2026 Playlist

Create an energetic song blending modern doo-wop, afrobeat, and Indian music styles, Combine doo-wop’s harmonic vocals with afrobeat rhythms, Add traditional Indian instruments (tabla, sitar, etc, ) and electronic elements, The melody and rhythm should be strong, danceable, and create an atmosphere that feels both nostalgic and modern

1960s beat, Rockabilly / Early Rock & Roll, Twangy electric guitar riff, Slap bass, drum shuffle

1990s Eurodance club track at 123 BPM, 4/4, Strong tribal groove with afro-caribbean percussion, round house kick, dry clap on 2 and 4, offbeat open hi-hats, Minimal synth stabs, no pads, no melodic lead, Bass is simple, pulsing, supporting the kick only, Male MC vocal in ragga / toasting style, very narrow pitch range (1–2 notes), mostly monotone and rhythmic, Vocal behaves like percussion, not melodic singing, Catchy chant-style hook with repetitive short phrases, strong rhythmic accents, slight pitch lift only on emphasized words, Call-and-response sections with crowd-style backing vocals, Energetic, dancefloor-driven, body-moving groove, No emotional melodies, no long notes, no lyrical storytelling, Focus on rhythm, repetition, and physical movement

1992 Scandinavian reggae-influenced pop, minimal 90s Euro pop, 94 BPM, 4/4, F# minor feel, deep repetitive bass-driven groove, simple off-beat rhythm, dry 90s drum machine, lots of space, Female vocal, very narrow range, stepwise motion, frequent repeated notes, speech-like delivery, descending phrases, no octave jumps, chorus stays restrained, hypnotic not explosive, Cool, detached, minimal, early-90s pop aesthetic

1992 Scandinavian reggae-influenced pop, minimal 90s Euro pop, 94 BPM, 4/4, F# minor feel, deep repetitive bass-driven groove, simple off-beat rhythm, dry 90s drum machine, lots of space, Male vocal, very narrow range, stepwise motion, frequent repeated notes, speech-like delivery, descending phrases, no octave jumps, chorus stays restrained, hypnotic not explosive, Cool, detached, minimal, early-90s pop aesthetic

1993-style UK ragga dancehall track at 100–102 BPM, male vocal, rhythmic chant and toasting delivery, minimal melody, strong groove focus, One-drop reggae-influenced drum pattern, off-beat skankk guitar or synth, deep repetitive bass loop, Vocal hook built from short percussive phrases with clear pauses between words, crowd call-and-response feel, spoken-rhythmic verses, no long melodic singing, Raw 90s production, dry drums, light delay on vocals, club-ready reggae-pop crossover energy

1993-style UK ragga dancehall track at 100–102 BPM, male vocal, rhythmic chant and toasting delivery, minimal melody, strong groove focus, One-drop reggae-influenced drum pattern, off-beat skankk guitar or synth, deep repetitive bass loop, Vocal hook built from short percussive phrases with clear pauses between words, crowd call-and-response feel, spoken-rhythmic verses, no long melodic singing, Raw 90s production, dry drums, light delay on vocals, club-ready reggae-pop crossover energy

90s Eurodance track, 138–140 BPM, F minor key, classic Masterboy production style, bright female lead vocal in Beatrix Delgado style (clean, energetic, slightly nasal), simple talk-like verse melody with short note range, strong melodic pre-chorus rising step by step, big euphoric chorus with higher register notes and long vowels, repetitive chant hook built on a 3-note motif, male Eurodance rap break with minimal melodic movement, saw lead synth with detune, offbeat Euro bass, 909 kick and clap, wide pads, sidechain compression, club-ready mix, joyful nostalgic 90s dance anthem, clear verse → pre-chorus → chorus → rap → final chorus structure, no modern EDM sounds, no trap, no future bass

1992 Scandinavian reggae-influenced pop, minimal 90s Euro pop, 94 BPM, 4/4, F# minor feel, deep repetitive bass-driven groove, simple off-beat rhythm, dry 90s drum machine, lots of space, Female vocal, very narrow range, stepwise motion, frequent repeated notes, speech-like delivery, descending phrases, no octave jumps, chorus stays restrained, hypnotic not explosive, Cool, detached, minimal, early-90s pop aesthetic

1960s beat, Rockabilly / Early Rock & Roll, Twangy electric guitar riff, Slap bass, drum shuffle

Produce an energetic reggaeton track featuring a natural, expressive female vocal performance in English, The vocal should sound warm, dynamic, and fully human, with authentic phrasing and subtle imperfections that add character, Avoid robotic or overly autotuned effects, Lyrics should be catchy, playful, and flirtatious, centered around themes of dancing, love, and enjoying the night, Keep the language English, with no specific names mentioned, to maintain universality, The instrumental should incorporate classic dembow rhythms, vibrant and punchy basslines, sharp percussion elements, tropical synth melodies, and bright guitar or brass flourishes to create a lively, dancefloor-ready vibe, Tempo around 95-100 BPM, maintaining a groove that is irresistible for dancing and movement, Ensure vocals feel intimate and engaging, capturing the energy and spirit of a live per

Late 80s New Jack Swing / dance-pop, 110 BPM, 4/4, medium swing groove, Key: F# minor, chorus with bright A major feel, Punchy drum machine, swinged hi-hats, dry snare, Funky, tight synth bass with F#–E–D movement, Minimal synth stabs, no guitars, no pads, Male group vocals, youthful boyband style, Verse vocals are rhythmic and narrow-range (almost spoken), Chorus melody is simple and chantable, centered around A4–G#4–F#4, Tight backing harmonies, call-and-response hook, Clean, confident, late-80s MTV vibe, No EDM, no trap, no autotune

Late 80s Stock Aitken Waterman style dance-pop, 120 BPM, A major, Male vocal, warm and emotional, Verse with narrow melodic range, pre-chorus rising, chorus wide and anthemic with long sustained tonic notes, Classic I–V–vi–IV harmony, clean 1989 radio pop production, romantic and bittersweet mood

1999 late-90s bubblegum eurodance track at 140 BPM in C major, Extremely simple, childlike melodic structure with narrow vocal range and stepwise motion only, Female lead vocal with high-pitched, slightly nasal, innocent cartoon tone, Chorus melody must repeat the same short motif multiple times, using mostly C5–A4–G4 movement, no wide jumps, no melisma, Verse melody lower and talk-sung, pre-chorus slightly rising into chorus, Male character vocal speaking and shouting short jungle-style calls, not singing, Bright plastic synth leads, bouncy eurodance offbeat bass, four-on-the-floor kick, simple clap on 2 and 4, No complex harmony, no bridge, no emotional depth, Fun, playful, cartoon dance pop, toy-like production, catchy and naive, late 90s novelty eurodance style

Create a 1966 Jamaican ska/rocksteady style cover inspired by Millie Small & Jimmy Clifff: Vocals: Male and female duet, playful call-and-response, Male smooth and energetic, female bright and cheerful, Lyrics about dancing, flirting, and street fun, Tempo: ~140 BPM, upbeat, danceable Instruments: Electric guitar with off-beat skanmk rhythm Walking upright bass Piano and organ stabs Short, staccato trumpet and saxophone hits Drums: snappy snare on 2 & 4, steady kick, light hi-hat Optional handclaps on choruses Arrangement: Intro, repeated verses and choruses, playful bridge, call-and-response sections emphasized Production: Minimal, analog-style warmth, vocals clear and central with light reverb Mood / Style: Fun, youthful, flirty, street-party energy

1990s Eurodance track at 140 BPM, playful erotic dance style, female lead vocal: teasing, energetic, catchy, male spoken vocal: humorous, character style, classic Eurodance synth lead and off-beat bass, simple but infectious chorus hook, bright 90s club mix, no modern EDM sounds, no trap, no techno, no hyperpop, fun, cheeky, dancefloor-oriented, in the style of classic E-Rotic but fully original

1960s beat, rock'n'roll in the style of Elvisss, Rockabilly, Motown