Selected Epic Orchestral Works

20th century, neoromanticism, William Walton, Ralph Vaughan Williams, Edward Elgar, Symphony Orchestra, Steinway Concer Grand Piano, London Philharmonic Orchestra, British style, melodic, tonal, dissonance, Horngacher Harp, follow European harmonic theory of modern classical music, lyrical, angelic, heavenly, atmospheric, dreamy, divine, aerial, heartfelt, moving, gentle, nostalgic, quiet, tranquility, calm, slow, adagio, BPM=50, call and response, hand over, interplay, [Instruments Panning] Solo Piano;60-64, 1st Violin:1-33, 2nd Violin;30-63, Viola;64-94, Cello;93-123, Double Bass;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, Contra Bassoons;74-76, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Bass tuba;99-101, Timpanies;64-70, Harp;36-40, ‑Piano solo, ‑piano concerto, ‑concerto, ‑Piano accompaniment

20th century, atonalism, trance, barbarism, modal, Dorian mode, dissonance, symphonic orchestra, Stravinsky, allegro, fast, brutal, intense, sonata form

19th century, 20th century, Romanticism, dissonance, atonalism, big symphonic orchestra, Bruckner, brass ensemble, chromatic scale, chromatic moduration, expanded sonata form, andante, slow, Start calm and tranquility in D minor with French horn solo accompanied by “primordial fog” means tremolo strings, Theme should be tonal and majestic played in wide range, Then music includes chromatic scale sound shape with several times of chromatic moduration, After constructive building up including a couple of moduration played by aerial high strings and massive brass ensemble and pipe organ should play heroic theme in D major with dramatic and moving chord progression, opera, triumph, divine, religious, magnificent, extended, long

20th century, neoromanticism, William Walton, Ralph Vaughan Williams, Edward Elgar, Symphony Orchestra, boy soprano, female choir, London Philharmonic Orchestra, positive organ, British style, melodic, tonal, dissonance, Horngacher Harp, follow European harmonic theory of modern classical music, lyrical, angelic, heavenly, atmospheric, dreamy, divine, aerial, heartfelt, moving, gentle, nostalgic, quiet, tranquility, calm, slow, adagio, BPM=50, call and response, hand over, interplay, Music start with dispersed major chord played by positive organ as intro, [Instruments Panning] Boy soprano;45, 1st Violin:1-33 2nd Violin;30-63, Viola;64-94, Cello;93-123, Double Bass;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, Contra Bassoons;74-76, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Bass tuba;99-101, Timpanies;64-70, Harp;36-44, Positive organ;50, Female Choir;1-63, ‑Piano solo, ‑piano concerto, ‑concerto, ‑Piano accompaniment

20th century, Neoromanticism, Neoclassicism, New objectivitytonal, Impressionism, tonal, modal, Dorian mode, Ray scale, Mixolydian scale, Purygian scale, diatonic scale, parallel motion, dissonance, atonalism, big Symphonic orchestra, 4 tube formation, Prokofiev, Stravinsky, Rabel, Firebird, percussion, fraction chord, quartal chord, quartal harmony, call and response, hand over, slow, Anabasis, Cyclosis, Parrhesia, Suspensio, slow, tender, aerial, mistycal, lyrical, beautiful, rich, expanded sonata form, arranged structure, chord progression, BPM=140, ‑Piano solo

20th century, New objectivity, dissonance, atonalism, Hindemith, symphony orchestra, divine, energetic, allegro

Impressionism, Japanese anime film music, Jo Hisaishi, Ravel, Debussy, dissonance, modal, Dorian mode, Ray scale, Lydian scale, Mixolydian scale, Phrygian scale, Layered Cosmic synth pad, Layered sweeping pad, Layered soaring pad, layered descending pad played with time lag, synth brass, layered aerial pad, chromatic high move to up and down of soft woodwinds, layered metallic pads, pitch bending layered synth silky string pads, shimmering pad, small metal bell, wind chime, Horngacher Harp, arpeggio of Harp, soft and delicate glissando of Harp, strings ensemble, brass ensemble, synth brass, 4 Alexander French Horns, synth string bass pads, layered rising pad played with time lag, High registered bells, hand bells, layered female and male choir singing at a distance, octave layered high strings, no beats, no time signatures, music have to move slowly, Sound effects of explosion, sound effect of rapid move of comets, slow, heavy distortion guitar with high EQ, icy pad, heavy distorted synth lead pads, calm, quiet, ‑Piano, ‑piano accompaniment, ‑concerto, ‑percussion, ‑drums

20th century, atonalism, Japanese anime music, big orchestra, Jo Hisaishi, dissonance, modal, Dorian mode, Ray scale, slow, cantabile, beautiful silky high strings, massive brass ensemble, sharp and clear woodwinds, colorful orchestration, dramatic, moving climax

20th century, classical, full orchestra Symphony, Symphonic metal, trance, Gustav Mahler, 4 tube formation, mixed choir, tonal, dissonance, atonalism, follow Europian harmonic theory of Late Romantic era, music counterpoint, contrapuntal, brass choir, starts with strings tutti plays heroic melody, same melody has to hand over to woodwinds ensemble in different key, then brss joins that, after that with a couple of modulation music towards it’s climax of ending, at climax brass ensemble plays big choir with chord of full orchestra, moving, uplifting, heroic, magnificent, epic, operatic, dramatic, intense, Largo, BPM=50-60, ‑Piano solo, ‑Piano accompaniment, ‑Piano Concerto, ‑Concerto

20th century, classical, full orchestra Symphony, Symphonic metal, trance, Gustav Mahler, 4 tube formation, mixed choir, tonal, dissonance, atonalism, follow Europian harmonic theory of Late Romantic era, music counterpoint, contrapuntal, brass choir, starts with strings tutti plays heroic melody, same melody has to hand over to woodwinds ensemble in different key, then brss joins that, after that with a couple of modulation music towards it’s climax of ending, at climax brass ensemble plays big choir with chord of full orchestra, moving, uplifting, heroic, magnificent, epic, operatic, dramatic, intense, Largo, BPM=50-60, ‑Piano solo, ‑Piano accompaniment, ‑Piano Concerto, ‑Concerto

20th century, classical, Romanticism, full orchestra Symphony, dark gothic symphonic metal, Gustav Mahler, 4 tube formation, tonal, dissonance, atonalism, follow Europian harmonic theory of Late Romantic era, music starts with strings tutti plays heroic melody, same melody has to hand over to woodwinds ensemble in different key, then brss joins that, after that with a couple of modulation music towards it’s climax of ending, at climax brass ensemble plays big choir with chord of full orchestra, orchestra, heroic, magnificent, epic, intense, andante, BPM=70-80

20th century, classical, full orchestra Symphony, Gustav Mahler, 4 tube formation, tonal, dissonance, atonalism, follow Europian harmonic theory of Late Romantic era, music starts with strings tutti plays heroic melody, same melody has to hand over to woodwinds ensemble in different key, then brss joins that, after that with a couple of modulation music towards it’s climax of ending, at climax brass ensemble plays big choir with chord of full orchestra, heroic, magnificent, epic, intense, Largo, BPM=50-60

19th century, Mahler, symphonic orchestra, Romanticism, Gregorian Chant, female choir, epic, magnificent, operatic, dramatic, beautiful high strings, powerful brass

19th century, Bruckner, symphonic orchestra, Romanticism, choir, epic, magnificent, triumph, brilliant fanfare, operatic, dramatic, beautiful high strings, powerful brass, beautiful structure, brilliant theme

19th century, 20th century, Romanticism, big symphonic orchestra, Mahler, Bruckner, Wagner, brass ensemble, chromatic scale, unendliche Melodie, chromatic moduration, dissonance, atonalism, expanded sonata form, Start calm and tranquility, slow, andante, BPM=50-60, Theme should be tonal and majestic played in wide range, Then music includes chromatic scale sound shape with several times of chromatic moduration, After constructive building up including a couple of moduration played by aerial high strings and massive brass ensemble and pipe organ should play heroic theme in D major with dramatic and moving chord progression, opera, triumph, divine, religious, magnificent, extended, long, moderato, BPM=80-100

Late 19th century, 20th century, Mahler, big symphonic orchestra, dissonance, atonalism, alt solo, Romanticism, chromatic scale, chromatic moduration, choir, soprano, finale, epic, magnificent, triumph, brilliant fanfare, military band, moderato, opera, dramatic, heroic, hymn, beautiful high strings, harp, powerful brass, hit of timpani, big drum

20th century, atonalism, Japanese anime soundtrack, big orchestra, Jo Hisaishi, dissonance, modal, Dorian mode, Ray scale, moderato, aerial, soaring, beautiful silky high strings, massive brass ensemble, sharp and clear woodwinds, transparent harp, colorful orchestration, start with calm and quiet and archaic smooth theme of atonality with little modal taste played by silky strings doubled with flute acompanied By harp, dramatic, magnificent and moving climax Built up with strong male choir and beautiful female choir and orchestra including emphasized high aerial strings and bright brass ensemble and pipe organ, long, extended

20th century, New objectivity, neoclassicism, dissonance, atonalism, Prokofiev, barbarism, symphony orchestra, tutti, ff, big choir, brass ensemble, Toccata, cheerful, modal, Dorian mode, Ray scale, savage, brutal, barbaric, intense, rough, energetic, allegro, percussion

20th century, Neoclassicism, New objectivity, barbarism, tonal, modal, Dorian mode, Ray scale, Mixolydian scale, Purygian scale, diatonic scale, parallel motion, dissonance, atonalism, big Symphonic orchestra, 4 tube formation, Bartok, Prokofiev, Stravinsky, Concerto for Orchestra, Pètrouchka, percussion, fraction chord, quartal chord, quartal harmony, call and response, hand over, allegro, Anabasis, Cyclosis, Parrhesia, Suspensio, fast, lively, brutal, intense, energetic, expanded sonata form, arranged structure, chord progression, BPM=140, ‑Piano solo

20th century, New objectivity, neoclassicism, dissonance, atonalism, Hindemith, barbarism, symphony orchestra, brass ensemble, concerto grosso for orchestra, cheerful, modal, Mixolydian scale, savage, brutal, barbaric, energetic, allegro, polyrhythm, counterpoint

20th century, atonalism, Romanticism, dissonance, big symphonic orchestra, brass ensemble, fanfare, Female soprano, female choir, Mahler, epic, opera, triumph, dramatic, heroic, religious, divine, heavenly, magnificent, moderato, sonata form

Late 19th century, 20th century, Mahler, big symphonic orchestra, dissonance, atonalism, alt solo, Romanticism, chromatic scale, chromatic moduration, choir, soprano, epic, magnificent, triumph, brilliant fanfare, moderato, opera, dramatic, heroic, hymn, beautiful high strings, harp, powerful brass, hit of timpani, big drum

The piece is an instrumental composition featuring a prominent organ melody, The tempo is slow, creating a contemplative and somewhat melancholic mood, The organ's timbre is rich and full, suggesting a pipe organ or a high-quality digital emulation, The harmony is largely consonant, with occasional dissonances resolving smoothly, The dynamic range is moderate, with no sudden shifts in volume, The overall production is clean, with the organ being the sole focus of the mix, There are no other instruments or vocal elements present, The piece has a clear melodic line that is sustained throughout, without distinct sections like verses or choruses, The key appears to be minor, contributing to the somber atmosphere

A majestic orchestral piece in C major, featuring a grand, sweeping melody, The instrumentation includes a full string section with prominent violins and cellos, a brass section with French horns and trombones, and a woodwind section with flutes and clarinets, Percussion, including timpani and cymbals, provides rhythmic emphasis and dramatic accents, The piece begins with a slow, sustained chord, gradually building in intensity and complexity, The melody is lyrical and expressive, often played in unison by the strings and woodwinds, then reinforced by the brass, The harmony is rich and consonant, employing traditional classical progressions, The tempo is adagio, creating a sense of grandeur and solemnity, The production emphasizes a wide stereo image and a natural hall reverb, giving the impression of a large performance space, The dynamic range is broad, moving from soft, delicate passages to powerful, fortissimo climaxes, There are no vocals present in this piece

Symphony Orchestra, follow and keep original melody exctly, follow and keep original chord and harmonic progression exactly, arrange orchestration more refined, follow and keep original tempo as possible, heartfelt, uplifting, atmospheric, lyrical, dreamy, majestic, dramatic, epic

Symphony Orchestra, follow and keep original melody exctly, follow and keep original chord and harmonic progression exactly, arrange orchestration more refined, follow and keep original tempo as possible, heartfelt, uplifting, atmospheric, lyrical, epic, majestic, dramatic, Heroic

Majestic, epic, uplifting, heroic, moving, heartfelt, brave, triumph, bright, majestic, lyrical, 20th century, American film score, neoroanticism, inspired by “Star Wars” Main Theme by John Williams, Symphony Orchestra, London Philharmonic Orchestra, melodic, tonal, dissonance, Horngacher Harp, follow European harmonic theory of modern classical music, follow heroic and uplifting melodic style of John Williams, follow elegant sound pattern of John Williams, follow majestic harmonic progression of John Williams, fast, allegro, BPM=160, call and response, hand over, interplay, [Instruments Panning] 1st Violins:1-33 2nd Violins;30-63, Violas;64-94, Cellos;93-123, Double Basses;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Timpanies;64-70, Bass Drum;71-73, Percussions;74-80, Harp;36-44, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑drums, ‑electric guitar

Majestic, epic, uplifting, heroic, moving, heartfelt, brave, triumph, bright, majestic, lyrical, 20th century, American film score, neoroanticism, inspired by “Star Wars” Main Theme by John Williams, Symphony Orchestra, London Philharmonic Orchestra, melodic, tonal, dissonance, Horngacher Harp, follow European harmonic theory of modern classical music, follow heroic and uplifting melodic style of John Williams, follow elegant sound pattern of John Williams, follow majestic harmonic progression of John Williams, fast, allegro, BPM=160, call and response, hand over, interplay, [Instruments Panning] 1st Violins:1-33 2nd Violins;30-63, Violas;64-94, Cellos;93-123, Double Basses;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Timpanies;64-70, Bass Drum;71-73, Percussions;74-80, Harp;36-44, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑drums, ‑electric guitar

Majestic, epic, uplifting, heroic, moving, heartfelt, brave, majestic, intense, 20th century, American film score, dark, fantasy, neoroanticism, inspired by Style of by Hans Zimmer, Symphony Orchestra, London Philharmonic Orchestra, melodic, tonal, dissonance, Horngacher Harp, follow European harmonic theory of modern classical music, follow intense and uplifting melodic style of Hans Zimmer, follow thrilling sound pattern of Hans Zimmer, follow majestic and nervous harmonic progression of Hans Zimmer, fast, allegro, BPM=160, call and response, hand over, interplay, [Instruments Panning] 1st Violins:1-33 2nd Violins;30-63, Violas;64-94, Cellos;93-123, Double Basses;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Timpanies;64-70, Bass Drum;71-73, Percussions;74-80, Harp;36-44, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑drums, ‑electric guitar

Majestic, epic, uplifting, heroic, moving, heartfelt, brave, majestic, intense, 20th century, American film score, dark, fantasy, neoroanticism, inspired by Style of by Hans Zimmer, Symphony Orchestra, London Philharmonic Orchestra, melodic, tonal, dissonance, Horngacher Harp, follow European harmonic theory of modern classical music, follow intense and uplifting melodic style of Hans Zimmer, follow thrilling sound pattern of Hans Zimmer, follow majestic and nervous harmonic progression of Hans Zimmer, fast, allegro, BPM=160, call and response, hand over, interplay, [Instruments Panning] 1st Violins:1-33 2nd Violins;30-63, Violas;64-94, Cellos;93-123, Double Basses;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Timpanies;64-70, Bass Drum;71-73, Percussions;74-80, Harp;36-44, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑drums, ‑electric guitar

Majestic, epic, uplifting, heroic, moving, heartfelt, brave, majestic, intense, 20th century, American Film score, dark, fantasy, Conductor, Neoromanticism, inspired of “Gradiator” by Hans Zimmer, Symphony Orchestra, London Philharmonic Orchestra, melodic, tonal, dissonance, ”Horngacher Harp”, follow European harmonic theory of modern classical music, follow intense and uplifting melodic style of Hans Zimmer, follow thrilling sound pattern of Hans Zimmer, follow majestic and nervous harmonic progression of Hans Zimmer, fast, allegro, BPM=140, call and response, hand over, interplay, [Instruments Panning] 1st Violins:1-33 2nd Violins;30-63, Violas;64-94, Cellos;93-123, Double Basses;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Timpanies;64-70, Bass Drum;71-73, Percussions;74-80, Harp;36-44, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑drums, ‑electric guitar

Majestic, epic, uplifting, heroic, moving, heartfelt, brave, majestic, intense, 20th century, American Film score, dark, fantasy, Conductor, Neoromanticism, inspired of “Gradiator” by Hans Zimmer, Symphony Orchestra, London Philharmonic Orchestra, melodic, tonal, dissonance, ”Horngacher Harp”, follow European harmonic theory of modern classical music, follow intense and uplifting melodic style of Hans Zimmer, follow thrilling sound pattern of Hans Zimmer, follow majestic and nervous harmonic progression of Hans Zimmer, fast, allegro, BPM=140, call and response, hand over, interplay, [Instruments Panning] 1st Violins:1-33 2nd Violins;30-63, Violas;64-94, Cellos;93-123, Double Basses;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Timpanies;64-70, Bass Drum;71-73, Percussions;74-80, Harp;36-44, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑drums, ‑electric guitar

Start with tragic melody in C minor played by strings tutti, Then struggle of call and response and hand over between many instruments and orchestra, many times of moduration will be done, After that, building up of orchestra instruments, Big climax of brass fanfare will be played in C major supported by strings and wood winds And singers and choir and cymbal and timpani and big drum, intense, big powerful sound, With C major of full orchestra tutti with singers and choir, music ends, Singers and choir sing with lyrics at climax at first time, extend, long, 19th century, 20th century, Romanticism, 4 tube formation, big symphonic orchestra, Mahler, Resurrection, female soprano, female alt, male choir, female choir, massive brass ensemble, tonal, chromatic scale, chromatic moduration, dissonance, atonalism, andante, slow, call and response, hand over, counterpoint, follow Europian romantic school harmony theory, melodic minor scale, Tragic, heroic, uplifting, magnificent, moving, heartfelt, epic, divine, hymn

Start with tragic melody played by strings tutti, Then struggle of call and response and hand over between many instruments and orchestra, many times of moduration will be done, After that, building up of orchestra instruments, Big climax of brass fanfare will be played in C major supported by strings and wood winds And singers and choir and cymbal and timpani and big drum, intense, big powerful sound, With C major of full orchestra tutti with singers and choir, music ends, Singers and choir sing with lyrics at climax at first time, extend, long, 19th century, 20th century, Romanticism, 4 tube formation, big symphonic orchestra, Mahler, Resurrection, female soprano, female alt, male choir, female choir, massive brass ensemble, tonal, chromatic scale, chromatic moduration, dissonance, atonalism, andante, slow, call and response, hand over, counterpoint, follow Europian romantic school harmony theory, melodic minor scale, Tragic, heroic, uplifting, magnificent, moving, heartfelt, epic, divine, hymn

20th century, neoromanticism, Symphony, Japanese anime music, Studio Ghibli film music, Jo Hisaishi, Symphony Orchestra, London Philharmonic Orchestra, melodic, tonal, modal, Mixolydian scale, dissonance, follow European harmonic theory of modern classical music, follow lyrical and nostalgic melodic styles of Jo Hisaishi, epic, majestic, lyrical, nostalgic, divine, heartfelt, moving, p, gentle, calm, slow, adagio, BPM=60, call and response, hand over, interplay, [Instruments Panning] 1st Violin:1-33, 2nd Violin;34-63, Viola;64-94, Cello;93-123, Double Bass;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, Contra Bassoons;74-76, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Bass tuba;99-101, Timpanies;64-70, Bass drum;71-76, Harp;36-40, ‑Piano solo, ‑piano concerto, ‑concerto, ‑Piano accompaniment

20th century, neoromanticism, William Walton, Ralph Edward Elgar, Symphony Orchestra, boy soprano, female choir, London Philharmonic Orchestra, British style, melodic, tonal, dissonance, follow European harmonic theory of modern classical music, lyrical, angelic, heavenly, atmospheric, dreamy, divine, aerial, heartfelt, moving, gentle, nostalgic, calm, slow, adagio, BPM=60, call and response, hand over, interplay, ‑Piano solo, ‑piano concerto, ‑concerto, ‑Piano accompaniment

19th century, 20th century, Guitar Concerto, Flamenco guitar, Symphony Orchestra, Flamenco, Fandango, Sevillanas, Concierto de Aranjuez, Rodrigo, Romanticism, Spanish scale, Spanish 8 tone scale, Solo Guitar has to play with super-virtuosity of Flamenco Guitar, National music school of Spain, Spanish folk music, passionate, fast, energetic, castanet, handclap, fast, allegro, BPM=160-180, extended, long, [Instruments Panning] Solo Guitar;50 1st Violin:1-33 2nd Violin;30-63, Viola;64-94, Cello;93-123, Double Bass;105-127, Flutes;47-51, Oboes;52-56, Clarinets;61-65, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Timpanies;64-70 Percussion;74-82, ‑Piano solo, ‑Guitar solo, ‑Piano accompaniment

Majestic, epic, uplifting, heroic, moving, heartfelt, brave, majestic, intense, 20th century, American film score, dark, fantasy, neoroanticism, inspired by Style of by Hans Zimmer, Berliner Philharmoniker, recorded at Berliner Philharmonie, melodic, tonal, dissonance, Horngacher Harp, follow European harmonic theory of modern classical music, follow intense and uplifting melodic style of Hans Zimmer, follow thrilling sound pattern of Hans Zimmer, follow majestic and nervous harmonic progression of Hans Zimmer, fast, allegro, BPM=160, call and response, hand over, interplay, [Instruments Panning] 1st Violins:1-33 2nd Violins;30-63, Violas;64-94, Cellos;93-123, Double Basses;105-127, Piccolos;42-46, Flutes;47-51, Oboes;52-56, English Horn;57-60, Clarinets;61-65, Bass Clarinets;66-68, Bassoons;69-73, French Horns;66-76, Trumpets in A;77-80, Trumpets in B♭;81-84, Trombones;85-89, Bass Trombones;90-93 Tubas;94-98, Timpanies;64-70, Bass Drum;71-73, Percussions;74-80, Harp;36-44, ‑Piano solo, ‑Piano accompaniment, ‑Piano concerto, ‑drums, ‑electric guitar