LP 2/13/26 Playlist2

Mood: Tense, Atmospheric, Relentless mental processing, mental computing, Naoki's critical thinking and reminiscing in song, Genre: Emo Rock, Rap, and Industrial Glitchcore, [Music Influence: Strata meets KMFDM]

Lo-Fi, Trap, Dark

[Genre: Drift Phonk, Hard Hip-Hop] [Mood: Dark, Hypnotic, Gritty] [Instruments: Heavy 808 bass, Cowbells, Chopped samples] [Flow: Triplet-flow, dense rhyme scheme, percussive], ‑melisma

[STYLE] Subgenre: Dreamwave / Cinematic Reflection, Tempo: 105 BPM, 4/4 meter — slow, spacious, and highly atmospheric, Instrumentation: Warm, analog pad synths providing large, sustained chords, A soft, clean electric piano (Rhodes or Wurlitzer) playing a simple, melancholic chord progression, Sparse, echoing delay on a quiet, crisp snare drum and rim shot (no heavy gated reverb), Production: Vast, warm, and highly polished, Heavy use of chorus and gentle reverb to make everything feel expansive and hazy, like a soft-focus film, The bass is deep but round, not aggressive, Vocal Delivery: Soft, breathy, and highly emotional, with a significant amount of gentle, stereo delay and chorus, The delivery should feel intimate, like a whispered memory, Arrangement: Pad Synth Intro (8 bars, building atmosphere) → Verse 1 → Pre-Chorus → Chorus (Pad synths swell) → Verse 2 → Pre-Chorus → Chorus → Bridge (Drums drop out, keys and pads only) → Final Chorus → Outro (Pad synths fade slowly into silen

Mood: Serious, Unsettling, This is an important conversation with Naoki about the cosmic horror mastermind that will never leave me be entirely, It's time to break things down and explain to him about Xelly, Genre: Emo Rock, Rap, and Industrial Cinematic blend, Slow tempo and in minor key, The industrial cinema sound is really good for Cosmic Horror related storytelling, Naoki Kashima is sixteen years old, so his teen speaking and singing voice must be a constant all throughout this song

Subgenre: Retro Synth Disco / Nu-Disco Revival, Tempo: 124 BPM, 4/4 meter — upbeat, glittering disco groove with modern synth production and analog warmth, Instrumentation: funky slap bass, rhythmic Nile Rodgers–style clean guitar, vintage drum machine with disco claps, lush string ensemble hits, bright brass stabs, and glossy polysynth leads weaving through the mix, Vocal Delivery: smooth, confident male vocal with a seductive tone and rhythmic phrasing; female backing vocals respond in call-and-response hooks with harmonized disco flair, Arrangement: filtered synth sweep intro → verse (tight bass + rhythm guitar) → pre-chorus (rising string accents and handclaps) → chorus (explosive disco hook with layered harmonies) → verse 2 (add brass and funk guitar fills) → bridge (instrumental breakdown with synth solo + chant vocals) → final chorus (extended groove and vocal ad-libs) → outro (fade with bass and claps), ‑female

Mood: Fun, Energetic, Unorthodox, Weird, Quirky, Genre: Experimental Glitchpop and Turntablism blend

djent, vocal, strong, contrasted by ethereal, sleep, complex, female vocals, a wall of detuned guitars with syncopated polyrhythms, breakdowns, metal, djent metal fusion, and moments of quiet introspection, heavy use of reverb and delay on the vocals to create a sense of space and mystery, hypnotic, soaring vocals, expect odd time signatures [Mix] monophonic low-end focus, studio recording, wide stereo image, low shelf boosted 1dB below 55hz, transparent mastering at -1dBTP

A brooding, cinematic fusion of **gothic darkwave, experimental industrial rock, and Appalachian myth**, where a **ghostly folk banjo and sitar** plucks through the shadows like a cursed heartbeat beneath the storm, The sound blends **distorted guitars, tribal percussion, pulsing 808 bass, and layered electronic textures** that breathe with mechanical intensity and ritualistic rhythm, **Gypsy female vocals** soar above the chaos, alternating between whispers and raw emotional power, as **ambient synths and orchestral swells** entwine with the banjo’s and sitar's metallic twang to create a sound both ancient and futuristic, The mood is **mysterious, theatrical, and emotionally charged**, a descent down a haunted, generational path — **where Appalachian folklore collides with industrial machinery, and fate hums through every string and shadow, **

upbeat, deep lesbian tomboy voice female rock and roll hip hop, hifi witch, badass cosmic trailer trash bitch, epic guitar solo, rough voice, fast paced drums with cinematic-metal-rock-beats with the subtle influence of nu-metal

Brutal progressive metalcore fused with baroque trap: thick complex grunge riffs layered under harpsichord flourishes and string swells, seismic 808 drops, deep pounding double-bass drums, expansive reverb, Multiple crushing brutal breakdowns dominate transitions, NXCRE-style clear high soaring vocals with raw soul, Her Last Sight heartfelt cleans/screams, 140 BPM regal heaviness meets unrelenting aggression

Mood: Fun, Upbeat, Silly, Catchy, Cute, Genre: Emo rock/pop with a light layering of chiptune, Kirby's voice is frequently high pitched, Crowded Stadium, Live Performance, Crowd Noise

dark, cinematic electronic-rock fusion with snarling industrial undertones, glitchy bass drops, and pounding trap-inspired percussion, layered with sharp synth stabs and distorted guitars that create tension and chaos, The female vocalist drives the track with a versatile, raw delivery—switching between sardonic spoken-word lines, biting rap-like flows, and soaring, unhinged choruses that howl over the instrumental storm, Atmospheric soundscapes and eerie effects punctuate moments of sarcastic levity, while crushing drops and aggressive rhythms hit like a wolf in full hunt mode, giving the track a theatrical, chaotic energy that mirrors the vocalist’s cynical, unfiltered personality

FEMALE VOCALS!!!! flat tone, native accent, snake noises, powwow, wooping, chicano prison rap

Pure a cappella ballad fused with massive isolated 808 bass drops, emotional male vocals in raw, vulnerable a cappella sections with zero instruments for complete intimacy and heartbreak, sudden booming 808 bass drops that rattle windows and provide heavy rhythmic punctuation only during key moments, no other instruments, no guitars, no drums, no percussion, no double bass pedals, no hi-hats, no snares, no synths, no strings, no reverb effects beyond natural vocal space, maximalist emotional production through vocal layering and dynamic silence, 80–90 BPM slow tempo for deep introspective sadness, manic emotional highs colliding with quiet peaceful release and bittersweet longing, male vocalist, male voice, no screaming, no growls, no metalcore, no hyperpop, pure vocal ballad with devastating 808 bass drops

djent, vocal, strong, contrasted by ethereal, sleep, complex, female vocals, a wall of detuned guitars with syncopated polyrhythms, breakdowns, metal, djent metal fusion, and moments of quiet introspection, heavy use of reverb and delay on the vocals to create a sense of space and mystery, hypnotic, soaring vocals, expect odd time signatures [Mix] monophonic low-end focus, studio recording, wide stereo image, low shelf boosted 2dB below 55hz, 8-12khz air zone preserved, transparent mastering at -1dBTP

Mood: Intense, Aggressive, Enraged, Pissed off, Absolutely fed up and not holding anything back! Genre: Heavy Screamo and Glitchcore, 80 BPM, If possible, use the scream in the intro more than once, scattering and breaking it in places, I believe Fritz, the vocalist, will put his all into those screams and emotional delivery

Comedy Action Song, Male Vocalist, Chicken & Cow Sounds, Kung Fu Weirdness, high energy, ebm, industrial

live performance, acoustic guitar, banjo, mandolin, bowed contrabass, large room reverb fills the stereo space, vocal imperfections, acceptance, vulnerable, no percussion, no drums, ‑drums, ‑percussion, ‑melisma, ‑vocal runs