tom fills into choruses; halftime under Rap][Bass: clean sub in verses, distorted saw+sub in choruses; sidechain to kick (fast attack, 80-100 ms release)][Guitars: octave riffs L/R in choruses; palm-muted chugs in Rap/Break][Synths: glassy plucks in verses, airy pads for width, granular risers; noise sweeps into drops][Vocals: Female verses close and dry; Pre adds doubles; Chorus lead + octave up/down + 2 L/R harmonies; gang shouts on last 2 lines; Rap mostly dry with short slapback][FX/foley: vinyl crackle, canoe creaks, water laps at -24 dB, sparse LCR placement][Mix: leave -6 dB headroom; bus comp 2:1, 1-2 dB GR; HPF non-bass 40-60 Hz; kick focus 50-60 Hz, bass 80-100 Hz; de-ess 6-8 kHz; 1/8 dotted delays; plate verb][Master: soft clip into limiter; target -8 LUFS, -1 dBTP]

Enhance All Aspects Of The Audio To Perfection, ‑Avoid All Aspects Of Non Perfect Audio

A female vocalist sings a pop song with a driving beat and a prominent synth melody, The song is in a minor key, with a tempo of approximately 120 BPM, The instrumentation includes a kick drum, snare drum, hi-hat, bass guitar, and a synth playing a arpeggiated melody, The vocals are clear and forward in the mix, with some reverb, The song structure is verse-chorus, with a bridge and an outro, The bass plays a simple, repetitive line that provides a strong rhythmic foundation, The synth melody is catchy and memorable, and it is often doubled by the vocals, The production is clean and polished, with a good balance between all of the instruments, The song has a slightly melancholic but energetic feel

Y2K, aero, slow breakcore, with a UK pop vocal style, in the style of a London indie singer, sung with an English accent like Lily Allen, soft female vocals

Euphohilism, EDM

A dark indietronica track driven by clipped, syncopated drums and staccato indie funk bass, Whispered low vocals leap to powerful, textured baritone belting through dramatic flips, raspy fry, and yodel-like jumps, Swirling synths, glockenspiel accents, and psychedelic layers create tension and bloom into unpredictable artpop harmonies, while staccato phrasing, monotone moments, and wide panning keep the mood villainous, funky, and catchy throughout

Steampunk Noir, Industrial Trip Hop, Ritual Chant Polyphonic Vocal EDM, Stutter-Edit House, Lo-Fi Vocal Bite Textures, Dramatic Shift Breaks Embellishments: Melisma, Stutter, Call And Response, Chopped tense, atmospheric steampunk noir track, suddenly breaks into an ancient, sacred chant, smoky trip-hop grooves and trilingual whisper-rap vocals, before collapsing into a cavernous bridge featuring a deep male choir performing a prayer from the Pyramid Texts, gritty modernity and deep, mystical time, before a final sax Solo, and a sand textured ASMR textures 1mmonoir, [(genre: Steampunk Noir—Industrial Trip-Hop—Ritual Chant)—(instr: Saxophone—Trip-Hop Drums—Male Choir—Sistrum)—(vocals: Whisper-Rap—Deep Chant—Trilingual)—(mood: Mysterious—Tense—Sacred—Ancient)] [Clear Enunciation, Clear Pronunciation, Vocal Stutter, SPATIAL PANNING, High Frequency Pass, Low Frequency, Pitch & Tuning Tools (Non-Auto-Tune Specific), Vocal Effects Processors, Formant Shifting]

J-Pop, slight vocaloid, slight chiptune, Electro pop, bubble gum pop, K-pop, rhythmic, playful beats, happy, cute, shy vocals, shy vocalist, glitch, glitch pop, distortion, bouncy, Electro bounce, synth, dystopia, melancholy

[genre: tsundere pop] [subgenre: female, jpop, anime, Dynamic Shift, Glitch, funky, future house+|+funk house, color bass, heavy bass, bop] [bpm: 150] [instruments: electric guitar] [theme: typical tsundere] [influences: anime like confused girl in love]

Kick off with a crackling old record sample, layered over syncopated nu-metal guitar riffs and distorted bass, Verses blend choppy underground house rhythms with tight vocal harmonies from a barbershop quartet, cycling with pop-inspired, hook-filled choruses, Techno-pop synth stabs and electronic percussion drop in for the bridge, slicing through the nostalgic layers before all elements fuse into an energetic, genre-colliding finale

A fun and high-energy fusion of catchy pop, glee club-style group chants, hip-hop, southern hip-hop, and guitar-driven groove, Playful and comedic delivery with alternating rap verses, sung hooks, and group chants, Guitar riffs add bounce with funky strums and a southern rock edge, blended with 808 bass, claps, and lively percussive energy, The chorus should feel like a glee club anthem, with call-and-response chants of “脂質アゲアゲ秋” repeated in stacked voices, Verses alternate between comedic Japanese rap and half-sung, half-shouted lines, Add fun ad-libs (“うわ, やばない？”, “そら太るで!”, “もう行っとけ!”) to keep the hype energy, Tempo ~100 BPM, 4/4, groovy and bright, with a playful autumn vibe

[Sing with bright vocal projection and playful tone; let each phrase sparkle with emotional charm, ] [J-Pop+ Pop-Rock+ Alternative Rock+ Power Pop+ Indie Pop+ Folk Rock+ Guitar Pop+ Melodic Rock+ Fusion], [Uplifting Japanese pop-rock with vibrant transitions, melodic clarity, and expressive vocals], Uplifting, [Dual female vocals with harmonized sections] [Maintain a bright, driving 8-beat groove around 160 BPM with dynamic shifts for emotional contour, ] [Use melodic root–octave movement with rhythmic bounce, adding tension through chromatic steps in transitions, ] [Combine clean arpeggios and power chords with sharp strumming, layering effects for atmosphere and impact, ], [Inspired by the feel of math-rock guitar riffs]

[enka artcore], Gagaku-artcore Fusion, doujin, [enka], [artcore], [Shamisen], erhu, koto, [Japanese Artcore], Orchestral Neurofunk, Classical Crossover, Melancholy, shakuhachi, [Shamisen], Chinese-classics, Vocaloid, Emotional Breakbeat, traditional chinese, Cinematic, 808 bass, Atmospheric, with elements of Spoken Word, Recitative, and Sample-based Vocals, breakcore, dolby atmos, archival grade audio, increase volume, balance EQ, reverb layering, bass boost, bittersweet, Philosophical, rich instruments, complex arrangement, ambient layering, dynamic audio, panning, whispery backing choir, Momentary Vibrato FX, Ethereal background vocalsm, hi-res

futuristic, experimental boom, 🐐🔊, indie, beat, upbeat, electronic techno

Golden-era 90s boom bap × folk-rap, G major, 78 BPM, \[metatags: acoustic, boom bap, ragga, soulful, vinyl, intimate, nostalgic] Instrumentation: fingerpicked acoustic (close/woody), upright bass, brushed snare + rim taps, tight hats, violin swells, bridge piano, light vinyl crackle, Arrangement: tender sung verses → soulful stacked choruses → fast raggamuffin rap after each chorus; final chorus overlaps sung hook + ragga ad-libs, Vocals: lead male raw/close; rap rapid, percussive, chant-like; wide gospel harmonies, Drums: MPC-style swing; dry snare, deep controlled kick, minimal room, FX: short plate 1, 2s (lead), spring touch (guitar), slap 1/8 + throw 1/4, reverse swell into bridge, tape-stop into hooks, gentle tape hiss, EQ/Mix: HPF acoustic 80 Hz; cut 250 Hz; add 3–5 k presence; de-ess 6–8 k, Drum bus parallel 4:1, Mix bus 1, 5:1; headroom −6 dB; target −10/−9 LUFS; −1, 0 dBTP, Mood: reflective, grounded, uplifting, groovy; intimate acoustic warmth with golden-era hip-hop grit

Memphis cult, with adlibs and glitch breaks, tape recording, HD quality, Studio quality, Mastered, memphis trap, southern rap

chopped-and-screwed, cassette wow, tape flutter, varispeed, half-time, phrase chop, bar chop, Memphis bounce, block-party breaks, dusty breakbeat, jazz-rap swing, head-nod groove, triplet pull, mono sub, analog sub, modular synthesis, subharmonic, difference tones, missing fundamental, hocket, contrary motion, ladder low-pass, tube saturation, plate reverb, slapback delay, telephone EQ, tape stop, backspin, bitcrush, aliasing, foldback distortion, rectifier drive, octobass, double bass, contrabassoon, bass trombone, tuba, marcato, tenuto, canon, pedal point, quartal voicing, suspended chords, aeolian mode, envelope shaping, LFO modulation, sidechain compression, narrow stereo image, warm saturation, soft-knee limiting, room ambience

Emotive acoustic-driven alt rock with emo and post-grunge undertones, The track opens with soft fingerpicked guitar layered over ambient textures, gradually building into an emotionally raw full-band section, Vocals are intimate, cracking slightly at emotional peaks, with a confessional tone, The final chorus falls into a vulnerable acoustic outro, FX include analog tape saturation, vocal doubling during pre-choruses, and deep reverb trails on the final chord

Surreal, psychedelic grunge ballad inspired by mid-’90s alt-rock, Guitars are slow and woozy, drenched in chorus and phaser effects, with occasional bursts of distorted crunch, The chord progressions feel off-kilter and hypnotic, cycling through melancholic voicings that build and collapse like smoke, Bass is smooth and rounded, often carrying a melodic counterline beneath the haze, Drums are laid back, loose, with lazy hi-hats and reverb-heavy snare hits that drift in and out of focus, Vocals are haunting and detached, calm, almost emotionless at first, but hinting at something broken beneath, Sparse repetition and warped metaphors replace traditional structure, The atmosphere is dreamy, ominous, and washed in a sense of quiet doom

Mid-90s grunge with raw teenage angst, Fuzzy, down-tuned guitars with heavy distortion, Thick bass and pounding drums, played loud and loose, Male vocals delivered with blunt aggression, switching between monotone grunge drawl in verses and shouted, angry choruses, Sound is unpolished, loud, and primal — pure 90s garage grunge energy

Cyberpunk, Indie Punk, Garage Rock, Digital Hardcore, Alternative Hip-Hop, Ska-Punk fusion

Anti-Basscore, Vocal-Fry, Dance-Punk, Flute-Driven, High bass, Electronica, Shimokita-kei, swan-core, indietronic, Dynamic, Dynamic, catchy, semi-chiptune, folklore, high-energy, dnb, dubstep, clean, high quality, nostalgic, early 2000s, loud, flute, layered-instrumental, trap-like, quick, funk-rock, Vocaloid, miku

Bright, bouncy J-pop meets groovy pop-rock with playful metal accents, telling the story of a catgirl suddenly transported to modern Earth who discovers she’s adored by everyone and becomes a pop idol, Upbeat drum grooves, slapping bass, and sparkling synth layers drive the verses, while crunchy, high-energy guitars explode in the choruses, Her voice is cute, airy, and expressive, full of nyas~ and cat puns, with layered harmonies that shimmer like city lights, The bridge blends double-kick pop-metal flair with sugary hooks, balancing rock power and idol sweetness, The tone is joyful, confident, and irresistibly fun, perfect for a crowd-pleasing idol anthem

Exploding with glam metal flair, the song opens on a thunderous drum fill and chugging guitar riffs, layered with grandiose synths and bold bass, Verses feature dramatic vocal deliveries and sharp guitar licks, while choruses soar with harmonized gang vocals and blazing solos, The bridge brings in epic, syncopated rhythm changes and a burst of theatrical keys, building to a brash, electrifying finish, ‑obotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy lowend, ‑overcompression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh highend, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance buildup, ‑phase cancellation, ‑pumping artifacts

Multi-Genre fusion of: [[[Introspective Alt-Metalcore], [Low-Key Grunge], [Minimal Shoegaze], [Wub Undercurrent]]; [A fusion of melodic metalcore and alternative metal with grunge-shoegaze textures, layered over subtle electronic wub accents, Guitars shift between overdriven chord walls and reverb-soaked shoegaze swells, carrying both intimacy and weight, Bass underpins with syncopated groove and occasional sidechain pulsing to mirror electronic depth, Drums lock to half-time breakdown motifs and swung kick-snare phrasing, emphasizing dynamic rise/fall without blast beats, Vocals remain entirely clean: deep masculine resonance contrasted with soaring melodic lines, layered harmonies, and breath-forward delivery, Wubs are not dominant drops but atmospheric accents ~ subtle FM-filter swells that glue transitions and emphasize chorus impact, The track pivots between confessional verses (shoegaze intimacy) and cathartic choruses (metalcore surge) while maintaining melodic flow, ]]

1950s rock and roll, upbeat style, 12-bar blues shuffle, electric guitar riffs, boogie-woogie piano, walking bass, swing drums, lively male vocal storytelling with playful energy, backing call-and-response shouts, vintage rock’n’roll vibe

[ Dubstep Damnation] [Style|Dubstep, Southern Gothic, Glitch Gospel] [FX Chain|Deep Sub-Bass, Distorted 808, Glitch Synths, Preacher-Mic Delay, Digital Static] [Vocal Style|Hollow-Mic Prophet, Demonic Edge, Guttural Delivery, Spoken-Slam Timing] [Mood|Furious, Ironic, Southern-Fried Blasphemy]

This heavy dubstep fusion kicks off at 120BPM, blending tight brostep bass growls, upfront kick-smack, and syncopated wubs interlaced with sharp laser FX, Nightcore pitch-hiked vocal snippets and driving heavycore drum textures appear between modulations, with underground DJ-style buildups introducing hype, Complex automations—formant shifting, harmonizer layers, flangers, and phased delays—move the track through modulations, all engineered with retroactive mastering tools, transparent dynamic shaping, and precise spectral EQ work, The mix employs HD clarity, rich spatial rendering, and zero looping, each sound surgically distinct and pushing hype with relentless energy, ‑robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy low-end, ‑over-compression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh high-end, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance build-up, ‑phase cancellation, ‑pumping artifacts, ‑formant smear, ‑tuning drift, ‑flutter artifacts, ‑transient smearing, ‑tone imbalance, ‑spectral harshness, ‑artificial vocal bends, ‑muffled midrange, ‑reverb masking, ‑stereo collapse, ‑FX stack clutter, ‑brittle highs, ‑dry vocal patches, ‑tonal warping, ‑latency echo, ‑ring mod bleed, ‑chorus warble, ‑over-layered processing, ‑comp squish, ‑spatial artifacts, ‑degraded whisper texture, ‑compressor flutter, ‑delayed syllable blur, ‑noisy gates, ‑unnatural stereo pan, ‑audio ghosting, ‑cluttered room tail, ‑screamo, ‑growling, ‑unrefined finishing, ‑low quality, ‑high pitch, ‑hissing

Classic roots reggae evolving into deep analog dub, Starts with warm one-drop drums, melodic live bass, Hammond organ bubbles, and guitar chops, Soulful saxophone leads like a narrator, Dub section includes tape delay on vocals, spring reverb blasts, HPF sweeps on guitar, bass dropouts, reversed textures, granular echoes, dub sirens, and echoing horn FX, Sax returns soaked in reverb across ghostly dubscape, Includes live drums, analog bass, guitar chops, Hammond organ, sax, melodica, dub siren, FX scratches, tape echo, vinyl crackle, Production mimics 70s dub with delay feedback loops, mixer manipulation, and psychedelic breakdowns, [raspy male voice], [spoken toast], [dub fx], [delay feedback], [live saxophone], [melodica echo], [spring reverb], [bass drop out], [vocal fragment echo], [dub siren]

A pulsing house groove drives the track with syncopated, funky bass and crisp drum machines, accented by bright claps, Electric piano stabs and wah guitar add flair, while glossy synths fill out a classic boogie house texture, Energetic builds, dynamic breakdowns, and immersive Dolby Atmos studio mixing sustain dancefloor momentum, electronic, male vocoded vocals

A fusion track with strong emphasis on Native American Southern Traditional music, blending it subtly with modern Chill Pop and R&B elements, The track should prominently feature traditional percussion patterns, hand drums, and rhythmic chants, accompanied by authentic flutes and natural ambient sounds (wind, river, night), Modern elements like soft synth pads and minimal smooth beats should support but never overpower the traditional foundation, Tempo ~75 BPM, 4/4, Silky female vocals are intimate, conversational, and emotionally expressive, emphasizing unrequited love and longing, The arrangement should be spacious and reflective, evoking the night sky and a sense of distance, with occasional reverb and echo to highlight the melancholic storytelling, Exclude: male vocals, ‑Male Vocals

A Creepy Ritual Trap track with a blasphemous choir and anti-gospel feel opens with crooned vocals emerging from a creaky onset, Dark trap percussion, sub-bass, and ritualistic synths underpin layers of vocal fry, glottal distortion, airy support, and micro-yodel flips, Verses alternate sudden register breaks, chest-falsetto pivots, flutter vibrato, breathy squeaks, intentional cracks, semi-muted overtones, and ghost note transitions, Hook features haunting overtone stacks, shock autotune, pitch-bent fry artifacts, glitch stutters, phased digital harmonics, formant shifts, and rapid vocal cycling, climaxing with whistle head voice, portamento-slid shrieks, and robotic overlays for maximal, haunting impact

female vocals, technical rap, progressive backing track, full backing track, seperate backing track, edm backing, real voice, technical vocals, hard consonants, Tribal Rap, full violn sequence

Raw slow ukulele light blues with an old guitar with a few strings that struck hard a baseline that the room, reverb deep

The track opens with bright acoustic strums and cheerful whistles, then layers melismatic male vocals, playful piano, gentle synth textures, and light percussion for the verses, The chorus surges with lush harmonies, triumphant brass, bold bass, and vibrant electronic keys, merging indie, folk, folktronica, indie pop, and lite rock textures