Curse of the Crimson Maw

A cinematic speed-metal × technical deathcore crossover at 240+ BPM for an epic pirate naval battle, Westcreek & Ibanez guitars in Drop A lead with dueling riffs—Westcreek firing percussive barrages, Ibanez shredding with whammy dives, Double-tracked 8-string baritone chugs (gated, hard L/R) slam beneath 7-string leads doing trem-picked surf motifs and melodic shred runs, Active 6-string bass adds bright pick grind, locked with clicky modern kicks and synced 808 sub-drops, Drums blast with machine-gun double-kicks, gravity blasts, brass-crack snare, and deep tom runs, Choirs, brass stabs, and ship-creak FX build cinematic tension, Guitars gallop in sea-shanty cadences, harmonized leads surge like waves, and solos cut like cannonfire, Every section drives forward with no tempo drops—just relentless energy and film-score intensity, evolving from rising tension to full-scale ship combat to triumphant finale, ‑Vocals

A brutal fusion of technical deathcore and cursed sea-folk metal, The Ibanez ICTB7 in Drop G delivers polymetric riffs and tremolo harmonies, while the ESP STEF-T7 in Drop D cuts sharp counter-rhythms through high-gain stacks, A Modulus Quantum 6 bass and triggered double-kick barrages in 64ths thunder like cannon fire, Brass snare and toms crash beneath hurdy-gurdy drones, AEAE-tuned fiddle runs, accordion swells, and bodhrán pulses, Grizzled pirate vocals roar shanty tales of drowned souls and wrathful seas, A chaotic Drop-G / Drop-D duel ignites before fading into ghostly ambience and distant laughter—cinematic, savage, and ocean-haunted

A violent and furious fusion of technical deathcore and seafaring pirate folk, 7-string guitars (ESP STEF-T7 & Ibanez ICTB7) in drop-G hammer polymetric riffs through high-gain stacks and 4×12 cabs, The Modulus Quantum 6 bass delivers thunderous sub-lows locked to triggered double-kick bursts at 64th-note speed, Brass snare and multi-tom barrages explode beneath cinematic maritime textures — hurdy-gurdy drones, virtuosic fiddle and violin runs, and tin-whistle shanty motifs swirling through the chaos, Accordion chords and bodhrán rhythms pulse between breakdowns, accented by ship-bell hits and storm-tossed choir shouts, Dark, epic, and theatrical; the sound of a ghost crew shredding through a hurricane on the high seas, ‑Ad libs, ‑ad libbing

Technical deathcore × horror-/surf-punk × pirate-folk crossover, 8-string baritone rhythm guitar in ultra-tight, low-tuned chugs (double-tracked hard L/R, gated), with 7-string lead guitar for melodic lines, trem-picked surf motifs, and shreddy fills; active 6-string bass with bright pick grind; fast double-kick + gravity blasts; brass-crack snare and deep floor-tom runs; kick-locked sub-drops/808 impacts, clicky modern kick; a hurdy-gurdy that’s wailing trying to keep up; vocals: cavernous false-cord gutturals + tunnel growls, high fry screams, and contrasting baritone chest-voice crooning with dark vibrato; chantable punk gang shouts; wide, modern, high-impact mix, ‑Ad lib, ‑ad libs, ‑ad libbing, ‑humming

Relentless shred-first deathcore/pirate fusion: opening tavern ambience briefly, then nonstop dual 8-string (drop-G/D) fury—constant sweep arps, tremolo runs, tapping flurries and harmonized divebomb solos as if the whole track is a solo, Ruthless 96th-note double-kick blast patterns, punchy brass snare cracks, tom-stomp accents and grinding Modulus Quantum 6 low end, Fiddle/accordion/brass shanty motifs sit low in the mix as color only; guitars dominate texture, trading virtuosic lines, counter-melodies, and blistering lead duels while grizzled baritone/guttural vocals and gang chants roar over the shred, Tone: ferocious, theatrical, virtuoso chaos, ‑ad lib, ‑ad libbing, ‑fiddle solo

A brutal, cinematic fusion of technical deathcore and pirate folk metal, Begins with an ominous cello drone, creaking rigging, and distant waves, then erupts into precision-crafted chaos, Ibanez ICTB7 in Drop G drives polymetric riffs and tremolo runs while the ESP STEF-T7 in Drop D cuts sharp counterlines, Modulus Quantum 6 bass thunders beneath triggered double-kick barrages, brass snare cracks, and multi-tom rolls like cannon fire, Hurdy-gurdy, AEAE-tuned fiddle, accordion, and bodhrán weave ghostly maritime textures between breakdowns, Grizzled crew vocals roar shanty verses and gang-chant choruses as the track descends into swirling leads and eerie oceanic ambience, Complex, savage, and ocean-haunted — a storm of precision and dread, ‑adlib, ‑adlibbing

A storm-forged pirate metal anthem combining the fury of modern death metal with the cadence of a sea shanty, 8-string guitars tuned to Drop E deliver rapid tremolo riffs and intricate harmonic runs, paired with lead guitar solos in D Phrygian featuring sweeping arpeggios and tapped harmonics, The rhythm section drives with double-kick drums firing in 32nd-note bursts, blending precision blast patterns with rolling 6/8 maritime grooves, Bass in Drop E locks to the kicks, adding depth through distorted overdrive and occasional slap passages, Over this wall of sound, a hurdy-gurdy drone in G/C and fiddle countermelodies add nautical tension, while accordion and bodhrán accent the rhythmic swing, The arrangement shifts between violent storms of sound and brief atmospheric interludes with ambient ocean wind and creaking hull textures, Massive dynamic builds lead to climactic breakdowns and soaring neoclassical guitar solos, fusing technical death metal virtuosity, ‑ad lib, ‑ad libbing

Epic pirate metal war anthem in drop B tuning, built on crushing palm-muted guitars with razor-edged distortion and chugging triplet riffs, Dual guitars trade harmonized leads with blistering tremolo runs and dive-bomb bends over a thunderous double-kick rhythm section, Layered gang vocals roar in chorus like a drunken crew, backed by cinematic brass and storm ambience, Verses seethe with snarling male vocals and gritty midrange growls; choruses explode into chant-along sea shanty hooks drenched in cannon fire, wave crashes, and distorted bass swells, Shifting between galloping 6/8 and halftime breakdowns, the track fuses Black Sails aggression, Viking-metal power, and theatrical sea-battle atmosphere for a savage, blood-spattered maritime onslaught

Technical deathcore × horror-/surf-punk × pirate-folk fusion, Double-tracked 8-string baritone guitar deliver ultra-tight, low-tuned chugs (gated, hard-panned), while a 7-string lead soars with surf tremolo lines and rapid shreddy fills, Active 6-string bass grinds with bright pick attack, Fast double-kick + gravity blasts, clicky modern kick, brass-snare and floor-tom runs mimic cannonfire, A hurdy-gurdy screeches to keep pace, joined by fiddle and pirate tavern squeezebox, Boisterous tavern-style gang shouts and gritty false-cord vocals trade off with deep tunnel growls and theatrical baritone crooning, Satirical, over-the-top pirate theme, Modern, wide, punchy mix, like Alestorm got drunk with Cattle Decapitation and wandered into a tavern brawl, ‑Female vocals, ‑Ad lib, ‑ad libs, ‑ad libbing, ‑humming

Technical deathcore × horror-surf-punk × pirate-folk crossover about two chaotic captains, Ashes and Night, sailing the Caribbean, Bahamas, and Gulf for Blackbeard’s stolen treasure map, One 8-string baritone guitar in Drop G drives ultra-tight, low-tuned chugs (double-tracked hard L/R, gated), A 7-string lead in Drop D weaves melodic lines, trem-picked surf motifs, and shred fills, Active 6-string bass grinds with bright pick attack under rapid double-kick and gravity blasts, locked to a brass-crack snare and deep tom runs, Sub-drops and clicky modern kicks mark transitions, A wailing hurdy-gurdy duels the lead for wild pirate-folk color, Vocals shift between cavernous false-cord growls, high fry screams, and baritone pirate crooning with dark vibrato, backed by chantable gang shouts, Includes a crushing deathcore breakdown, surf-metal solo, and extended outro shred, Wide, modern mix evokes a cinematic, tongue-in-cheek sea-battle—ferocious, theatrical, and hilariously over-the-top, ‑Ad lib, ‑ad libs, ‑ad libbing, ‑humming, ‑scat

Technical deathcore × horror-surf-punk × pirate-folk assault with ferocious low-end precision and cinematic warlike aggression, One 8-string baritone guitar in Drop G delivers ultra-tight, low-tuned chugs (double-tracked hard L/R, gated) that drive the attack, A 7-string lead in Drop D fires rapid shred runs, trem-picked surf motifs, and chaotic dive-bombs with searing tone, Active 6-string bass grinds with bright pick attack, locking to rapid 96th-note double-kick patterns, deep floor-tom rolls, and brass-crack snare hits, Sub-drops accent cannon-like impacts while the hurdy-gurdy wails through the storm for frantic pirate-folk color, Vocals shift between cavernous false-cord growls, high fry screams, and commanding baritone croons, backed by aggressive chantable gang shouts, Massive deathcore breakdown, blazing solo, and extended shred outro deliver a wide, modern, high-impact mix—relentless, theatrical, and explosively destructive, ‑Ad lib, ‑ad libs, ‑ad libbing, ‑humming, ‑scat

guitar solos, 240 bpm, shred duel, westcreek guitar, ibanez guitar, no rhythm guitar, pure solos, constant lead, no vocals, guitar only, tapping, sweep picking, tremolo, alternate picking, harmonized leads, exotic scales, pure metal, no effects, shred war