3:00

Windows Down
v4.5-all
Bright pop-rock with a sunburned grin; crunchy rhythm guitars and bouncing bass under tight, driving drums, Verses feel breezy and conversational, then the chorus hits wide with stacked male/female gang vocals and big whoa-ohs, Add tambourine and shout-along ad-libs in the final hook, fade on a loose la-la singalong
2:03

The Summit
v4.5-all
Expansive cinematic score with swelling strings, low brass, and choirs, Opens sparse and brooding, then builds in waves toward an epic, percussive climax with taiko-style drums and bold horn themes, Final section pulls back to a haunting, fragile motif on piano and distant choir for a lingering, heroic afterglow, dynamic
2:19

Spotlight
v4.5-all
Majestic orchestral fanfare in a lush Hollywood style, big brass swells and shimmering strings, Start with a bold, triumphant theme, then glide into a graceful waltz-like middle section before returning to a soaring, spine-tingling finale, Harp glissandi and woodwind flourishes add sparkle; timpani rolls and cymbal crashes underline the most glamorous moments, Perfect for sweeping camera pans and slow-motion entrances on the red carpet
2:41

Fire Escape
v4.5-all
Up-tempo indie rock pulse with bright, slightly gritty guitars and tight drums around 160 BPM, Verses stay lean with palm-muted riffs and dry male vocals, then choruses explode into open chords, gang shouts, and a bouncing bass line, Occasional tambourine hits and shout-along ad-libs keep it nervy and alive, like a live show on a summer rooftop
3:19

Through the Fire
v4.5-all
rock, Country worship-rock with gospel-tinged female vocals, warm overdriven Telecaster and gentle organ pad, Mid-tempo groove with brushed kit on verses, bigger snare and stacked church harmonies in the choruses, Subtle pedal steel swells in the bridge and a dynamic final chorus that pushes the vocal to the front with handclaps and call-and-response ad-libs, electric, worship, gospel, soulful, warm, country rock
3:03

Behind the Door
v4.5-all
High-energy J-rock band with driving distorted guitars, bright octave leads, and tight, punchy drums; male vocals urgent but playful, Verses stay choppy and rhythmic with palm-muted riffs and quick stops, choruses explode into wide open chords and stacked gang shouts, Brief instrumental break before the last chorus features a melodic guitar line mirroring the vocal hook, then a final shout-along ending, rhythmic
2:19

The Quiet Hall
v4.5-all
Warm chamber orchestra with soft strings, gentle piano, and solo woodwinds, Low, pulsing basses and harp outline a slow, walking pace; melodies feel nostalgic but calm, Dynamics stay mostly intimate, blooming slightly in the chorus with broader strings and glockenspiel sparkle, Ideal for a peaceful, reflective montage of campus life, orchestral, soundtrack
2:00

Bite the Hand
v4.5-all
rock, Fast, snarling punk rock with distorted power chords, driving live drums, and raw shouted male vocals; verses sprint in a tight, choppy rhythm, choruses explode with gang shouts on the hook and cymbal crashes, bridge drops to a tense, tom-heavy stomp before a final all-out full-band blast, raw, punk
