#spaceport

This is not a clean song, This is a noise-based track, Prioritize harshness, distortion, and texture over musical clarity, Begin with broken, heavily distorted drums — IDM-inspired, 16th-note chaos, clipped and overloaded, The sound should be chaotic but intentional, Overlay childlike ASMR whispers — soft, emotional, sometimes fragmented — blending Japanese and glitchy English, Treat the voice as part of the noise layer, not a lead, Add shimmering chiptune FX, bitcrushed sparkles, digital crackles, and low-bitrate errors, Include poetic, code-like fragments (e, g, 呼びかけ(); return “echo”; 余韻だけ();), Include the sound of a one-string Chinese zither, processed through lo-fi and glitch filters, subtly woven into the atmosphere, Keep the tempo slow (~80 BPM) but full of rhythmic density, Major key, but emotionally mismatched, The feeling is lonely, beautiful, broken — a colorful glitch dream in space

A minimal cinematic ambient track from the perspective of Sputnik — the first artificial satellite, Start with deep silence, Then slowly introduce harsh analog static and cold radio beeps: beep… beep… beep… These tones repeat rhythmically, like a lonely heartbeat in low Earth orbit, Add cold mechanical hums and metallic tape hiss, Include archival elements: distant Soviet radio chatter, Morse code fragments, distorted launch countdown in Russian, The vocal is non-singing, just whispers — like a machine dreaming, She speaks with a quiet robotic accent in Russian and English: “Я вижу Землю, ” / “I see Earth, ” “Я одна, ” / “I am alone, ” Let the music stay cold and minimal, building tension slowly, No melody — only signal, End with the fading of the beeps and a final whisper: “Are you still listening?”