4:01

Japanese psychedelic mathrock, intense three-piece band sound, androgynous male voice, technical bass-driven groove, frantic odd-meter drums, sharp distorted guitar riffs, ritualistic and mysterious atmosphere, occult pilgrim imagery, rapid tempo shifts, 7/8 and 5/4 mixed with straight rock sections, eccentric high male vocal, theatrical sneering delivery, sudden falsetto jumps, chaotic but precise ensemble, heavy bass wall, metallic guitar accents, dry live-room drums, hypnotic repetition, abrupt stops, explosive chorus, dark humor, sacred yet vulgar, underground Japanese art-rock energy, no synth pop, no EDM, no lo-fi, no cute idol tone
3:19

嘘八百の三千世界
Custom
Japanese psychedelic progressive rock, intense three-piece band sound, androgynous male voice, technical bass-driven groove, frantic odd-meter drums, sharp distorted guitar riffs, ritualistic and mysterious atmosphere, occult pilgrim imagery, rapid tempo shifts, 7/8 and 5/4 mixed with straight rock sections, eccentric high male vocal, theatrical sneering delivery, sudden falsetto jumps, chaotic but precise ensemble, heavy bass wall, metallic guitar accents, dry live-room drums, hypnotic repetition, abrupt stops, explosive chorus, dark humor, sacred yet vulgar, underground Japanese art-rock energy, no synth pop, no EDM, no lo-fi, no cute idol tone
4:31

808 Pilgrim
v5.5
Japanese psychedelic progressive rock, intense three-piece band sound, technical bass-driven groove, frantic odd-meter drums, sharp distorted guitar riffs, ritualistic and mysterious atmosphere, occult pilgrim imagery, rapid tempo shifts, 7/8 and 5/4 mixed with straight rock sections, eccentric high male vocal, theatrical sneering delivery, sudden falsetto jumps, chaotic but precise ensemble, heavy bass wall, metallic guitar accents, dry live-room drums, hypnotic repetition, abrupt stops, explosive chorus, dark humor, sacred yet vulgar, underground Japanese art-rock energy, no synth pop, no EDM, no lo-fi, no cute idol tone
2:49

Heart+Beat(覇美)
v5.5
Bass-and-drums featured instrumental, BPM 180, short technical nu-metal, No guitar, no vocals, Main style is dark aggressive nu-metal with heavy low-B 5-string bass riffs and brutal tight drums, Lead 5-string slap/chopper bass dominates: ultra-fast fingerstyle, slap, popping, tapping, harmonics, low-B runs, octave jumps, chord hits, Bass adds constant triplet runs, quintuplet bursts, grace notes, ghost notes, hammer-ons, pull-offs, ornamental fills between phrases, Technical and Ultra-Fast Drums answer the bass with double-kick bursts, ghost-note snare, tom fills, cymbal chokes, stop-and-go syncopation, Structure: dark nu-metal intro, bass-and-drum call-and-response, short funky slap section only in the middle, brief bright J-Rock melodic lift, then return to heavy nu-metal finale, Extended bass solo, dry clear mix, bass upfront, punchy drums, Negative: funk rock, vocals, whisper, shimmer, noise, muddy mix, buried bass, ‑vocal, ‑guitar
3:30

PV: VxDxG
v5.5
Minimal duo performance, Instrumental technical drum and violin duel, Paganini-inspired virtuoso violin, extreme solo violin shredding, rapid arpeggios, ricochet bowing, spiccato, left-hand pizzicato, double stops, chromatic runs, wild classical cadenzas, Hyper-technical acoustic drums, progressive metal drumming, blast fills, odd meters, polyrhythms, double kick bursts, ghost notes, tight snare, tom runs, cymbal accents, Only violin and drums, Dramatic tension, concert-hall attack, modern punchy mix, clear transients, dry powerful drums, bright cutting violin, BPM 190, Key D minor, Structure: intro cadenza, drum entrance, duel section, trading solos, unison climax, sudden hard stop, Negative: vocals, guitar, bass, synth, piano, orchestra, choir, shout, scream, growl, lo-fi, muddy mix, buried violin, boxiness, phase issues, hiss, artifacts
3:44

PJ : 190JJ+Seb
v5.5
Within 4 minutes, Instrumental bass-dominant technical nu-metal, no vocals, BPM 180 feel, 5-string bass plays BPM240-like subdivisions, Virtuosic Bass, Virtuosic Drums, Bass is the main lead instrument from start to finish: ultra-fast fingerstyle, slap, popping, machine-gun slap, tapping, ghost notes, triplet runs, quintuplet bursts, hammer-ons, pull-offs, harmonics, low-B riffs, octave jumps, chord hits, shred-guitar-like arpeggio lines, constant ornamental fills, Drums support the bass with double-kick bursts, ghost-note snare, tom fills, cymbal chokes, stop-and-go accents, micro-staggered full-kit flams, Piano appears only occasionally as short dark accents, not a main instrument, Guitar is absent except brief heavy hits in climax, Clean dry mix, bass upfront, drums punchy
3:09

PJ:190JJ
v5.5
Bass-and-drums only instrumental, BPM 180, short technical nu-metal, No guitar, no vocals, Main style is dark aggressive nu-metal with heavy low-B 5-string bass riffs and brutal tight drums, Lead 5-string slap/chopper bass dominates: ultra-fast fingerstyle, slap, popping, tapping, harmonics, low-B runs, octave jumps, chord hits, Bass adds constant triplet runs, quintuplet bursts, grace notes, ghost notes, hammer-ons, pull-offs, ornamental fills between phrases, Technical and Ultra-Fast Drums answer the bass with double-kick bursts, ghost-note snare, tom fills, cymbal chokes, stop-and-go syncopation, Structure: dark nu-metal intro, bass-and-drum call-and-response, short funky slap section only in the middle, brief bright J-Rock melodic lift, then return to heavy nu-metal finale, Extended bass solo, dry clear mix, bass upfront, punchy drums, Negative: funk rock, guitar, piano, synth, vocals, whisper, shimmer, noise, muddy mix, buried bass, ‑vocal, ‑guitar
4:00

境界線で踊れ(+Wa-taste)
Custom
IDM × Future Bass × Wa-Experimental × Art Pop, 132 BPM, minor verse, major chorus lift, liminal urban-night, surreal melancholic bounce, Japanese instruments must be clearly audible: shamisen plucked motif as main rhythmic hook, dry tsuzumi pon/ton hits in verses, kane kan accents before transitions, hyoshigi clappers for hard stops, Breathy bass clarinet low lead, 808 sub + TB-303 acid pluck, sidechain breathing, granular pads, FM bells, tape saturation, TR-909 hybrid drums, precise rhythmic cuts, ghost notes, syncopated groove, no constant crash, Subtle digital stutters, light digital texture accents, reverse swells, Dry close-mic gentle female vocal, whisper to half-sung, subtle kobushi, intimate spoken lines, slightly off-timing emphasis, Humanized irregular pulse, abrupt endings, natural finish, Negative: shout, scream, growl, lo-fi, muddy mix, buried vocals, 300Hz-500Hz mud, boxiness, phase issues, hiss, artifacts, generic EDM drop, trap drill hats, anime hero theme, monotone, ‑electric guitar, ‑guitar solo, ‑shout, ‑scream
3:39

Female vocal: theatrical poison and erotic tension, sharp, sultry, decadent, exaggerated vibrato, frequent kobushi turns, Rolled R consonants, sneering phrasing, Tempo: mid-fast with rhythmic instability, Style: french grunge influenced jazz, J-rock, distorted power chords, palm-muted verse guitar, overdriven bass lines, snare-heavy backbeat, tom fill transitions, saxophone accents, piano riff stabs, gang shout chorus, dry close-mic drums, plate reverb snare, dynamic quiet-loud shifts, breakdown pause, cathartic release
4:47

Ethereal cyber-orchestral electronica with haunting female vocals, sacred choir layers, futuristic breakbeat, deep sub bass, shimmering synth pads, glassy arpeggios, solemn strings, subtle industrial percussion, and a mysterious spiritual atmosphere, Melancholic yet majestic, beautiful yet slightly dark, with cinematic anime-opening scale and emotional lift, Verses feel intimate, weightless, and hypnotic; chorus opens wide into a transcendent, soaring, emotionally charged climax with layered harmonies and sacred texture, Elegant, futuristic, reflective, and immersive, like a prayer drifting through a digital city at night, Polished, expansive mix, wide stereo space, refined dynamics, no cute pop tone, no bright EDM drop, no heavy rock guitar focus, no cheesy trance, Themes of memory, soul, network, silence, awakening, and the boundary between human warmth and machine infinity, ethereal cyber-choir, spiritual atmosphere, mysterious and transcendent, ‑shout, ‑scream, ‑growl, ‑genocide, ‑war, ‑dictator
3:24

Dark experimental alternative rock with gothic intensity, sharp emotional contrast, and a highly sophisticated chorus melody, Female vocal with a fragile but fierce tone, Dense distorted guitar wall, intricate bass movement, precise drums, eerie synth layers, cinematic string shadows, Core requirement: the chorus must strongly feature chromatic melodic motion, especially semitone climbing and descending phrases that create a disturbing, seductive tension, The melody should feel slightly unstable and psychologically intense, using half-step transitions, dark intervals, and unexpected note resolutions, Make it catchy but intellectually complex, Verses should feel minimal, tense, and mysterious, Pre-chorus should tighten the pulse with rhythmic unease, Chorus should hit with dramatic expansion, layered harmonies, and a memorable but twisted melodic hook, Final section should feel overwhelming, beautiful, and ethereal, divine, Chorus melody driven by chromatic semitone motion, springrolls, ‑shout, ‑scream, ‑growl
3:22

A 90’s Japanese visual-kei rock track with electric guitar weaving intricate, arpeggio lines, The sound is lush and dramatic, driven by expressive, falsetto-rich male vocals—often teetering off-key for a theatrical, decadent edge, Dramatic shifts drop into sudden bursts of death growl, boosting intensity, Bass and drums pulse beneath the ornate guitar layers, guitar with hermonics and vibrato
3:35

Mouth Riot
Custom
Rap-Rock × Anthemic Hardcore Punk, BPM 152, Minor key verse / Major key chorus, Raw human-spirit band, Tight aggressive distortion guitars (Explorer + Les Paul), gritty live amp tone, Simple anthemic melodic riffs in chorus, Growling overdriven bass (Freedom Custom Guitar Research style), Punchy tight kick, cracking snare (TAMA + Zildjian), 16th-note hats with breakbeat accents, Verse: tight fast Japanese male rap, crisp consonants, high syllable density, micro-pauses between bars, almost spoken-word clarity, no idol/cute tone, dry upfront vocal placement, Chorus: explosive anthemic male belt, strong simple melodic hook, layered gang vocals for massive singalong, Bridge: rap acceleration → micro-silence → scream drop, Strong dynamic contrast between dense rap verse and open melodic chorus, Wall-of-sound mix on chorus, No clean polish — raw, noisy, aggressive, anthemic, defiant, Lyric-driven rebellion energy, ‑shout, ‑growl, ‑scream
1:48

(੭ु⁾⁾>_<)੭ु⁾⁾
(੭ु´・ω・`)੭ु⁾⁾
(੭ु˙꒳˙)੭ु⁾⁾
=͟͟͞͞(o ̄=͟͟͞͞(o ̄∇ ̄)=◯)`ν゜)・, '
(・ω・三・ω・)
((・ω・`*)(*´・ω・))
ブン((・ω・`*)(*´・ω・))ブン
( 'ヮ'⊂彡☆))Д´) ペチーン
2:27

Dreamy trance atmosphere with grand cinematic strings, clean acoustic guitar textures, and a youthful, gentle male vocal — strong and resonant, yet subtly innocent and boyish in tone, ‑shout, ‑scream
3:48

Rock with jazz influences, Energetic and dramatic modern rock mixed with rap-rock elements, Prominent acoustic piano riffs, bright saxophone accents, and tight rhythm section, Groovy drums with syncopation, punchy bass, and distorted guitars that enter in the chorus, mix of rhythmic rap phrasing, melodic singing, and emotional high notes, Atmosphere: cinematic tension + jazzy sophistication + explosive rock energy, ”
Structure (must follow)
Structure:
Intro: Piano riff + saxophone + light drums, Verse 1: Rap-style delivery, jazz chords on piano, subtle sax fills, Pre-Chorus: Build-up with rising piano arpeggio and drums tightening, Chorus: Big melodic rock chorus, wide guitars, strong vocal hook, sax harmonies, Post-Chorus: Short sax-led instrumental break, Verse 2:Female husky vocal, Faster rap phrasing, more energetic groove, Pre-Chorus 2: Emotional build, Final Chorus: Layered vocals, stronger sax section, double chorus
Outro: Guitar riff, sax
5:16

ちゃんとChant
Custom
Japanese psychedelic progressive rock, intense three-piece band sound, androgynous male voice, technical bass-driven groove, frantic odd-meter drums, sharp distorted guitar riffs, ritualistic and mysterious atmosphere, occult pilgrim imagery, rapid tempo shifts, 7/8 and 5/4 mixed with straight rock sections, eccentric high male vocal, theatrical sneering delivery, sudden falsetto jumps, chaotic but precise ensemble, heavy bass wall, metallic guitar accents, dry live-room drums, hypnotic repetition, abrupt stops, explosive chorus, dark humor, sacred yet vulgar, underground Japanese art-rock energy, no synth pop, no EDM, no lo-fi, no cute idol tone
5:21

ちゃんとChant (乙)
Custom
Japanese psychedelic progressive rock, intense three-piece band sound, androgynous male voice, technical bass-driven groove, frantic odd-meter drums, sharp distorted guitar riffs, ritualistic and mysterious atmosphere, occult pilgrim imagery, rapid tempo shifts, 7/8 and 5/4 mixed with straight rock sections, eccentric high male vocal, theatrical sneering delivery, sudden falsetto jumps, chaotic but precise ensemble, heavy bass wall, metallic guitar accents, dry live-room drums, hypnotic repetition, abrupt stops, explosive chorus, dark humor, sacred yet vulgar, underground Japanese art-rock energy, no synth pop, no EDM, no lo-fi, no cute idol tone




