3:16

Edgewater
v5.5
Pop punk at 160 BPM in the key of D flat major, clean intro one guitar, The track features high-gain distorted electric guitars playing palm-muted power chords and syncopated rhythmic riffs, A bright, punchy drum kit drives the arrangement with rapid snare rolls, heavy crash cymbal accents, and a consistent eighth-note kick pattern, The bass guitar follows the guitar root notes with a gritty, overdriven tone, Male vocals are delivered with a nasal, energetic belt characteristic of the genre, featuring layered harmonies during the chorus, The arrangement alternates between dense, full-band sections and brief instrumental breaks highlighting a clean, melodic guitar lead
7:15

Riverside Drive
v5.5
Pop punk with a driving, high-energy arrangement, Distorted electric guitars play palm-muted power chords in the verses and open, ringing chords in the chorus, The bass guitar follows the root notes with a picked, overdriven tone, Drums feature a fast punk beat with rapid snare hits and consistent crash cymbal accents, Male vocals are delivered with a melodic, slightly nasal punk inflection, The track is in the key of E Major with a tempo of 165 BPM in 4/4 time
3:54

Normandy
v5.5
Upbeat pop punk with driving distorted guitars, energetic power chords, and catchy melodic leads, Fast 4/4 drums with punchy kick, cracking snare, and constant eighth-note hi-hats push the tempo forward, Gritty but polished bass glues the low end, following the guitar rhythms tightly, Vocal delivery is youthful and emotive with anthemic, shout-along choruses and heartfelt verses, blending nostalgia and modern pop-punk sheen
3:46

It's Okay
v5.5
Indie rock with rock influence, The track features two clean electric guitars with a bright, percussive tone, a punchy electric bass, and a dry, acoustic drum kit, The guitars utilize intricate, interlocking tapping and hammer-on patterns, The drums feature complex syncopation with frequent use of ghost notes on the snare and rapid hi-hat openings, The bass follows the kick drum closely with a mid-forward, slightly overdriven tone, The tempo is 145 BPM in 4/4 time, The structure is built on repetitive, cyclical riffs that shift between polyrhythmic layers
3:05

Meaningless
v5.5
Pop punk with a high-energy, driving feel, Distorted electric guitars play palm-muted power chords and syncopated rhythmic riffs, The bass guitar follows the root notes of the guitar progression with a bright, overdriven tone, Acoustic drums feature a prominent snare on beats 2 and 4, with rapid eighth-note hi-hat patterns and frequent crash cymbal accents, The arrangement is centered around a recurring four-chord progression in the key of C# Major at 150 BPM, The production is clean and modern, with the guitars panned wide and the drums centered in the mix
3:44

Umbrella Tree
v5.5
Pop punk track at 180 BPM in the key of d flat major, The arrangement features two tracks of distorted electric guitars playing palm-muted eighth-note power chords in the verses and open, ringing chords in the chorus, A bright, overdriven bass guitar follows the root notes of the guitar progression, The drum kit uses a standard punk beat with a driving eighth-note hi-hat pattern, a punchy kick on beats 1 and 3, and a sharp snare on 2 and 4, High-pitched male vocals deliver melodic lines with a slight nasal quality characteristic of the genre, The production is clean and compressed, emphasizing the mid-range of the guitars and the clarity of the vocal performance
4:40

Indie rock with a mid-tempo alternative feel, The track features a clean electric guitar playing a rhythmic, syncopated riff with a slight chorus effect, A melodic bass guitar follows the chord progression with eighth-note movement, The drum kit maintains a steady backbeat with a crisp snare and prominent hi-hats, Male vocals are delivered in a relaxed, melodic style with light doubling in the chorus, The arrangement is centered around a 4/4 time signature at 115 BPM in the key of C Major, The guitar tone is bright and jangly, characteristic of late 90s and early 2000s alternative rock
3:22

Mia's Gone
v5.5
Pop punk, Distorted electric guitars, electric bass, and a high-energy drum kit, The guitars play palm-muted power chords in the verses and open, ringing chords in the choruses, The bass follows the guitar root notes with a picked, aggressive tone, The drums feature rapid snare rolls and frequent crash cymbal accents, Male vocals are delivered with a melodic, slightly nasal punk inflection, 165 BPM, Key of E Major, 4/4 time signature
7:56

Stand Don't Fall
v5.5
Indie rock with a garage rock influence, The track features a prominent, syncopated drum kit with a dry snare and active hi-hat patterns, A distorted electric bass guitar plays driving eighth-note lines, Two electric guitars are present: one playing rhythmic power chords with high-gain distortion and another playing melodic lead lines and staccato riffs, Male vocals are delivered with a gritty, energetic tone and slight overdrive, The tempo is 145 BPM in the key of G major, The arrangement alternates between dense, high-energy sections with crashing cymbals and more stripped-back sections focusing on the bass and drum groove
3:26

Rise This Time
v5.5
Punk rock, Distorted electric guitar, electric bass, and a drum kit, The guitar plays a series of rapid, palm-muted power chords and syncopated rhythmic stabs, The bass follows the guitar's root notes with a consistent eighth-note drive, The drums feature a high-energy punk beat with frequent, aggressive snare rolls and heavy use of the crash cymbal, The track is in the key of G major at 180 BPM in 4/4 time, The structure is characterized by abrupt stops and starts, with the guitar and drums locking into tight, rhythmic unison hits
4:17

Time
v5.5
Indie rock, Clean electric guitar plays a syncopated, palm-muted rhythmic pattern, Bass guitar follows the kick drum pattern with a warm, rounded tone, Drums feature a tight snare and a steady eighth-note hi-hat pattern, Male vocals are delivered in a mid-range tenor with light saturation and moderate reverb, The chorus features layered vocal harmonies and open, ringing guitar chords, A bridge section introduces a high-energy drum solo with rapid snare rolls and heavy crash cymbal accents, 120 BPM, E Major, 4/4 time signature
2:49

Dead Hearts
v5.5
Pop punk with a driving 180 BPM tempo in the key of E major, The arrangement features distorted electric guitars playing palm-muted eighth notes in the verses and open power chords in the choruses, A bright, overdriven bass guitar follows the root notes of the guitar progression, The drums utilize a standard rock kit with a heavy emphasis on crash cymbals and a consistent eighth-note hi-hat pattern, Male vocals are delivered with a melodic, slightly nasal punk inflection, featuring layered harmonies during the chorus, A clean electric guitar lead with a slight chorus effect plays a melodic counterpoint during the bridge and outro, The production is polished with a wide stereo image for the guitars and centered, dry vocals
2:23

The Friend Song
v5.5
Punk rock, Distorted electric guitar, electric bass, and a drum kit, The guitar plays power chords with a heavy, saturated tone, The bass follows the guitar's root notes with a picked attack, The drums feature a fast, driving punk beat with frequent crash cymbal accents and rapid snare fills, Key of F # Major, The tempo is 165 BPM in 4/4 time, The track consists of high-energy instrumental sections with rhythmic shifts and drum-heavy transitions
