
Zrkadlenie doby - LP2
"Keby sa dnešný svet pozrel do zrkadla, čo by tam uvidel?" - LeilaK
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14 songs
3:28

Dark Folk, Acoustic Alt, raw, restless, quietly desperate
Tempo 84 BPM
Instruments: fingerpicked acoustic guitar, cello (sparse, enters verse 2), subtle floor tom (enters pre-chorus), faint electric guitar feedback (outro only)
Percussion: minimal brush snare on 2 and 4, floor tom accent on phrase endings, no kick until final chorus
Bass: upright bass, warm and sparse, follows chord roots only, Vocals: solo male voice, baritone-leaning tenor, dry and unpolished, slight natural vocal rasp from breath not from processing, conversational phrasing in verses, restrained intensity in chorus, unison doubling only on final chorus last two lines
Mix: close-mic dry vocal, short room reverb only, subtle tape warmth on master, high vocal clarity priority, controlled low-end
Energy: low and still → slight tension → contained urgency → fracture point → release and resolve
Source influence: grounded in Slovak folk cadence
Sung in Slovak language with very clear articulation, ‑choir, ‑stacked harmonies, ‑cinematic production, ‑wide stereo, ‑electronic elements, ‑reverb on vocals, ‑pop polish, ‑drum kit, ‑upbeat energy, ‑autotune, ‑pitch correction, ‑harmonies in verses, ‑plate, ‑hall
2:27

Genre: raw acoustic protest folk, Central European dissident style
Mood: defiant, tense, uncompromising
Tempo: 89 BPM
Instruments: dry acoustic guitar strumming, low-register nylon string, Vocals: male vocal, sharp articulation, restrained anger, spoken-sung delivery, slightly cracked tone, no harmonies, no sweetness
Mix: very dry vocal front, narrow stereo image, minimal reverb, intimate and stark texture
Energy line: restrained tense verse → firm defiant chorus → stripped verse → heavier declarative final chorus
Source_influence: 60s–70s Central European dissident minimalism
Sung in Slovak language with very clear articulation, natural Slovak stress and vowel length respected, ‑pop polish, ‑cinematic uplift, ‑wide stereo, ‑stacked harmonies, ‑glossy folk-pop, ‑EDM elements
3:37

Dark cabaret, Weimar theatrical chanson, 76 BPM
Mood: bitter, ironic, dramatic
D minor
Instruments: solo piano — heavy left hand, dry and percussive, clarinet as color, upright bass, minimal brushed snare
Percussion: sparse brushed snare only — no kick, no programmed drums
Bass: upright bass, slow deliberate movement, dark low register
Vocals: male, smoky low baritone, gravelly rasp on lower notes, theatrical physicality in the voice — whispers and cuts within a single phrase, spoken-sung delivery, irony as deepest sincerity
Mix: dry mono vocal center, close mic, short plate on piano only
Energy: quiet verse to bitter chorus, instrumental break piano alone, second chorus full dramatic peak, bridge spoken over bass note
Source_influence: Weimar cabaret piano — stark dry recording, voice
as theatrical instrument, Central European noir aesthetic, literary text as primary value
no autotune, no reverb wash, no strings, no choir
Sung in Slovak language with very clear articulation, ‑pop, ‑EDM, ‑musical theatre bright, ‑jazz swing, ‑orchestral, ‑electronic production
2:18

Genre: industrial folk, dark electro-punk, post-punk ballad
Mood: furious, accusatory, collapsing
Tempo: 92 BPM
Instruments: distorted electric guitar, analog synth drone, heavy floor tom, electric bass, acoustic guitar on chorus only
Percussion: heavy floor tom downbeats, syncopated snare, no hi-hat, deliberate gaps
Bass: electric bass, low distorted drive, locked to floor tom
Vocals: male baritone, rasp on the edge, weathered texture, explosive belt on verse 4, sudden drop to bare voice on chorus, straight tone no vibrato
Mix: short plate on voice only, dry guitar, moderate stereo, bass and floor tom forward
Energy: controlled aggression intro, escalating verses, maximum impact verse 4, sudden silence before chorus, naked acoustic chorus
Source_influence: subtle eastern European folk DNA under the distortion
Sung in Slovak language with very clear articulation, natural Slovak stress and vowel length respected, ‑vocal fillers, ‑humming, ‑ad-libs, ‑wordless vocalizing, ‑melisma filler, ‑whispering voice, ‑breathy voice, ‑intimacy FX, ‑reverb on vocals, ‑choir layering, ‑stacked harmonies, ‑wide stereo, ‑cinematic hall, ‑metal screaming, ‑EDM drop, ‑pop production, ‑synth-pop
2:26

Conscious Hip-Hop, East Coast Rap, Boom-Bap
Raw, confrontational, socially urgent, restrained anger, Tempo 90 BPM
Instruments: Sampled piano loop, sparse Rhodes keys, subtle brass stabs on chorus
Percussion: Classic boom-bap — punchy kick on beat 1 and 3, hard snare on beat 2 and 4, closed hi-hat pattern
Bass: Deep boom-bap bass — short punchy hits, locked to kick drum, minimal movement
Vocals: Male voice — low to mid baritone, measured and deliberate cadence, Mix: Dry vocal upfront, short room reverb only, moderate stereo, vinyl warmth on master, high vocal clarity
Energy line: Intro — beat only, building dread → controlled, cold delivery → raw confrontational peak → darkest and most aggressive point → deliberate slowdown, weight of accountability → full emotional resolution
Source_influence: Subtle Eastern European folk melancholy, underneath boom-bap texture
Sung and rapped in Slovak language with very clear articulation, natural Slovak stress and vowel length fully respected, ‑melodic synth leads, ‑Trap, ‑Drill, ‑Mumble rap, ‑Autotune, ‑808 sub bass, ‑melodic pop-rap, ‑EDM drops, ‑wide reverb, ‑choir stacking, ‑falsetto, ‑fast flow, ‑reverb wash, ‑wide stereo expansion
2:03

Genre: Urban alternative hip-hop trap
Mood: bold, energetic, confrontational
Tempo: 100 BPM
Instruments: rhythmic pluck synth, muted electric guitar chops, club piano stabs, subtle brass accent
Percussion: bouncy trap groove with syncopated kick pattern and tight hi-hat rolls
Bass: punchy 808 with short decay and rhythmic bounce movement
Vocals: distinctive male urban voice, textured mid-range tone, confident rap cadence with melodic hook phrasing, minimal pitch correction
Mix: club-forward low end, tight transient shaping, dry upfront vocal, modern commercial loudness
Energy: punchy intro → groove-driven verse → high-impact hook → dynamic drop-break → final amplified hook
Source_influence: subtle alternative rock edge in vocal aggression
Sung in Slovak language with very clear articulation, natural Slovak stress and vowel length respected, ‑heavy autotune, ‑lo-fi texture, ‑cinematic pads dominance, ‑sad emo trap, ‑drill snare rolls overload, ‑generic mumble rap tone
3:13

funk pop neo soul groove 70s funk revival
mood playful ironic confident
tempo 92 bpm
instruments slap bass rhodes piano brass stabs funk guitar tight funk drums
percussion syncopated 16th note hi hat snappy snare on 2 and 4 funk kick pattern
bass slap bass melodic syncopated walking line
vocals male confident tone natural phrasing no harmonies, mix short plate reverb on brass subtle room on drums dry vocal clarity warm low end
energy groovy intro building verse punchy chorus rhodes interlude climactic final chorus
source influence subtle acid jazz, funk, soul, R&B funk undertone minimal soul warmth
sung in slovak language with very clear articulation natural slovak stress and vowel length respected, ‑reverb on vocals, ‑hall reverb, ‑cinematic hall, ‑choir, ‑stacked harmonies, ‑live performance, ‑audience noise, ‑melisma, ‑whispering voice, ‑breathy vocals, ‑arena rock, ‑hip-hop beats, ‑electronic EDM, ‑trap, ‑dark atmosphere
4:56

alternative indie pop triphop atmospheric rock
cold heavy quietly suffocating
tempo 88 bpm
instruments clean electric guitar sparse arpeggios rhodes piano sub bass melodic slow atmospheric synth pad low mix subtle vinyl texture
percussion brushed snare soft kick halftime feel wide open spaces between hits
bass melodic sub bass slow movement anchors without dominating
vocals male voice midlow tenor dry and introspective slight rasp restrained emotional delivery sounds like controlled grief
mix dry vocal center short plate reverb only no hall no cinematic reverb no stereo widening no layering vocal clarity absolute priority
energy slow build across verses single emotional peak on chorus long fade outro
sourceinfluence eastern european folk melancholy Trip Hop, Electronic, Alternative Rock atmosphere
sung in slovak clear articulation natural slovak stress and vowel length respected, ‑choir, ‑stacked harmonies, ‑wide stereo, ‑cinematic production, ‑hall reverb, ‑pop polish, ‑falsetto, ‑aggressive delivery, ‑vocal falsetto, ‑vocal runs, ‑vocal choir shadow, ‑hall, ‑cinematic reverb, ‑stereo widening, ‑layering
2:59

Genre: Dark folk / acoustic alternative
Mood: somber, reflective
Tempo: ~66 BPM
Instruments: acoustic guitar, low piano, subtle strings, ambient pad
Percussion: minimal pulse, soft low-frequency hits
Bass: warm, deep tone, very slow sustained movement
Vocals: deep male hoarse voice, intimate, narrative vocal delivery; mostly single voice, optional octave doubling in chorus
Mix: dark tonal balance, intimate space, organic texture
Energy line: low → slightly rising in chorus → drop in bridge → quiet final resolution
Source_influence: folk storytelling with modern minimalism
Exclude: EDM, pop dance, metal, trap, reverb, Vocal language requirement: Vocals must be in Slovak, with perfect pronunciation, clear articulation, and natural Slovak phrasing, ‑EDM, ‑pop dance, ‑metal, ‑trap, ‑reverb, ‑folklore
2:59

Energetic alternative rock song with strong live drums, driving rhythm, layered distorted electric guitars and melodic power-chord riffs, Dynamic contrast between restrained verses and explosive, anthemic choruses, Emotional male vocals shifting from intimate singing to raw, powerful delivery, Honest, introspective lyrics with a sense of resilience and urgency, Modern rock production, organic band sound, The singer sings in Slovak with precise articulation, ‑pop polish, ‑glossy production, ‑wide choir layering, ‑heavy hall reverb, ‑trap elements, ‑short plate reverb, ‑live performance
3:53

melodic house, organic house
Mood: hypnotic, gradually liberating
Tempo: 110 BPM
Key: G minor
Instruments: warm analog synth pads, organic hand percussion, deep rolling bass, plucked synth melody
Percussion: steady four-on-floor kick, organic shakers, soft claps
Bass: deep rolling analog bass, hypnotic groove
Vocals: male, warm emotive baritone, half-time phrasing over the groove, meditative direct delivery, voice floats above the rhythm
Voice gender: male
Mix: spacious warm stereo, high vocal clarity, subtle plate, controlled low-end
Energy: slow build through verses, rising lift, euphoric organic release at ending
Source influence: warm organic analog house production + emotive male delivery over groove + gradual euphoric build aesthetic
no autotune, no reverb wash, no aggressive drops
Sung in Slovak language with very clear articulation, natural Slovak stress and vowel length respected, ‑EDM festival drop, ‑hardstyle, ‑trap, ‑autotune, ‑aggressive dubstep, ‑acoustic folk, ‑autotune, ‑reverb wash, ‑aggressive drops
2:29

Conscious hip-hop, jazz rap, female voice
Mood: critical, reproachful, subtle irony, sober
Tempo: 86 BPM
Key: B-flat minor
Instruments: dusty upright piano sample, warm upright bass, brushed boom-bap drums, muted trumpet accent, vinyl crackle
Percussion: head-nodding boom-bap kick and snare, behind the beat
Vocals: female, low oratorical mezzo, declarative flow drifting into a sung hook, every syllable placed, dry irony under the calm
Voice gender: female
Mix: dry intimate vocal, short plate, high vocal clarity, controlled low end
Energy: continuous build, spoken verses rising in conviction, hook lifts into melody
Source_influence: dusty jazz-rap warmth, gentle lyrical clarity, irony held under control
no autotune, no reverb wash, no cinematic swell
Sung in Slovak with clear articulation, natural Slovak stress and vowel length respected, ‑jazz fusion, ‑trap, ‑EDM, ‑drill, ‑shouting, ‑choir layers, ‑hall reverb, ‑cinematic strings, ‑autotune, ‑reverb wash, ‑cinematic swell
3:24

Trip-hop noir, dark downtempo electronic
Mood: paranoid, ominous
Tempo: 90 BPM
Key: C minor
Instruments: deep sub-bass, dusty downtempo drums, atmospheric synth pads, muted piano, vinyl crackle
Percussion: slow trip-hop break, soft kick, brushed hat
Bass: deep sub, sustained ominous low end
Vocals: female, low chest register, cold detached delivery, natural rasp, no melisma, no ad-libs, no autotune
Voice gender: female
Mix: dry close-mic vocal, high vocal clarity, atmosphere only in instrumental layer, controlled low-end
Energy: mid verses, building tension in bridge, cold calm outro
Source_influence: downtempo noir production, detached female vocal, brooding atmosphere
no autotune, no reverb on vocals, no echo on vocals, no vocal delay, no cinematic hall, no reverb wash
Sung in Slovak language with very clear articulation, natural Slovak stress and vowel length respected, ‑EDM drop, ‑trance, ‑autotune pop, ‑arena rock, ‑metal, ‑hyperpop, ‑upbeat dance, ‑reverb on vocals, ‑echo on vocals, ‑vocal delay, ‑cinematic hall, ‑reverb wash
3:09

Funk / Groove Rock song at medium tempo (around 95–105 BPM), Laid-back, tight groove with subtle nervous tension in the verses and a relaxed, slightly mocking chorus, The rhythm should feel like steady, mechanical, and slightly anxious, Male vocal in Slovak language with perfect Slovak pronunciation and clear articulation, Emotional progression:
starts with tension, moves through systemic chaos and irony, then shifts into calm confidence, self-irony, and ends with a satisfied, peaceful resolution, Musical mood: ironic, cynical, witty, urban, with a confident and detached narrator, Instrumentation:
acoustic guitar with rhythmic strumming, upright bass (double bass) driving the groove, tight drum kit, funk-style rhythm section, and expressive brass section (trumpet, saxophone) used for accents and commentary, Overall vibe: smart satire, groove-driven storytelling, relaxed confidence in the middle of chaos
